In the book “The Joy Luck Club”, by Amy Tan, Jing-Mei Woo is asked to take her mother’s place in the Joy Luck Club. As she settles in she finds more about her mom then she knew when she was alive. She finds out that her mother had two covert twin daughters that she left back in China. As the story develops Jing-Mei is egged to find a way to go meet her sisters and fulfill her mother’s lifelong dream. “The Yellow Raft in Blue Water” by Michael Dorris is about three generations of Indian women Rayona, Christine, and Ida. Rayona is a fifteen-year-old American-Indian searching for a way to find herself. Christine, her mother is consumed by tenderness and resentment toward those she loves. Finally, the curious Aunt Ida whose haunting secrets, …show more content…
The mom showed her culture when she tells her daughter how Chinese mothers show their love for their children. “... Chinese mothers show their love for the children not through hugs and kisses but with stern offerings of steamed dumplings, duck, gizzards, and crab” ( 3 Tan, 4). In China, parents show their love for their children in other ways because that is apart of their culture. It is what they are used to and have grown up knowing. There are examples of culture in the Joy Luck Club as well as the Yellow Raft in Blue Water. Culture is shown in the Yellow Raft in Blue Water when Christine and Rayona travel to Aunt Ida’s who 's at the reservations so they can “dwell” there for a while. Rayone leaves a few days after her mom leaves with Dayton. Culture is clearly shown when Rayona and Christine are reunited at Dayton 's house after the bedlam rodeo. “ I called Charlene, everybody, even Elgin, but nobody knew a damn thing about you”( Dorris, 130). Christine was on a brink ever since she found out that Rayona left the reservation.The mom is displaying her love for her daughter differently than how the mom did for Jing-Mei Woo. Christine is showing that she is caring and is protective of her daughter. This shows culture because the mom is displaying how she protects her daughter in a cultural way. In both novels, culture plays a huge role in the mothers and daughters …show more content…
In the Joy Luck club, family relationships are shown when the mom insists that Jing-Mei takes the better crab. “ I thought I was doing the right thing, taking the better crab with the missing leg. But my mother cried, “‘No! No! Big one, you eat it. I cannot finish”(3 Tan, 4). When the mom atoned Jing-Mei to take the better crab, the mom shows family relationships because she stopped her daughter from taking the bad crab because she doesn’t want her to have bad luck. She wants her to have a good life and be lucky which is how she is showing family relationships. Family relationships are not only shown in Joy Luck Club but in The Yellow Raft in Blue Water. Family relationships are shown when Ida stops Clara from taking her daughter, Christine. “ This paper says differently. This paper says what everyone on this reservation knows. That it was me, Ida, who had to leave in shame. That it was me, Ida, who came back here alone with a baby the image of my father. That it was me, Ida, who’s raised her every day”(Dorris, 336). Ida who is Christine’s sister wanted the best for her which is why she faked legal papers to solve the conundrum of Clara selling Christine to a rich family. Family relationships are shown here because she tried to protect her. That 's what family is for, there are there to look out for one another. No one cares about a person more than their
Family Secrets Through Three Generations Three complicated generations, intertwining on crossing paths through secrets kept in an invisible mystery. A classic novel, A Yellow Raft in Blue Water by Michael Dorris, sets in the stories told by the perspectives of three Indian women. Each character tells their own story revealing hidden secrets that shapes the character the way they are. Rayona, a teenage girl, struggles to find herself as she deals with racism and isolation. Christine, an Indian mother, experiences through resentment toward her loved ones as she searches for love from others.
Throughout the novel The Joy Luck Club, Jing-Mei Woo struggles with her sense of identity and belonging in a community as she is often embarrassed of her heritage, and prefers to live her life in the shadows. However, at the end of the book, Jin-mei finds peace when she seeks her roots and sisters in China. She finally finds her inner Chinese that she described is “in your blood waiting to be let go” (Tan 306). This shows that although immigrants of the time period often struggled with self identity, deep down they wanted to find acceptance in their
Amy Tan’s Joy Luck Club is an amazing representation of what Chinese immigrants and their families face. The broad spectrum of the mothers’ and daughters’ stories all connect back to a couple of constantly recurring patterns. These patterns are used to show that how the mothers and daughters were so differently raised affected their relationships with each other, for better and for worse. To begin with, the ever-present pattern of disconnect between the two groups of women is used to show how drastically differently they were raised.
In The Joy Luck Club, written by Amy Tan, we are introduced to Suyuan and her daughter Jing-Mei “June” Woo. As with any relationship, there is conflict between Suyuan Woo and her daughter, as it seems that Jing-Mei doesn’t understand her mother’s Chinese culture and ambitions. In the Chinese culture, women are seen as inferior and often lack basic rights such as the right to marriage or financial holdings, thus deprived of their potential. This is why the rights in the U.S. are seen as privileges to Chinese women, among other minorities, and why Suyuan endeavored for her daughter to become a prodigy and excel in anything and everything. Yet as Jing-Mei was forced into this ideal, and the more her mother tried to enforce this idea, the further she begun to despise her mother for attempting to turn her into a “fraud”.
on the other hand Jing-Mei is America born and has more of an American culture mind set, which cause her to seem rebellious to her mother. Said by Jing-Mei’s Mother, “only two kinds of daughters!” she shouted in Chinese “those who are obedient and those who follow their mind! Only one kind of daughter can live in this house. Obedient Daughter!”
Tan expresses the life experiences of Chinese immigrants to the United States and attempts to depict the relationship of a mother and daughter through her significant piece of writing ‘The Joy Club’. Therefore, all these authors somehow portrayed their early struggles and their view point towards life from their literary
This disagreement quickly became a source of resentment and anger for both of them, but Jing-Mei and her mother were unable to resolve this conflict because of their different backgrounds and experiences. The story showcases how relationships between mothers and daughters can be strained because of differences in culture and a lack of communication. One of the difficulties between Jing-Mei and her mother is their different cultural backgrounds, which is supported by two points from the story. Firstly, Jing-Mei and her mother both disagreed on the opportunities that existed in America. According to Singer, Amy Tan uses “two entirely
The fact that Clara slept with Ida’s father puts Ida in a tough position. Does she take her mother's side because that is her mother the one who birthed her, the one who raised her till she was to sick too and the one who loves her the most; or does she takes Clara’s side? The women who came into her life and turned it upside down but made her happy, feel loved, took care of her and was always there for
Amy Tan’s novel, The Joy Luck Club, displays numerous characters' quests to find their identity. Jing-Mei Woo, who goes by June, believes that she will never live up to her mother’s standards. She lacks confidence and a sense of identity. The cultural and historical settings influence the development of the character Jing-Mei Woo because she identifies with American culture, while her mother wants her to behave more like the Chinese culture. She believes that her mother wants her to be a genius when, in reality, her mother just wants her to try.
In the words of Jing-Mei in the last line of the story, “Together we look like our mother. Her same eyes, her same mouth, open in surprise to see, at last, her long-cherished wish” (Tan 159). Throughout her life, Suyuan, their mother, held onto the hope that she would see her daughters again. In this hope, she named Jing-Mei in connection to her sisters, keeping the “long-cherished wish” that someday her daughters would reconcile and complete their family circle. The occasion that
“Communication is the key to a successful relationship, attentiveness, and consistency. Without it, there is no relationship,” (Bleau). The Joy Luck Club is a novel written by Amy Tan. Set in the twentieth century, this novel depicts the life of four Chinese immigrant women escaping their past and their American-grown daughters. The novel reveals the mothers’ hardship-filled past and motivations alongside with the daughters’ inner conflicts and struggles.
Culture and Women In “Girl” by Jamaica Kincaid and “ How to date a Brown girl, Black girl, White girl or Halfie “ by Junot Diaz, both authors elaborate on culture and how it shapes outlook on women. In Jamaica Kincaid’s “Girl” a mother enforces her culture’s strong beliefs on her daughter. As the result, she displays her parental authority with a sequence of short commands influenced by her culture. A sense of judgment can be seen in the young girl, after questioning her mothers’ request.
Incompatible Interracial relationships are difficult to maintain in the United States because of differences in cultural upbringing as well as racism and xenophobia. The book The Joy Luck Club by Amy Tan focuses on four Chinese mothers who describe their past hardships and adjustment to the United States as well as their relationships with their American born daughters. The mothers try to save their children from experiencing the same things that they have been through. In the book, there are a few interracial couples such as Rose Hsu and Ted, Waverly Jong and Rich, and Ying Ying St.Clair and her husband Clifford. They all have trouble loving and understanding each other.
Jing Mei, while portrayed as an obedient child, is only willing to listen to her mother to a certain extent. Throughout the story, it is consistently hinted that Jing Mei would eventually explode against her mother as an attempt to free herself from her mother’s chains. In addition, after the fiasco at the piano recital, she eventually derives further from her mother’s wishes as she “didn 't get straight A...didn 't become class president...didn 't get into Stanford...dropped out of college.” (54). On the flip side, Jing Mei’s mother is a stereotypical Chinese parent who is fully determined to ensure her daughter’s success in a new environment.
Jingmei Woo, the main character of The Joy Luck Club, has been troubled by the obstacle of her own identity. She also doesn’t really know anything about her mother, while she was back in her home country, China. From the novel, “What will I say? What can I tell them about my mother? I don’t know anything…