The interactions between Waverly and her mother in the first three paragraphs suggest about their relationship as a game, childish, and knowledgeable. For example, the interactions depicted in the opening paragraphs of “Rules of the Game” suggest that Waverly and her mother might see their relationship as a “game” that each wants to “win”. Both of them argue with each other. This could be seen as a possible affection for each other since they both care. In addition, it 's a childish relationship also because Waverly tries to get her mother to buy her “salted plums” by crying in the store. But her mother tells her, “Bite back your tongue”. Then at home she teaches Waverly “the art of invisible strength”. Furthermore, Waverly 's mother does
They had the potential to become friends, both having similar backgrounds. However, June resents Waverly’s achievements and Waverly
This quote from the text stands out to me because it shows that Waverly’s mom cares more about herself than her community. Every Saturday, Waverly and her mom would go to the market. Not to purchase anything, but for Waverly’s mom to show off her daughter who became a national chess champion. Instead of focusing on how her family felt about Waverly’s sudden success and helping them cope with Waverly’s busy schedule, the mother chose to flaunt Waverly and boast about her accomplishments.
Dave Pelzer used an abundant amount of imagery throughout the entire book to make the scenes easier to visualize. He was so descriptive about every single one of Mother’s “games” that it felt like you were experiencing it yourself. “She dragged me into the bathroom and she slugged me so hard that I bent over. Pulling me around to face the toilet, she ordered me to shove my fingers down my throat. I resisted…
Once again employing the “childish” tactics expressed by her strategic title, she states throughout her story that the mother continually reads from a fairytale book, given to them by the “wicked witch,” to her
However, the sexual consummation between Big Papa and Grandma does not receive the same condemnation and stigma as Lil Bit and Uncle Pecks relationship even though the same moral principles are violated. The play uses this contrast to highlight the hypocritical nature of society’s perceptions as they allow certain immoralities to prevail in society. The play uses the contrast between the coercive undertones in the grandparents’ relationship against the romantic ones in Lil Bit’s relationship with Uncle Peck to highlight the way that people’s condemnation of a
By consistently mentioning Gemma’s accounts of sharing her fairy tale story of Briar Rose and the intentional attention to detail, Yolen highlights the strong intimacy associated with traditional storytelling and its power to create powerful connections. As Gemma began telling her story in the beginning of the novel, “the sisters nodded and stepped back a pace each, as if the story demanded their grandmother’s face, not just her scent” (Yolen 21). The way Gemma tells her stories to her granddaughters implies that there is a very traditional, intimate story time setting. In this way, storytelling allows not only for emotional intimacy, but physical intimacy as well. The story “demanded their grandmother’s face” implies that Gemma is looking each girl in the eye and trying to speak to each and every one’s soul (Yolen 22).
Connie is a typical fifteen year old girl. She is obsessed with her appearance, does not get along with her family and develops emotional issues towards the end of the story. At the end of the story, she becomes an adult when she is face to face with the enemy. Joyce Carol Oates developed this character and story after listening to Bob Dylan's song called It's All Over Now Baby Blue. Connie has long dark blonde hair that people were drawn to.
In the narrative “Rules of the game” Waverly is the main character who changes throughout the story. First, How Waverly treats her brothers in the beginning versus the end. At the start of the story Waverly spends time with them like when they would go explore their neighborhood. Toward the end however she makes her brothers do her chores this way she can spend more time on chess rather than doing things with her brothers or chores.
In Chinese we say, Come from South, blow with wind-poom!-North will follow. Strongest wind cannot be seen.” Waverly’s mother, Lindo, is saying that if she shows emotions then she won’t get what she wants in life. She has to show that she is strong at all times. Amy Tan goes on to write, “The next week I bit back my tongue [...]
The Glass castle The Glass Castle is a autobiography from Jeannette Wall. Her parents, Rax and Rose Mary were irresponsible, neglectful, and her two sisters and one brother grew up in harsh circumstances. For example, picking up trash to eat, and their dad took them to brothels and bars. But despite the terrible life, they have a good future.
At first Waverly was curious as to why a stranger would want to play with her, but she gave in and looked at her mom for a sign of approval. Waverly narrates: “A man who watched me play in the park suggested that my mother allow me to play in local chess tournaments. My mother smiled graciously” ( Tan, “Rules of the Game”). Waverly’s mother allows her to go and play chess with an old man showing that
Growing up in America she took on American customs that her very Chinese mother disapproved of. Waverly lives a very Americanized lifestyle. “When you go to China, I told her, you don’t even need to open your mouth. They already know you are an outsider.”(Tan288) Waverly lives with her white fiancé Rich, gets her hair done at a salon frequently, and spoke very little Chinese.
As soon as Isabel notices her parents are attending the same show as her and her new boyfriend, she intricately details their current state and, in turn, this detail-orientation creates amusement. Isabel begins her description by comparing her mother’s outfit to a “willow tree”. De Botton uses this simile disguised as an insult to portray Isabel’s mother’s character as one of whom Isabel does not approve; it additionally implies her old age from which Isabel wishes to distance herself. Furthermore, de Botton foreshadows family crisis and turmoil in his introduction suggesting that Isabel’s mother has multiple “gentleman friends” as Isabel hopes “she didn’t come with one” of them. Not only is her mother unfaithful to her father, but, “with any luck, they’ll be too busy arguing to glance up” at Isabel and her date indicating an unhappy marriage.
She credits her success to her mother’s lesson of the power of invisible strength. She recounts how “my mother taught me the art of invisible strength. It was a strategy for winning arguments, respect from others, and eventually, though neither of us knew it at the time, chess games.” (p. 89) Waverly goes on to have a lucrative career as an attorney, while her mother 's power over her gradually wanes reminiscent of the Taitai’s power over Lindo.
Waverly’s conclusive thoughts reveal to, “see the endgame before the game begins” (3). In a literal sense, “seeing the endgame” means predicting the outcome of your opponent before they begin to make a move. In the context of Waverly’s game, however, this phrase takes on the meaning that Waverly needs to predict her mother’s reactions before she herself acts based on her mother’s personality and habits. It is clear, therefore, that the link between the necessity of premonitions and adaptation are mirrored through Waverly’s