Uncanny means a sense of estrangement in a place showing something which is threatening and tempting to outlay in the bounds of the intimate. It is signified in the Sigmund Freud’s story which elaborates on the modern human condition (Freud, 1955). Freud describes more about the psychological developments and its effects to human beings. Similarly, uncanny elements are also demonstrated in the epic of the Joyce Carol Oates’ Where Are You Going, Where Have You Been, which is illustrated by the character, Arnold Friend. Oates addresses how psychological challenges are brought on by an obsessive love and uncanny habits. Arnold Friend approaches Connie and requests for her to join him for a ride. In the midst of their conversation, Connie realizes …show more content…
Obsession is a form of imagination that keeps preoccupying someone’s mind. Friend is a dangerous figure in the eyes of Connie by threatening her and demanding for love with his mysterious appearance. Friend appears to look like a demonic figure one would see in a nightmare, barely resembling a human being. Oates states, “… he had shaggy, shabby black hair that looked crazy as a wig and he was grinning at her”. Therefore, his real character is not yet proven or clarified. Initially, Arnold uses polite language and speaks to the girl calmly convincing to get in the car with him (Oates, 1966). In their conversation, Arnold’s plans seem to be more threatening and ambiguous, intending to harm Connie’s family if she dares to make a call to the police. Obsessive love that Arnold Friend has to the girl makes him crazy such that he is unable to leave her behind. He uses all technicalities to absorb the girl by calling her love names. The author states, "Just for a ride, Connie sweetheart” and "Don'tcha know it's Sunday all day? And honey, no matter who you were with last night, today you're with Arnold Friend and don't you forget it! Maybe you better step out here". By writing all of this, the author is able to build a very strong obsessive connection between Connie and
“Where Are You Going, Where Have You Been?" was written by Joyce Carol Oates and the poem “First Love: A Quiz " written by A.E Stalling both have a lot in common. The poem takes the ancient Greek myth of the rape of Persephone and reconstructs it, for today’s society. The short story takes place in 1960s Middle-America. Both demonstrate allegorical figure of evil to illustrate the theme of love and the loss of innocence.
Where Are You Going, Where Have You Been by Joyce Carol Oats is a short story that is based on a true event that happened in the 1960’s. The allegory came from the man named Charles Schmid, who was a serial killer in which he was known for his ability to get the girls to fall for him. As for the story, Connie, the protagonist, wants to grow up and live in a fast pace and experience adulthood. She soon meets up with a guy named Arnold Friend, the antagonist, who is in search of finding someone to kill or looking for another innocent soul to take. In terms of the story, the author uses a type of writing that differentiates what is reality versus fantasy by using the literary devices of symbolism of Arnold Friend, setting of the music Connie
However, this is countered when Connie notes that “he was much older—thirty, maybe more” (315), a fact that frightens her. What Arnold is to Connie is a challenge of her want to be an adult, and a trail of her ability to deal with adult issue. Such as a man who singles her out sexual reason. Her wish to be an adult is something she seeks while passively avoiding it. Her avoidance is marked by day dreams of puppy love romance, like a typical teenager; yet, her attractive flaunt to be mature is presented as if she seeks to be an
In “The Flowers”, Alice Walker explores the woods through the eyes of a little girl named Myop, but she soon realizes the world isn’t as nice as flowers. In “Where Are You Going, Where Have You Been”, Joyce Carol Oates follows a young girl named Connie who is focused on others and her own appearance, until she is introduced to the world in a unexpected way. Both Walker and Oates use young girls to show the harsher sides of the world and how their childhood changes to adulthood in different ways. The main thing that Myop and Connie have in common is that they are both females, but their looks and the way the live are totally different.
The short story “Where Are You Going, Where Have You Been?” was written by the author Joyce Carol Oates in 1966. Oates describes her idea for the story after briefly reading an article about the real-life murderer, Charles Schmid, who lured and murdered three teenage girls (Kirszner & Mandell 523). She uses this idea to create the character, Arnold Friend, and his victim, Connie. Connie is a typical teenage girl portrayed as naïve and self-centered. The short story appears realistic, given that the conflict in the story is based off of real events.
Home is where the heart is, but what if home is no longer safe? Joyce Carol Oates explores this concept in her 1966 short story, “Where Are You Going, Where Have You Been”. On surface level, this story appears to discuss a rebellious young girl named Connie and her confrontation with Arnold Friend, a stalker. The ending leaves the reader to assume that Arnold Friend plans to sexually assault the young girl.
In the coming of age story “Where Are You Going Where Have You Been?” Joyce Carol Oates uses symbolism, conflict, and the third person to foreshadow fifteen-year-old Connie’s unfortunate, yet untimely fate. While one may think that the conflict stems from Connie’s promiscuity, it is clear to see her promiscuity is only a result to a much bigger conflict, her mother’s constant nagging and disapproval, alongside the lack of attention from her father. the author paints a vivid picture of what happens when a fifteen-year-old girl such as Connie goes elsewhere to find to find the love, attention, and approval that she lacks at home. All which is vital for her growth and wellbeing as a person.
Connie uses her attitude and appearance to attract boys. But she is not aware of the reality of the society in which she lives. Connie is living in a fantasy world, but when she gets trapped by Arnold Friend she is put into a scary reality. There
He mysteriously knows where Connie lives and invites himself to drive over to her house. Arnold assumes Connie’s friendship by convincing her that he knows everything and everybody, “I know your name and all about you” (Oates 201) when she never told him her name in the first place. He knew her friends, their names as well as what she did the night before. He also knew exactly where Connie’s family was, at a BBQ at Connie’s aunt Tille’s.
In Joyce Carol Oates story, “Where are You Going, Where have You Been,” Oates sets up biblical references to the settings to allow the reader to connect the characters to biblical figures. The first major setting for biblical innuendos is the drive-in restaurant. Oates describes the restaurant as “a big bottle, through squatter than a real bottle, and on its cap was a revolving figure of a grinning boy holding a hamburger a loft” (Oates 1) which first establishes the biblical allusions. The revolving figure at top the drive-in restaurant is an allusion to the stepal atop a church. “Their faces pleased and expectant as if they were entering a sacred building that loomed up out of the night to give them what haven and blessing they yearned for”(Oates 1) Oates uses the restaurant as a place of peace and escape for Connie from a demanding mother, much like a church is an escape for sinners.
In her short story "Where Are You Going, Where Have You Been?", Joyce Carol Oates utilizes a variety of literary devices to strengthen the story in its entirety. This short story is essentially about a 16-year-old girl named Connie and the conflict between her desire to be mature and her desire to remain an adolescent. Throughout the story, the audience sees this conflict through her words in addition to through her behavior. The audience is also introduced to Arnold Friend, a rather peculiar man, who essentially kidnaps her. This short story by Joyce Carol Oates functions and is additionally meaningful because of her usage of literary devices.
Throughout the story, there are many instances: the illogical time and settings, the similarity between Arnold and Connie and the unrealistic events show that the meeting between Connie and Arnold Friend is a dream. The dream is also a preparation for Connie before she steps onto the stage of being an adult. Connie’s dream begins when she refuses to go to her aunt’s house for barbecue party. She stays home, and under the warmness of the sun, she begins her day dreaming about love and the boy she has met the night before. In the beginning, the author writes “Connie sat with her eyes closed in the sun…”
The short story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates can be interpreted in a multitude of ways due to its ambiguity. A psychological lens, however, provides the most accurate viewpoint for analyzing the story as it clarifies certain obscure scenes and actions of Connie. One psychological issue of Connie that is easily inferred from the beginning of the story is her insecurity about her looks. Connie constantly worries about the way that she looks and takes any opportunity to do so, “craning her neck to glance into mirrors or checking other people's faces to make sure her own was all right” (1).
“Where Are You Going, Where Have You Been,” is about a teenager named Connie who is trying to come to terms with her transformation from childhood to adulthood. Through this process, Connie attempts to act older than she is an tries to gain the attention of boys. In “Where Are You Going, Where Have You Been,” Joyce Oates portrays Connie as obsessed with men to symbolize how one’s obsession and narcissistic attitude can cause danger to seem surreal. In the short story, Carol Oates describes Connie as having two different personalities, one being a narcissistic attitude.
Oates’s biography explained her fiction writing as a mixture violence and sexual obsession. The writing style definitely fits the plot point of this story with both of her literary ingredients being present in not only Arnold Friend but in Connie as well. The Protagonist Connie is presented in a very self-centered way. She is obsessed with her looks and often fantasizes about all the boys she meets.