“The Sacred Willow” portrays four generations of a Vietnamese family that stretches from the traditional mandarin culture of northern Vietnam, the French occupation, the Vietnamese war, to life in the US. A main portion of this book is centered around the narrator Mai’s father Duong Thieu Chi and his struggle of working in the government while raising a family during the time of French Occupation. Throughout Mai’s accounts, her father’s internal conflict between good and bad as well as modern and traditional are highlighted to symbolize the 20th century Vietnamese sentiments towards their country and their call for independence. The books begins by Mai retelling her great grandfather and grandfathers’ lives which are important because it gives reasoning to explain how the French occupation drastically changed her father, Duong Thieu Chi’s life, career, and decisions. Duong Thieu Chi was a man who struggled between …show more content…
People made their money from land-ownership and commerce was something that would have been looked down upon a few decades earlier. Mandarin’s gradually lost their prestige and were not much better off materially than the merchants and peasants they governed. Commerce and business became not only respectable, but also desirable to develop a country. The French also began to educate more natives and open up the middle and upper levels of government to the locals. When Duong Thieu Chi got a job in the colonial government, the French had become more militant and structured (Elliot, p. 85). They concluded that the French would have to win their freedom back by violence rather than modern education and reforms. This led to Duong Thieu Chi’s job becoming more difficult because he had to be under strict orders to suppress any communist and nationalist support by increasing vigilance even if he supported it internally. He was held responsible for anti-French activities in his territory (Elliot, p.
He wanted the people of Indochina to learn from the French and modernize they government and he would publically ask the French what was their goal here and when will they be leaving. Chau would be arrested and sentence to life at hard labor, but the people protested and French decided to give Chau house arrest. Trinh was arrested multiple times, but he would die in 1926. Trinh public protest against the French with his writings and not hiding behind a pen name. Binh sent the summer
The book goes into detail on how the Hmong felt like fishes out of water. An example of this is when Fadiman describes the idea of role lost. In Laos the role system used to go Grandfather is the most important and is obeyed by father, who is obeyed by his wife, who is obeyed by her children, and younger children obey their older siblings. But Fadiman described what happens to a lot of Hmong families when they come to America, “Grandfather has no job.
In her book, The Spirit Catches You and You Fall Down, Anne Fadiman describes the story of the Lee family and the conflicting views that arose between Western and Eastern beliefs on providing Lia medical aid. When Laos fell to the communists, the Lees were among the thousands of Hmong who fled the country. They arrived in the U.S. with their seven children and settled in the town Merced. When the Lee’s fourteenth child, Lia, was three months, her older sister slammed the front door of the apartment and Lia fainted. Her parents Nao Kao and Foua Lee believed that the noise frightened Lia’s soul to flee from her body and became lost which they associated with qaug dab peg: “the spirit catches you and you fall down”.
"The Hotel on the Corner of Bitter and Sweet" by Jamie Ford is a captivating coming-of-age story that follows the life of Henry Lee, a Chinese-American boy growing up in Seattle during World War II. Throughout the novel, Henry experiences profound personal growth and self-discovery as he navigates the complexities of racial tensions, family expectations, and first love. This essay will explore how four quotes from the book exemplify the transformative journey of Henry's coming of age. Paragraph 1: In the early stages of the novel, a young Henry grapples with his dual identity as an American-born Chinese.
In A Viet Cong Memoir, we receive excellent first hands accounts of events that unfolded in Vietnam during the Vietnam War from the author of this autobiography: Truong Nhu Tang. Truong was Vietnamese at heart, growing up in Saigon, but he studied in Paris for a time where he met and learned from the future leader Ho Chi Minh. Truong was able to learn from Ho Chi Minh’s revolutionary ideas and gain a great political perspective of the conflicts arising in Vietnam during the war. His autobiography shows the readers the perspective of the average Vietnamese citizen (especially those involved with the NLF) and the attitudes towards war with the United States. In the book, Truong exclaims that although many people may say the Americans never lost on the battlefield in Vietnam — it is irrelevant.
The spirit catches you and you fall down: A Hmong child, her American doctors, and the collision of two cultures by Anne Fadiman illuminates the dilemmas, as well as barriers, persons of various cultural backgrounds can encounter daily, specifically when residing in a foreign habitation of different practices, perspectives and beliefs. This book highlights the difficulties one family must face during a clash between Hmong family cultural beliefs and western medicine. Fadiman (1997) brings our attention to these harsh realties that one can encounter when persons are unintentionally culturally incompetent through sharing the story of the Lia Lee and her parents, Nao Kao and Foua, who look for guidance from western doctors to assist their spiritual
Readers, especially those reading historical fiction, always crave to find believable stories and realistic characters. Tim O’Brien gives them this in “The Things They Carried.” Like war, people and their stories are often complex. This novel is a collection stories that include these complex characters and their in depth stories, both of which are essential when telling stories of the Vietnam War. Using techniques common to postmodern writers, literary techniques, and a collection of emotional truths, O’Brien helps readers understand a wide perspective from the war, which ultimately makes the fictional stories he tells more believable.
Loung Ung’s First They Killed My Father is a vivid, detailed memoir of a young girl’s experiences in Cambodia throughout the Khmer Rouge era. It records in expressive detail the horrors suffered by the Ung and her family while living under the oppressive rule of the insane Khmer Rouge. Meanwhile, First They Killed Her Sister by Soneath Hor, Sody Lay and Grantham Quinn is a lengthy criticism in direct opposition to the aforementioned memoir. Although the authors of First They Killed Her Sister made some excellent points throughout their assessment of First They Killed my Father such as showing how Ung having misrepresented some aspects of Khmer culture and history, they completely and utterly failed in their attempt to discredit her based on the claims that she perpetuated racial tension and distorted what really happened in 1970s Cambodia, which breaks down the few good points they did have. The critics correctly assert and prove that Ung misrepresented certain aspects of Khmer culture and history, showing that at times, Ung’s description of what had happened was distorted or partially fabricated.
This historical analysis will define the imperial impact of French colonialism and the influence of Chinese communism and on the Vietnamese people in the pre-WWII era. The important role of China in the development of Vietnam’s history is crucial to understand the ways in which foreign colonists could not sustain dominance over these peoples. In the past, Northern Vietnam had been a part of China, which defines the close relationship that these people had with a larger and more powerful empire in this region of the world. In the late 19th century and early 20th century, the role of China’s own nationalist movements had an impact on Vietnam’s own struggles in French-Indochina. The early focus on “nationalism” in China was going against western
Heavily influenced by Max Weber, Peter Berger was interested in finding the meaning of social structures. This theme is apparent throughout his book The Sacred Canopy (1967), in which he drew on the sociology of knowledge to explain the sociological roots of religious beliefs. His main goal is to convince readers that religion is a historical product, it is created by us, yet also has the power to govern us. Society is a human product. Berger made it very clear from the beginning, that society is a dialectic phenomenon; it was produced by us and in return, produced us too.
Regret is a powerful emotion that has the ability to scar someone for the rest of their life. Moments of regret can come from relationships, self-made decisions and life changing events. The idea of regret also applies to “A Marker on the Side of the Boat” by Bao Ninh and “On the Rainy River” by Tim O’Brien. Although these two literary pieces are very different in many ways, both authors describe the experience of the Vietnam War as a time of regretful decisions that negatively impacted people of both the American side and the Vietnamese side. Both authors tell a story about a character that recalls of flashbacks of the war, where they grieve over the past decisions that have affected them for the rest of their life.
Have you ever wonder what your life will be like when you have a chance to live in a different country other than you motherland? There are many challenges and obstacles people usually face when they start their new life in a new country. Moreover, people can totally change their life in different way due to their change in cultural environmental. The same situation has been demonstrated in the novel “The Gangster We Are All Looking For” by Le Thi Thuy Diem, an immigrant from Vietnam who left their motherland for freedom and new life. The novel “The Gangster We Are All Looking For” is a narrative fiction novel in which it describes the important of cultural differences, consequences of war and the maturity of the author.
In his memoir, Where the Wind Leads, Vinh Chung demonstrates the theme that times of despair and hardship will eventually pass, but it is the motivation to succeed which will make that time fruitful. While relaying the story of his family’s past, Chung gives an overall theme of success and prosperity which accompanies the distress and conflict brought about by the encompassing Vietnam War. As Chung stated, “[W]hat I do know is that the same pressure that can crush coal into dust can also turn carbon into diamond . . . Tough times produce tough people” (14). Though this theme of success can be grounded in one’s desire to prosper, Chung shows a deeper desire from which this success stems.
“Love and Honor and Pity and Pride and Compassion and Sacrifice” Nam Le’s “Love and Honor and Pity and Pride and Compassion and Sacrifice” is categorized in “ethnic story” narrated his Vietnamese life in order to meet an upcoming deadline even though finally he can’t submit his story because his father burns his work. Throughout the story, Nam the narrator talks about “the past” which he experiences when he was young including the recent experience that he has got from his father reunion. Not only does the story tell us about the past which, but it also shows a connection of time between past, present, and future. Likewise, the story shows the relationship between son and father which is the main theme of this story; and shows how the past is important and affect to them differently. Also, the story of the past could lead to the end of the story that can be interpreted like a prediction of the direction of their relationship in the future.
The narration beautifully illustrates the struggles of being pushed into a foreign world, where people look different, have other traditions, other norms, and speak an entirely different language. Based on her own childhood experiences as a migrant from Hong Kong, Jean Kwok tells the story of young and exceptionally intelligent Kimberly Chang who finds herself doing the splits between a life in Chinatown, wasting away as a sweatshop worker and living in a run-down apartment, and striving for a successful career at a fancy private school. Kimberly translates herself back and forth between a world where she can barely afford clothes and a world where, in spite of her intelligence, she 's supposed to look the part as she reaches for higher education. It is a tale of survival and beating the odds, but ultimately, it is also a fragile love story in an unforgiving environment. The narration is raw, honest, and authentic, with the Chinese culture being cleverly woven into the storyline.