How does one discern truth? For Tim O’Brien, author of The Things They Carried, there is no singular definition of truth -- at least not one he could find while trekking through the war-torn Vietnamese countryside in the 1960s. O’Brien uses his personal experiences in Vietnam to craft a series of anecdotes considered fictional, written from the perspective of an American foot soldier ironically named “Tim.” In a seemingly random chapter of the novel, O’Brien directly addresses the readers by suggesting that the stories are entirely fabricated. He then implies that the idea of the stories being fabricated is also a fallacy. In the context of this ambiguity, O’Brien introduces two perceived forms of truth he refers to as “happening truth” and “story truth.” Happening truth is a raw, unprocessed event whereas story truth is built upon the actual event but transformed by hindsight. By establishing a binary between happening truth and story truth, O’Brien prompts his readers to question the validity of writing as a whole. A deconstructionist would read Tim O'Brien's book and recognize that Vietnam, although a polarizing subject, is not the true center of the text; Vietnam is but a stage on which O’Brien’s binary …show more content…
The passage of time can also introduce play into a text. Language is considered an ever-evolving form because humans continuously refine, expand, and alter established definitions. As years pass, these alterations result in the warping of a text as more play occurs.
Time creates an inherent degradation of writing whereas a loss of subject is controlled by the reader. Within deconstructionism, this subject is called the center of a text. The center of the text drives a story or speech forward by inspiring the emotions, actions, and reactions of the characters or speaker. In The Things They Carried, the text is centered by
In The Things They Carried, Tim O’Brien exemplifies a central question in the book. The central question is, “Is war more good or bad?” To an extent, O’Brien answered that question. The answer is almost clear. O’Brien’s book on some his experiences in the Vietnam War captures nearly every detail need to answer the central question.
O’Brien captures real-life events that he experiences first-hand in Vietnam. Including the incomprehensive presence of brutality, a disturbing lack of value for the lives of innocent Vietnamese civilians, and the soldier’s experiences with guerrilla warfare. These factors together encompass the main points in Tim O’Brien’s argument and give valid evidence that helps the reader grasp that America had little to no morally justifiable reason to become involved in the Vietnam
Fiction is a category of writing that is often used to appeal to the reader's senses. It is a way for the writer to connect with the audience on levels that are hard to find in a simple piece of nonfiction. With a combination of historical facts and fictional attributes, O’Brien writes a compelling tale about the Vietnam War. In the book Going After Cacciato, O’Brien wrote about a real war including some historical attributes; however, the fictional story contains usage of symbolism to make the truths seem all the more real.
“How to Tell a True War Story” and “Ambush” are stories that both explore on topics: truth, the real definition of a true war story, and the role of truth. O 'Brien starts off “How to Tell a True War Story” with “This is true.” Starting this story with such a bold sentence not only makes it seem more true, but to some extent, it acts as a comfort statement to the narrator’s own doubts, as if there were unspeakable uncertainties and lies of the narrator. The title of this story also comes into play, with a meta-fictional name “How to Tell a True War Story”, as if it were a guide, a manual, having a true war story tell the readers how to tell a true war story. However ironically, towards the middle of the story, us as
In “The Things They Carried” by Tim O’Brien, who also narrates through the perspective of Lt’ Cross’s state of mind, describes what it is like to endure the trials of the Vietnam War. Tim receives his draft notice in June of 1968, and contemplates crossing the Canadian border to escape fighting in a war he does not believe in. Guilt and fear took over Tim and he decided he has no choice but to go back to Minnesota and then later to Vietnam. He is but one of many different characters with many different thoughts, motives, and feelings, but also have one thing in common; they all carried with them something that held value to them. For some it was a physical object that the can hold or see, and for others it might have been a mental state of mind, a belief or even a superstition;
In Tim O'Brien's “The Things They Carried,” a fictional novel about an American platoon during the Vietnam War, O’Brien insists that the book and stories being told are real, only to contradict himself after a few pages. I believe O’Brien does not do this because he is an eccentric writer, but because he is trying to make us believe that these fictional characters’ deaths and hardships are real, in order to convey a message about how there is beauty in death. While reading through the stories it is often difficult to separate what is fictitious, and what is true. Throughout the novel we seem to find two different “truths”, which are “story truth” and “happening truth”. O’Brien uses war related imagery to demonstrate the power of storytelling by describing the brutal realities of death and how soldiers meet it and deal with it.
In If I Die in a Combat Zone, author Tim O’Brien argues that the Vietnam War was unjust by expressing his disapproval of the war through his own moral beliefs, sharing the descriptions of deaths in Vietnam of the innocent citizens, and by describing how much the war impacted himself and others negatively. In the beginning of the book, O’Brien openly stated his beliefs on the war. He believed it was wrongly accepted and unjust, but he battled his own opinions with society’s views anyway (18). Constantly, O’Brien discussed within his own head about the true definition of bravery and courage (147).
The Things They Carried In the historical fiction The Things They Carried, Tim O’Brien presents himself, the narrator, being faced with a war draft to a war he didn't agree with, in order to convey a message about going to war instead of fleeing the draft ultimately illustrating that message of being a coward for going against what he believed in. Tim O’Brien conveys a message of himself being a coward for going against what he believed in. In the text Tim had recently graduated from college when he got drafted to the war, O’Brien stated “In June of 1968, a month after graduating from Macalester College, I was drafted to fight a war I hated.” O’Brien makes it extremely clear that his views did not align with the war.
No doubt the events and occurrences that took place during the Vietnam War were nothing short of gory, horrendous, and unimaginable, but is it true that the surreal horror of the war can only be captured and lived again through stories recounted by those involved in the war itself? First-hand accounts, real or made-up, are crucial to being able to experience the emotional and physical struggles the soldiers of the Vietnam War experienced. In The Things They Carried, Tim O’Brien states, “I want you to feel what I felt. I want you to know why story-truth is truer sometimes than happening-truth” (171). This means that stories are the only way to capture one’s raw war experiences and emotions, so the best way the surreal horror of the war in Vietnam
In his novel, The Things They Carried, Tim O’Brien aims to convey his experience fighting in the Vietnam War. This subject is very difficult to write about, because many readers have never gone through anything like this – O’Brien is showing them a world that seems completely foreign. Throughout the novel, he portrays people from different backgrounds, all of them deeply human, living through and contributing to something that goes against the very foundations of humanity. In order to be able to convey this disparity, he needs to use every tool available to him, including bending the truth.
In The Things They Carried the author, Tim O’Brien, often shares his own war experiences, and in most, if not all of his stories, he mixes lies in with truths in order to compose them to be believable and comprehensible. Many times throughout the novel, O’Brien fails to acknowledge when he’s falsifying his stories, however, he notes that he actually adds lies in the reports on his wartime experiences, but doesn’t provide when he does so. He claims so many people don’t believe the reality of war that he truly experienced that he’s obliged to lie. Although he may be protecting the audience from the harsh reality of war, at times it’s burdensome to decipher myth from fact. He often leaves the reader wondering what actually happened, what did not
Readers, especially those reading historical fiction, always crave to find believable stories and realistic characters. Tim O’Brien gives them this in “The Things They Carried.” Like war, people and their stories are often complex. This novel is a collection stories that include these complex characters and their in depth stories, both of which are essential when telling stories of the Vietnam War. Using techniques common to postmodern writers, literary techniques, and a collection of emotional truths, O’Brien helps readers understand a wide perspective from the war, which ultimately makes the fictional stories he tells more believable.
In the chapter, How to Tell a True War Story, he emphasizes this a lot. “In many cases a true war story cannot be believed. If you believe it, be skeptical. It’s a question of credibility. Often the crazy stuff is true and the normal stuff isn't, because the normal stuff is necessary to make you believe the truly incredible craziness.”
Weight possesses interchangeability. It represents two opposing sides of reality’s spectrum; the literal, a heavy load or object, and the metaphoric, a mental or moral burden. In Greek mythology, the iconic story of Atlas and the weight of the world reflects this sameness. The Titan bore an unyielding physical strain along with the ever-present reminder of his moral misdoings; unquestionably, his body and psyche soon began to collapse under the stress. But behind myths, can truth not be found?
The concepts of truth and happiness have been important literary themes throughout history. In Tim O’Brien’s The Things They Carried, O’Brien’s notion of truth creates the structure of the novel. O’Brien believes “truth” boils down perception, and how what we believe happened affects our emotions. Thus real truth is elusive for we can change how we feel and perceive what happens to us. Jon Gertner, author of The Futile Pursuit of Happiness, also believes truth to be elusive.