“Trying to Find Chinatown” is a play by Asian-American playwright David Henry Hwang. It takes place in New York and describes the interaction between Ronnie, an Asian-American street musician, and Benjamin, a Caucasian tourist from the Midwest. The play begins with Benjamin encountering Ronnie during one of his live performances, then asking him for directions to Chinatown. Ronnie is angry that Benjamin chose him out of all people to ask directions from. His anger escalates when Benjamin claims to be Asian because he was adopted by Asian parents. On the other hand, Ronnie, who is actually racially Asian, knows very little about his culture. This surprising turn of events raises the question about what caused these two characters to stray from …show more content…
At one point, he calls him a “trailer-park refugee” (287). It is shocking how so many insults are woven into his vocabulary, and how easily he says them aloud. Then, Ronnie proceeds to list even more stereotypes, however, this time they are about his own race. For Ronnie to say all this unprovoked, and to a stranger at that, suggests that there is another reason for his actions. Considering the time this play was created and America’s history with people of color, it is likely that Ronnie was once a victim of these stereotypes. He could have had these stereotypes said to him in the past, perhaps much worse, so now he is repeating them to Benjamin. Surprisingly, Benjamin understands his rage, and sympathizes with the fact that Ronnie has to “battle with all of Euro-America’s emasculating and brutal stereotypes of Asians” (287). Ronnie is shocked as he probably has never met someone so informed on racial injustice as Benjamin. The mention of an Asian-American studies class also took him by surprise. This shows that the mistreatment of Asians was normalized in New York. On top of racism, many Asian-Americans felt pressured to assimilate into the American way of …show more content…
However, that required them to leave parts of their own culture behind in the process. In response to Ronnie refusing to accept Chinatown as his community, Benjamin asks him, “you’re one of those self-hating, assimilated Chinese-Americans, aren’t you” (291). Yes, while that could be the case, Ronnie’s life growing up was never discussed in the play. On the other hand, the audience knows much more about Benjamin because information about his family was revealed throughout the play. The point is that Ronnie could have grown up without exposure to Chinese culture, making it easier for him to assimilate. Benjamin was fortunate to have Asian parents to look to for guidance. In the end, both characters assimilated into a culture that is not technically their own. At the end of the play, Benjamin manages to find Chinatown and, upon arriving, immediately feels that he “had entered a world where all things were familiar” (293). Benjamin may not be Asian race-wise, but it is clear that he does appreciate and connect with the culture. Racism and discrimination was so common at the time that the beauty of America’s diversity was overlooked. There were so many cultures to learn from and Benjamin happened to get that
"The Hotel on the Corner of Bitter and Sweet" by Jamie Ford is a captivating coming-of-age story that follows the life of Henry Lee, a Chinese-American boy growing up in Seattle during World War II. Throughout the novel, Henry experiences profound personal growth and self-discovery as he navigates the complexities of racial tensions, family expectations, and first love. This essay will explore how four quotes from the book exemplify the transformative journey of Henry's coming of age. Paragraph 1: In the early stages of the novel, a young Henry grapples with his dual identity as an American-born Chinese.
Through scenes of bullying and the prominent racism against Jin Wang in Gene Luen Yang’s American Born Chinese, Gene develops the identity of Jin to relate with others struggling to find their identity. Jin Wang, the son of Chinese immigrants, moves from San Francisco and goes to a mainly white school. The introduction to another character named Suzy as being the only other Asian in the school adds depth to the small size of the Asian population that appears represented in the book. Jin becomes so lonely and isolated that he resorts to befriending bullies who constantly use and mock him for his ethnicity. He tries as much as possible to fit in and act white to not be singled out anymore.
He has lived with an Asian family all his life and understands the culture very well. Benjamin show to believe that he is Asian-American when he claims “You see, I was adopted by Chinese-American parents at birth. So, clearly, I’m Asian-American.” Even after being told repeatedly that he isn’t Asian, Benjamin defends his culture and is firm on the belief that he is Asian-American. Benjamin even goes to
In the novel, Hotel on the Corner of Bitter Sweet, by Jamie Ford, Ford clearly depicts the strife of Asian Americans during the 1940s. The 1940s was a treacherous time for Asian Americans as a result of the recent Japanese attack on Pearl Harbor. Chinese American Henry Lee lived in Seattle’s Chinatown, during the 1940s. Henry frequently had exposure to prejudiced people for looking similar to the Japanese. The novel often flashes forward to the 1980s when Henry is older.
Living as a Chinese-American, the narrator had to take on American attributes in order to be accepted -- for example, while normal Chinese women spoke with strong and assertive voices, the narrator adopted a whisper in order to appear “American-feminine. ”(1) As a result, however, her shy demeanor caused her to be an unpopular outcast. She saw herself in another Chinese-American girl at her school, as they had certain, negative similarities. “I hated the younger sister, the quiet one.
The horrific murder of Vincent Chin suggests that people are ignorant to the fact that numerous ethnic groups exist within the same “race.” They view all Asian Americans as the same race despite there being different ethnic groups, such as Japanese, Chinese, Korean, and Vietnamese. As a result, anti-Japanese sentiment meant discrimination towards all Asian Americans in general because to Whites, they all “looked the same.” Chin was in a club celebrating his upcoming wedding before he was savagely attacked by two white men who accused him of “stealing” their jobs. At this time, due the influx of Japanese immigrants as a result of the 1882 Chinese Exclusion Act, many Whites lost their jobs, especially in the automobile industry.
When the reader first meets Ben, he is already shown in a bad light as he puts down Miko’s accomplishments with the Asian-American film festival. As they drive in the car he goes on to say “why does everything have to be some big ‘statement’ about race? Don’t any of these people just want to make a movie that’s good?”. (13) While he may acknowledge that she worked hard, he mocks the beliefs that she stands for. He does not realize that his words are hurtful to Miko and he is unaware that he should stop talking.
This reminds people of the internment camps and discrimination Asian Americans faced during WW2. There were many similar cases of racism and discrimination throughout these two world problems. Throughout the novel, Hotel on the Corner of Bitter and Sweet, the characters and setting reflect the discrimination and racism that Japanese Americans faced during WW2, which is
Because Henry’s father was a first generation immigrant to the United States from China, he had an extreme sense of national pride. On the other hand, Henry is extremely open to all things American which is a catalyst to the formation of a divide between Henry and his father. This difference between them all starts because in an effort to protect his son from discrimination; Mr. Lee sends Henry to an all white school and refuses to let him speak Cantonese at home, even though Cantonese is the only language Mr. and Mrs. Lee can speak. The separation causes Henry to grow up almost without any parental help. Mr. Lee also despises Henry’s friend, Keiko, who is a Japanese-American girl also going to school with Henry.
Instead of seeking for hope and dream, he could only figure out a way to gain food to keep him from starving to death. To those Asian immigrants, the U.S was not a continent with hope and treasure, but a strange and exotic land where they had to think about all the possible solutions to stay alive. However, in the mainstream U.S history, which was typically Euro-centric and mostly white-oriented, the tough and mournful stories disappeared, or to be more specific, ignored. History was, to some extent, distorted. Throughout the history, the whites became dominant mainstream element in social construction, while the minorities, including millions of Asian immigrants, turned out to be marginalized from the mainstream society.
Stereotyping is an issue that affects all ages, genders, and races. Not all stereotypes are bad, but when you maliciously stereotype it becomes a problem. In S.E. Hinton’s young adult novel The Outsiders, stereotyping is a significant issue. There are two gangs in this novel, the “greasers”, and the “Socs”. The greasers live on the east side and are known as “hoods”.
American Born Chinese is a story about Jin, an American with Chinese roots, who struggles with his identity - self-conscious about how he looks, sounds, and acts. Jin divides into three different identities; Jin his overall identity, Danny his typical American side, and Chin-Kee his racist stereotype Chinese side. This book is split into three different stories that represent the three different identities, The Monkey King’s story, Jin’s story, and Danny and Chin-Kee’s story. In the graphic novel, American Born Chinese, Gene Luen Yang uses symbolism and literary elements to illustrate struggling with your identity can lead to a better understanding of who you are and where you came from. Jin is faced with racial discrimination, not fitting
The book illustrates how stereotypes and silences contribute to racism and discrimination against Asian Americans. Similarly, Chen's article "Anti-Asian Racism: Breaking Through Stereotypes and Silence" examines the broader impact of anti-Asian racism on Asian American communities. She notes that the stereotype of Asians as the "model minority" perpetuates the idea that Asian Americans are successful and do not experience racism. This stereotype is harmful as it erases the experiences of Asian Americans who do experience racism and discrimination. Chou's work in "Breaking the Silence: Asian American Women in the Ivory Tower" also addresses the theme of silence in Asian American societies, specifically in the context of academia.
In the memoir, Stealing Buddha’s Dinner by Bich Nguyen, the main character, Nguyen and her family flee the political unrest of their home country, Vietnam. Seeking a safer community and a more economically-sound life, Nguyen’s family moves to the United States. At this time, the United States was experiencing a large migration of people with Asian descent because of the political unrest in their countries. This sudden increase of Asian immigrants, often referred to as the Third Wave of American Immigration, caused a great amount of resentment towards the Asian. Moving to the United States at such a difficult time, young Nguyen dealt with these issues first-hand.
As the interview going deeper, we have talked about discrimination as being Filipino American and stereotypes. In Asian Americans: Contemporary Trends and Issues, Dorothy Cordova talk the discrimination and stereotypes of Filipino Americans. She describes, “the stereotype of Filipinos as savages who ate dogs as one of the most painful. This common stereotype of Filipinos as ‘dogeaters’…common stereotypes of Filipinos has been that of the ‘houseboy’ or ‘steward’” (Min, 188).