Unfortunately, toxic masculinity plays a role in every society, therefore many people, mostly men, put on a “mask” to hide behind in order to make a false impression of their best selves. No matter who it is, everyone has a way that they want people to know them by, which is why it plays such an important role. The book Lord of the Flies is a fiction text about a group of young boys whose plane crashes after it was shot down during a war. The boys turn from civilized to savages on their long journey on the island as they become less and less of a society. Toxic masculinity affects society in more ways than one and often is used to get ahead or to be seen as superior. To change the way others perceive men and women, they put on a mask. For men they wear their “masculinity mask” to …show more content…
In the book the Lord of the Flies the masks that Jack’s group uses helps them overcome their fear of killing the pig by hiding their true feelings. When Jack volunteers himself as the leader of hunting he doesn’t realize that he would have to overcome new challenges. Masculinity “masks” and the clay masks they wear in the Lord of the Flies are basically just “things trying to look like something else” (Golding 63). Jack explains to his group of hunters that the masks they were going to wear are so they can look like something they are not or to hide what is keeping them from killing a pig. This shows that they are trying to push away their true selves and by looking like something else they can make a character of who they choose to be based on the reason they put the “mask” on. Jack uses the clay and his knife as a part of his
The Importance of Masculinity The novel “The Brief Wondrous Life of Oscar Wao,” by Junot Diaz, is one of the most known books about a dystopian society. Junot Diaz discusses the importance of masculinity in Dominican Republic society. Masculinity is explained as: “All men are influenced by their upbringing, experience, and social environment which play a big role in determining one’s view of masculinity and manhood. This means that masculinity is going to be different for everyone.
Shakespeare once said “All the world’s stage and all women and men merely players” and throughout the tough times, we’ve learned to mask ourselves according to different characters in order to gain society’s approval that we solely forget to seek acceptance from ourselves. In the short story, “Everyone Talked Loudly in Chinatown” by Anne Jew, Lin puts on different masks as she interacts with her family and in school to live up to their expectations. While in the short story “The Kid Nobody Could Handle” by Kurt Vonnegut, Jim had accepted society’s view that he had forgotten about how he views himself, unlike Gene from “I Go Along” by Richard Peck, who had forcibly put on a mask despite knowing his true potential. All of these characters had
In Macbeth and The Mask You Live In, the characteristics of masculinity begins with the questioning or threatening of their manhood, which then leads to successive violence, and lastly, the desperate behavior that occurs when ashamed. In Macbeth, and The Mask You Live In, Shakespeare investigates the connection between a man’s questioning and
Not only this but he calls attention to this perverse idea of masculinity that exits in today’s
“...the mask was a thing on its own behind which Jack hid, liberated from shame and self-consciousness.” (Golding, 66). The mask provides him many things, like shamelessness and liberation from self consciousness. Most notably, the mask provides Jack with a gateway to his new blood lust. He kills a pig for the blood, and with it, gets rid of his civilized nature.
Masculinity is a Responsibility of a Boy Although purity vacates as children age, society expects virility to leech onto boys' development, being forced to abandon moral traits and form an egotistical community. Using the archetypal theory, in Lord of the Flies by William Golding Jack is progressively aroused by hyper-masculinity, rejoicing in his robustness that exploited his moral qualities on the island, contributing to the hunter archetype. Jack encapsulates hyper-masculinity as he uses killing as an outlet, losing touch with his childlike morality; like most hunter archetypes. After the littluns “encounter” the beast they are spooked by his monstrosity, disregarding their feelings and attempting to restore some sort of normality.
Female oppression can be just as subtle as hypermasculinity with its words. Holden Caulfield narrates, “Girls with their legs crossed, girls with their legs not crossed, girls with terrific legs, girls with lousy legs, girls that looked like swell girls, girls that looked like they'd be bitches if you knew them” (Salinger 66). Literature expresses the way of which women are discriminated against and at times it is satirical, but this sector of hypermasculinity is rarely checked by narrators and authors of works. It is almost a cultural norm and expected of novels with male perspective characters to convey their attitudes and personalities in this manner. A conductor of a study of hypermasculinity explains, “Cultural socialization processes
What constitutes “masculinity?” Sadly, the term has been defined so harshly that it is having detrimental effects on our society. The definitions of gender roles bombard us everywhere, from books, to advertisements, to movies, there is seemingly no place one can hide from these absurd standards. Canadian sociologist Aaron H. Devor points out in his article “Becoming Members of Society: Learning the Social Meanings of Gender,” that gender norms are learned early on in life, burdening children with these restrictions (388). This is what makes movies which clearly reject and mock gender roles, such as The SpongeBob SquarePants Movie, so refreshing.
History has repeatedly given men privilege due to their physical advantages; yet it is these same advantages that have developed into “rules” or expectations that all men should conform to in order to prove their manhood. Michael Kimmel’s essay, “‘Bros Before Hos': The Guy Code” outlines the “rules” where men are expected to never show any emotions, be brave, act knowledgeable, be risk takers, be in control, act reliable, and be competitive, otherwise they would be showing weakness which is analogous to women. It is humiliating that men associate weakness with women; they should focus on the potential of the individual rather than their gender. Most insults toward men attack their masculinity because society finds it shameful for men to be
Over time, the thought patterns of many individuals mould to believe only one perception of what is morally acceptable— a perception that is completely faulty. The ideology of the male body and demeanor is only one of the many societal norms constructed by the media, and it alone can result in mental health fatalities, mass violence, or the mere elimination of self-identity whilst attempting to meet the ever-changing ideals of masculinity. The continuous and stereotypical depiction of masculinity in the media has idealized invulnerability, toughness and physical strength as the sole qualities of a ‘true man’. As a result, the complexity of masculinity is flattened, and immense pressures are placed on individuals to meet requirements that are entirely faulty. According to Katz, cultures, topics, and even genders are not one-dimensional; in order to fully comprehend the meaning the entirety of something, one must look at more than its representation in the media.
The Mask You Live In, show all the pressure from the media, their friends, and the grown people’s life. All the boys and man faced with some messages provide them to hide their real emotions, built up the idea that women are only for sexual conquest instead viewing women are friends, and allow men to communicate anger with other by violence. All the controversial about gender associate with race, class, their situation, creating a confusing of problems all men and boy must to be a man.
People act differently when they are with certain people than when they are alone. Some will call this act a “mask.” This metaphor is used because people cover up who they truly are or what they really feel with their actions; similar to the way a mask covers up a person’s face. This idea of a mask is explored in Paul Laurence Dunbar’s poem, “We Wear the Mask” and readers can see examples of “masks” in Harper Lee’s novel, To Kill a Mockingbird. People often wear masks to hide something about themselves that they are not proud of or hide their emotions and fears they do not want others to know.
Extreme circumstances provoke precarious acts. As man attempts to survive, he forgets his moral code and reverts to instinctual behaviors. The boys in William Golding’s Lord of the Flies prove this: As the story progresses, their inner evil is evident through their savage actions and their moral behaviors are lost. In the beginning, the group of boys struggle to maintain a democratic environment. The longer they live on the island, their society turns chaotic: No one obeys the regulations set into place and most of them do not take their predicament as serious as they should.
In Golding’s novel, Lord of the Flies, a group of boys’ are forced to live on an island without law and order. Therefore, many of the boys experience a savagery phase on the island, causing them to constantly resort to violence over an issue. These boys primarily consist of Jack’s tribe in the novel. Through the boys’ use of face paint and Jack’s tribe killing people and animals, the reader learns that masks are used to disguise people who aspire to commit evil acts and become savages.
The mask is the hard shell that young men are expected to face the world with. They are expected to show only their best selves and hide their insecurities and worries. The mask is incredibly relatable to the social construction of gender, because it was created through the social construction of gender. Young males would not need to create a mask and live behind it if society didn 't force them too.