Ted Hughes’s “To Paint a Water Lily” tells about an artist painting a scene of nature, and his choice to focus on a water lily. The poem also shows how the artist has two ways of thinking about nature. One way the artist thinks about nature is as a violent and scary thing.The artist also thinks of nature as a thing of beauty and grandeur. Though the artist acknowledges both of his views towards nature, he chooses to focus on the beauty. Through the use of diction and irony the author successfully reveals the artist’s attitude towards nature and his task. Hughes use of diction helps emphasize the artists contrasting thoughts on nature. The author chose words with opposing connotations in order to show “the two minds of this lady”. The author chose words with negative connotations to represent the violent and scary side …show more content…
Most people would expect the artists painting to be monopolized by one perspective of nature. However, the artist incorporates both the violent and beautiful sides of nature. The artist explained how “the long-necked lily-flower which, deep in both worlds, can be still as as a painting” (Hughes 22-24). The artist proves how the even if beauty is surrounded by negativity, nature 's beauty will not be consumed by its violence. Most people would also expect the artist to put an emphasis on nature 's violence, especially after the repeated mention of the violent parts of nature. From “The flies’ Furious arena [to the creatures that] crawl that darkness with Latin names” (Hughes) there is not mention of many objects with beauty. Even though the artist knows that there is a lot of violent things in nature, he choses to put a focus on the water lily. Because the artist incorporates both violent and beautiful parts of nature, with an emphasis on the water lily, one can infer that the artist want to create a realist painting, but not dwell in the
John Muir’s essay, The Calypso Borealis, and William Wordsworth’s poem, I wandered Lonely as a Cloud, are two wonderfully written works centered towards their love for nature. They were able to create vivd images in the reader’s head through their writing as well as emotional transitions. Both works, inspired by events in the 19th century, have their differences, however, their emotion and love for nature is the same and creates the same impact with the
The Glass Castle written by Jeannette Walls is story that revolves around a family that faces the hardships of a low class life, constant frustration, and hopelessness. I believe this story is centralized by the title of the book. “The glass castle” throughout the book is a dream, it is dream to Jeanette and her whole family, it represents a better life in a better place. Jeannette Walls centralizes her writing based on diction, the writer specifically chose unique words to show her experiences and emotions, this helps readers interpret the story from the writer's point of view.
Emily Goyette 12/9/2016 Period 1 Chapter Twelve Outline The Romantic Impulse Nationalism and Romanticism in American Painting (pg 320) Painters in America began to paint nature which showed America’s how raw and wild the American soil was and that even though the Americans were domesticating the land they would never be able to get rid of the land’s wildness because now the painters have shown how amazing the soil really is.
Erdrich’s use of strong imagery and sensory language leads to striking and vivid diction in her poem. Painting a picture of what this tragic scene looked like while she also gives light to the actual situation going on, asserts the story Erdrich is trying to get across. She begins with “The stream was
Imagery is the use of vivid language to appeal the senses of what we see, what we hear, what we smell, what we taste, and what we touch. While Ines analyzes her lover she is also thinking about herself and comparing. She shares with the reader that she has to do more work when Zapata leaves for war. She proclaims, ““Elegant hands, graceful hands, fingers smelling sweet. I had pretty hands once, remember?”(Cisneros).
Some see the ugliness in the most beautiful things but others see the beauty in the most hideous of things. The poem William Street by Kenneth Slessor demonstrates this thesis statement as he talks about how he sees the beauty in the street that is renowned for its ugliness and the unsightly surroundings it is engulfed with. This poem's literary techniques and imagery gives the readers an insight into the environment and the surroundings that are seen vividly even though they are described through the use of foreshadowing. Each stanza gives the readers a different understanding on what is going on during the poem.
Beauty is shown most prominently through times of struggle, not times of peace. This fact demonstrates the ability of beauty to show through as the driving force in beauty. In order to exist, beauty and brutality coexist. Without the wake of this brutality, beauty would never rise above, showing a balanced relationship between the two
In the past, authors have used different kinds of diction and imagery in order to express their thoughts and experiences on the thought of growing up. In the vignette “The Monkey Garden” from The House On Mango Street Esperanza deals with the pain of her friend growing up before she does. Her lack of maturity in social situations causes her confusion and pain. At the beginning of the vignette Sandra Cisneros uses positive diction and peaceful, playful imagery in order to show the beauty and innocence of childhood. Cisneros then shifts the tone and uses negative diction and Sorrowful imagery in order to express that growing up can be a painful, revealing process.
Alice Walker uses imagery and diction throughout her short story to tell the reader the meaning of “The Flowers”. The meaning of innocence lost and people growing up being changed by the harshness of reality. The author is able to use the imagery to show the difference between innocence and the loss of it. The setting is also used to show this as well.
These images show Wordsworth’s relationship with nature because he personifies this flower allowing him to relate it and become one with nature.
The heavy brushstrokes seen in the red flower bushes represent a feeling of realism. It’s as if you could physical touch the flowers. His details are more precise than Berth Morisot’s The Basket Chair, and show how more open male artist could be with their artwork. The scene seems to be during summer with the sun radiating off the garden gravel.
Nature is easily projected onto, as it allows for a sense of peacefulness and escapism. Due to its ability to evoke an emotional reaction from the masses, many writers have glorified it through various methods, including describing its endless beauty and utilizing it as a symbol for spirituality. Along with authors, artists also show great respect and admiration for nature through paintings of grandiose landscapes. These tributes disseminate a fixed interpretation of the natural world, one full of meaning and other worldly connections. In “Against Nature,” Joyce Carol Oates strips away this guise given to the environment and replaces it with a harsher reality.
1. LL. 26-31) This explains why Hensch have been able too built and reputation out of disreputable things. The art in itself is tame. It is the dark and bloody part that he have added, that makes it interesting.
What would happen if the dreams you most desired were at risk of never coming true? In the poem, "A Dream Deferred" by Langston Hughes, he uses figurative language to convey the importance of what happens when a dream is deferred for too long due to oppression. Not only does Hughes uses similes to help the reader understand the author 's point of view, but also metaphors and imagery. "A Dream Deferred" was written in a time where oppression was not only harmful but also a painful way of life for Hughes and hundreds of other Americans. In this poem, he uses imagery to convey just how desperate those Americans felt at that time with what was happening in the world, and what would continue to happen if nothing was fixed.
The History of Beauty Umberto Eco raises the question in his work ‘why is the history of beauty documented solely through works of art?’ As Eco states, art is what we are left as examples. As a result, it gives us an insight into beauty standards throughout time and of different cultures around the world. Furthermore, artists ideally strive to create something that is appealing to the eye of the viewer, but also what the artist themselves envisions as beauty.