Stories one way or another always have a little bit of fiction, whether it be a color of shoes or a time of day, stories don’t always hold all of the truth. In the novel, The Things They Carried, O’Brien explains his life and experience in the Vietnam War. Being the narrator in the novel, he depicts the relationship between fiction and reality itself. Calloway’s definition of metafiction fits Tim O’Brien’s novel because O’Brien himself is the main character. He is a veteran describing his experiences during the Vietnam War, but he’s also a writer who is explaining the truth behind writing stories.
O’Brien tells many stories about death, friends, and times during the war. These stories are all fiction because in the novel O’Brien is his own main character making the novel a fiction due to the changes in the stories and people. O’Brien consistently reminds his readers that the stories in his book are fiction, but explaining that stories
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When he got his call to become a solider everything changed for him, he didn’t know whether to go to war or to run away, but in the end he decided that he would go. The protagonist submitted “…to Vietnam, where [he] was a soldier, and then home again. [he] survived, but it’s not a happy ending. [he] was a coward. [he] went to the war” (O’Brien, 58). Narrator O’Brien explains to his readers that he was a coward because he gave up on his principles and submitted to the war. Author Tim O’Brien’s autobiography explains his experience in Vietnam and what he felt about the war, and he reveals that he himself was against the war but in the end he “was a coward [he] went to Vietnam” (The Vietnam in Me). The similarities between author O’Brien and character O’Brien show that this fiction but holds some sort of reality to it, although they’re made up
War can change a man’s life more than life can change a man itself. Many of us just simply don’t understand until we truly experience it. Tim O’ Brien, the author of “How to Tell a True War Story,” goes in depth in the day to day lives of American soldiers in their involvement in the Vietnam War. While American soldiers, highly regarded as the best throughout the world, the Vietnam War resulted in a failure that tarnishes the reputation that America was known for. To further justify the consequences, Tim O’ Brien describes the hardships and horrors that soldiers experienced through the use of profanity, asyndeton, and symbolism to convey on the realities of war.
What if they don’t want to fight, kill someone or be killed. These young men go through internal struggles like this when they are drafted to go to war, what if they die fighting for something they don’t support or get wounded in ways words can’t describe. In Tim O’Brien’s novel The Things They Carried, the main protagonist in the story Tim O’Brien faces these internal struggles when he received his draft card. Personally, if I was in Tim’s position I would also struggle with the decision, to fight in a war which I don’t agree with. Tim's inner conflict occurred around if he didn’t go to war and escaped to Canada what would people think of him, he was afraid of being embarrassed in his small hometown called Worthington.
In Tim O’Brien’s novel, The Things They Carried, he uses metafiction by writing about how he made up most of the stories. The stories of his experiences from the Vietnam war in his book, create a war-like perspective for his readers to better understand war because often, battles can be spotty in the mind and the imagination fills the gaps. O’Brien uses his book to help the reader find truth. Many things in The Things They Carried are confusing and contracting.
In Tim O'Brien's The Things They Carried, O’Brien is the narrator recounting his experiences as a Vietnam War veteran through the form of storytelling. After death, people and experiences fade away and are often forgotten, and the only way to keep their lives remembered is to continue to tell them through story. There were many traumatic events that O’Brien had to deal with, namely the deaths of soldiers, the vietnamese soldier he killed, and the death of his childhood friend Linda. Many of the surviving soldiers developed PTSD and had flashbacks, while O’Brien held them in and blocked away the memories, as a form of catharsis. Storytelling becomes his form of therapy, and method of preserving the lives of the deceased.
Both a novel and a collection of interrelated short stories, Tim O'Brien's The Things They Carried is a book that emerges from a complex variety of literary standards. O'Brien presents to his readers both a war journal and a writer's autobiography, and complicates this presentation by creating a fictional protagonist who shares his name. To fully comprehend and appreciate the novel, particularly the passages that gloss the nature of writing and storytelling, it is important to remember that the work is fictional rather than a conventional non-fiction, historical account. Protagonist "Tim O'Brien" is a middle-aged writer and Vietnam War veteran. The primary action of the novel is "O'Brien's" remembering the past and working and reworking the
In Tim O'Brien's “The Things They Carried,” a fictional novel about an American platoon during the Vietnam War, O’Brien insists that the book and stories being told are real, only to contradict himself after a few pages. I believe O’Brien does not do this because he is an eccentric writer, but because he is trying to make us believe that these fictional characters’ deaths and hardships are real, in order to convey a message about how there is beauty in death. While reading through the stories it is often difficult to separate what is fictitious, and what is true. Throughout the novel we seem to find two different “truths”, which are “story truth” and “happening truth”. O’Brien uses war related imagery to demonstrate the power of storytelling by describing the brutal realities of death and how soldiers meet it and deal with it.
This phase out of the book The Things They Carried, shows how important a detailed description is. Having read the fictional story about Tim O’Brien’s experience in the Vietnam War, can really set off that emotional connection because it makes you feel like you are really
In If I Die in a Combat Zone, the author Tim O’Brien argues his disagreement with the Vietnam War through his beliefs of the injustice of war by depicting the arrogance of the war itself and his experiences of brutality as a soldier in Vietnam. This story is developed very differently from any other book written about the War of Vietnam, O’Brien added fiction to his real life experiences to express his true belief on the war and expose the injustice of it. Throughout the book O’Brien mentions his thoughts against the war and involvement in Vietnam and even conflicted over it with the Chaplain during his basic training. To him he explains his values and understanding of the pursuit of happiness and argues that as a human his obligation is to
Readers, especially those reading historical fiction, always crave to find believable stories and realistic characters. Tim O’Brien gives them this in “The Things They Carried.” Like war, people and their stories are often complex. This novel is a collection stories that include these complex characters and their in depth stories, both of which are essential when telling stories of the Vietnam War. Using techniques common to postmodern writers, literary techniques, and a collection of emotional truths, O’Brien helps readers understand a wide perspective from the war, which ultimately makes the fictional stories he tells more believable.
How it was shaped: Tim allowed the draft of the Vietnam war and societal pressures get to the best of him and he slowly tore himself apart, he started off as a confident incorrigible man. His morals later then became corrupted, he gave into the pressures, his self proclaimed Lone Ranger status had been infected and debunked by his end decision of serving in the Vietnam war. Thesis: In the story, On the Rainy River, the author, Tim O’Brien demonstrates that an individual allows societal pressures and expectations to override their core values, morals, and beliefs; peer pressure forces individuals to put their beliefs aside so they can fit in with everyone else. The narrator, Tim O’Brien faces a similar situation when he get’s drafted for the Vietnam War.
He fought a war in Vietnam that he knew nothing about, all he knew was that, “Certain blood was being shed for uncertain reasons” (38). He realized that he put his life on the line for a war that is surrounded in controversy and questions. Through reading The Things They Carried, it was easy to feel connected to the characters; to feel their sorrow, confusion, and pain. O’Briens ability to make his readers feel as though they are actually there in the war zones with him is a unique ability that not every author possess.
This is evident when Mr. O’Brien says, “I would go to the war – I would kill and maybe die – because I was embarrassed not to,” (pg. 57.) In the end the author realized what he must do and went back home, so he could fight in the Vietnam
Even after all these years, O’Brien is still unable to get the images of Vietnam out of him head, specifically of the man he killed. In the novel, he repeats the description of the man numerous times, almost to the point of excess, saying,“he was a slim, dead, almost dainty young man of about twenty. He lay with one leg bent beneath him, his jaw in his throat, his face neither expressive nor inexpressive. One eye was shut. The other was a star-shaped hole” (124).
This forewarns the reader that they could be reading something that is real or something that is completely made up. O’Brien is a masterful writer who has created an unique story about the experience of war through his style of writing.
There are numerous examples of metafiction in The Things They Carried; many are clear, and some are harder to notice at first glance. In the text, author Tim O’Brien uses a metafictional writing style to vividly illustrate what emotions and thoughts went through the minds of the soldiers fighting in Vietnam, including himself. It is unclear whether or not some of the stories he tells in the text actually happened, but there is no doubt that they are paramount to the underlying objective of O’Brien’s writing style: to use realistic scenarios that may not have actually happened, to make whatever changes necessary to the story to get his point across. Tim O’Brien uses metafiction to obscure the line between truth and fiction by manipulating details that trigger certain emotions to influence the reader. Metafiction allows writers like Tim O’Brien to manipulate what is held to be truth, and fabricate certain details in an attempt to enhance or reinforce the meaning of a story.