Walter Gropius (Fig.1) was a German architect and the founder of Bauhaus; a German art school operated from 1919 to 1933 in Weimar. The institute was famous for the approach to design under the idea of creating a ‘total work of art’ in which all artistic medias, including architecture, fine art, industrial design, graphic design, typography and interior design would be combined. This style later became one of the most influential ideals in modern design. Gropius decided to leave Germany in 1934 and migrated to the United States, where he would build his own house with the principles he taught at the Bauhaus school, introducing the international, modernism style to America. The house resides on 68 Baker Bridge Rd Lincoln, MA 01773, USA. He then continued to teach his beliefs at the Harvard Graduate School of Design. …show more content…
The materials are sourced locally and are traditional materials such as pine clapboards, redwood sheathing, brick and fieldstone. In addition, industrial materials are also used such as welded steel, acoustic plaster, chromed metal and glass blocks; these were used to maximise the efficiency and simplicity of Gropius’s vision. Whilst being vernacular, the architectural style distinctively communicates a modern and avant-garde impression. The flat roof, cubic form and unique entrance seen in Fig. 4 demonstrates the Bauhaus style to the American audience. The two-story wooden framed structure is mostly painted with white and has accents of grey. The façade is simple yet arranged asymmetrical. The spiralled staircase on the right-side serves as a direct entry to Gropius’s daughters room. The driveway is located on the east elevation side. Gropius altered window sizes depending on the purpose of the inner rooms, for example, more than half the west elevation is taken up by the living room window due to views and natural lighting. On the other hand, windows appear to be narrower facing the north due to
Albert Speer: Albert Speer was born in Mannheim, Germany, on March 19, 1905. He applied to be in the Nazi party on March 31, 1931; the first time contacted Hitler was in 1933. Albert Speer was an architect and Minister of Armaments and War Production for Germany in World War II. In 1942 he was made minister for armaments and mutations which he was able to triple between the years 1942 and 1943. He took responsibility for his crimes of the Nazi Regime in the Nuremberg
The speaker describes this room as different by stating “But in this chamber only, the color of the windows failed to correspond with the decorations. The panes here were scarlet-a deep blood color.” (4.2) Many of the rooms are made to match, and pleasing to the eye. However in this room violence surrounds the walls.
There is a dominant grid-like pattern, which is offset by the circular forms of the two doorknobs. The rectangular panels are of nearly equal size, and are crowded by many small figures. The composition is very organized, but the variety of the individual scenes helps to create a much more natural appearance. This work is distinctive due to its combination of visual and narrative elements. The figures give a sense of naturalism, and stand on a visible ground line.
Looking at the installation, my eyes are immediately drawn to crime scene in the middle of this apartment and after I start to analyze the objects around the dead body. Osorio overwhelms the viewer with found objects meticulously placed all over to create a narrative. A person’s body lies underneath a bloodstained sheet with what appears to be broken china all over the floor. One can assume a violent act took place but Osorio leaves it to the viewer to put the puzzle pieces together. Osorio through this installation criticizes how society views his culture and which tries to disrupt the stereotypes present in the people viewing the artwork.
[It is morning and the sky that shows through the old windows of the building is a peaceful hazy blue-dark. Daylight sunshine shows in the distance. The outside world, unmistakable to the eyes from the old windows is of a cool winter. The lights hanging in the inside of the building projects a dull puncturing yellow and throws shadows onto the dividers giving a clean, shocking feeling. Every room looks like a jail cell.
He first started making furniture in his line called “Easy Edges" but soon had an interest in remolding homes. The building he creates looks like they are moving or in some falling. Gehry uses media like metal, water, and brick such as in the Guggenheim Museum Bilbao, Dancing House, and Waterfall House. In fact, Gehry made the Walt Disney Concert Hall in downtown Los Angeles. Gehry’s art work is different than other by his art pertaining to buildings instead of works of clay, marble, or limestone.
Through the 60’s, 70’s and 80’s he had work as a lecturer and teacher in a number of well-known Universities such as University of Utah, Princeton University, University of California, Yale University, University of Texas. During this time he also wrote many books about his philosophy as an architect and different aspects of a design process. Some of his most famous publications include “Water and Architecture” and “Poetics of
The left corner wall is muted purple giving off a mysterious feeling to it. The back left wall has a feeling of hope in the pinkness of it as there is always hope however far but it is dimmed in the face of adversity. The back wall is a mixture of blue and grey with a shadow covering part of it giving an uneasy feeling. The right wall is grey representative of the stoicism of the mother and father towards the protectiveness of the child. The table is sun washed wood drained of most color with the shadow in the corner of the father and mother.
He highlights the concerns and identity of the cultures that have influenced him into creating his pieces of art. With In his artwork Home Décor Algebra
Additionally , the house that the narrator mentions is illustrated as “ mansion of gloom “ which might be a sign that the aura of the house has something dreadful in it. However , the Narrator reveals something important about his first impression for the house by saying “ I looked upon the scene before me , upon the mere house, upon the bleak walls , upon the vacant eye-like windows ( 3 ).To illustrate , the words such as “ air of heaven , silent tarn , mystic vapor “ used as a reinforcement for making the ambience of the house as gloomy. In fact , in the light of these facts , it could be said that the house has an darkness appearance which might be an indication of its mysterious atmosphere.
The Roman and Greek civilizations have many elements in common , both of them have flourished in the field of architecture , art philosophy and science , because both of them occurred very close to each other so they were influenced by each other , to be more specific the Greeks have been influenced by other cultures , and have influenced the Romans , so they have many similarities and differences in these fields . Both Greek and romans flourished in Architecture and art , starting by architecture , the columns in both civilizations were one of three styles or what we call orders , Doric , ionic , and Corinthean . With decorated roofs over these columns , pediments . The basic structure of the temples has been adapted from the Greeks with
Bauhaus architects rejected extra decorative and wanted to use principles of Classical architecture in their most pure form, without ornamentation of any kind. In general, Bauhaus buildings have flat roofs, smooth façades, and cubic shapes. Main colour schemes are white, grey, beige, or black. Floor plans are open and furniture is functional. Popular construction methods of the time—steel-frame with glass curtain walls—were used for both residential and commercial architecture.
He called this “Organic Architecture”. He managed to create his own architectural language that was true to his beliefs in design. Along with his design ideology he published the essay “In the Cause of Architecture” that set guidelines and proportions that were the basis of his work. In his essay he lists a number of important points: “ 1. Simplicity is the quality that defines the value of any work of art “– 1.
Gottfried Semper was a major figure in the field of Interior designing. He was an architect and an art critic who contributed majorly to the study of interiors .He proposed his ideas and thoughts in his book, “Four elements of architecture”, in the year 1952 and it was a huge success. In his book, he developed the theory that origin of architecture could be dated back to the primitive era when human civilization was at its peak. As compared to the modern ideology that architecture consists of structures made from materials, his theory revolved around the four main elements of the primitive era that were essential to human life.
The “machine age” is a phrase associated with American industrial design in the 1930's. The artists, architects and designers of that time believed they would end the great depression in the states through their industrial design creations. Similar to the European designers who believed they could achieve a higher standard of living through a lifestyle dedicated to the modernism movement. The aim of this essay is to establish the similarities and the differences between American streamlining and European modernist design. Primarily focusing on two texts that examine both design views of the early twentieth century; Maffei, Nicholas “The Search for an American Design Aesthetic: from Art Deco to Streamlining” and Sparke Penny.