In literature, certain characters are incorporated in order to influence the plot. In the play The Glass Menagerie by Tennessee Williams, Williams shows the audience specific aspects of characters in order to influence how they are perceived. The character of Laura Wingfield develops the plot and the audience’s perception of her transitions from a timid girl to a normal woman because of her interactions with Jim O’Connor. To begin, Laura and Jim’s kiss develops Laura’s transition from girl into woman. For example, Laura seems to be innocent since she is so romantically inexperienced by the age of 23. Although that is not uncommon, Laura is never involved in anything romantic until Jim kisses her: “He suddenly turns her about and kisses her …show more content…
For the majority of the play, she seems to be rather shy and abnormal, considering she spends her time not in school, but walking around and visiting different places, such as the park. Correspondingly, this is because Laura is too embarrassed to go to school due to her throwing up in front of everyone. Furthermore, because of her not going to school, she seems to be rather abnormal since she is a cripple and talks about glass animals as if they are people: “Hold [the glass unicorn] over the light! He loves the light!” (Williams 83). In addition, it seems as if Laura almost personifies her glass animals, since she is fragile and delicate. Oddly enough, though, her glass unicorn breaks and the horn falls off. Because of this, Laura says, “Horn! It doesn’t matter. Maybe it’s a blessing in disguise” (Williams 86). To emphasize, Laura exclaims about the horn specifically and calls it a “blessing in disguise” to reveal to the audience that she is seemingly letting go of her oddities. After Laura is kissed by Jim, she gives up her newly broken used-to-be favorite glass animal. At last, Laura is leaving her abnormalities behind and moving forward, knowing that although Jim did not end up as her boyfriend, she now seems to have hope that someone will truly love her …show more content…
In the first place, the story is based around Laura. For instance, from the beginning of the story to the end, Amanda is highly obsessed with Laura attracting a gentleman caller: “Resume your seat, little sister一I want you to stay fresh and pretty一for gentleman callers!” (Williams 7). However, Laura does not seem to believe in her ability to attract any males like her mom seems to believe she can. As the story continues on, Laura is able to delve deeper into romance, which excites Amanda since she sees Laura as a younger version of herself, and is almost able to relive her youth through Laura. Unfortunately, because of Tom being genuinely unaware of the fact that Jim just so happens to be engaged, Jim and Laura do not end up becoming a couple. As a result of this, tension arises between Amanda and Tom, causing Tom to leave the household. Finally, if Laura were not to be in the play, Tom would not feel guilt like he does in the end: “Oh, Laura, Laura, I tried to leave you behind me, but I am more faithful than I intended to be!” (Williams 97). Overall, both Tom and Amanda have a desire to help Laura, which develops the plot heavily due to their attempts to help her. In The Glass Menagerie, Williams incorporates the character of Laura in order to demonstrate how one character has the ability to impact a plot indefinitely. To emphasize, Laura’s transition from shy to desirable helps to develop how she appears as a character.
Earlier it talked about how Jeannette’s dad was going to build a glass castle for the family. Readers might’ve expected how would they go from poor shelter to building their own glass castle. But it didn’t happen, and things went different ways from dad being supporting and creative to being a drunk and a disruptive person. However, I refute this opposing view because that shouldn’t be the focus of the book. It mainly shows how Jeannette went onto becoming a successful journalist under impossible circumstances at the end.
While describing the characters Miller usually uses characteristics that the characters might not even notice or know about themselves. An example of that is when he was describing a young girl named Mary by writing, “Enter Mary Warren, breathless. She is seventeen, a subservient, naive, lonely girl” (Miller 18). Overall, Miller's use of characterization was a great literary device that helped his writing in The
Unforgiving Life… Everyone learns lessons in life. These lessons can come from a book, experience and legends. Books have a theme that you can learn from that is what make books important. The Glass Menagerie by Tennessee Williams and A Raisin in the Sun by Lorraine Hansberry both have the themes of responsibility, family and dream that runs through the main characters Tom Wingfield from The Glass Menagerie and Walter Lee Younger from A Raisin in The Sun.
All throughout the story Tom and his wife seem to argue very much. Tom never wanted to please his wife and would never try or do anything to please her. Also, both Tom and his wife were so miserable in their marriage they cheated on eachother. “... with the loss of his wife, for he was a man of fortitude. He even felt something like gratitude towards the black woodsman, who, he considered had done him a kindness.”
She shows her low self-esteem referring to her leg when she tells Jim, “To me it sounded like-thunder!” (The Glass Menagerie 1.7.35-36). Not only does she have low self-esteem, but her self-esteem is so low that she could not handle finishing Business School as she drops out. Through Laura’s small lies to Amanda, her mother, Amanda finds out and explains while quoting Laura’s teacher, “ And she said, “….. The first time we gave a speed-test, she broke down completely- was sick at the stomach and almost had to be carried into the wash-room!...”.”
Through their plays, Kennedy and Fornes represent a fellow up of identity formation process. Unlike the autobiography, the diary gives a constant record of everyday life. By creating characters that write their diaries on stage, they offer a precise investigation of the social and cultural obstacles that their characters face during their building up their identities. In fact, "the content and form of diaries disclose how we construct knowledge, and by helping us understand how we relate to ourselves, to others and to our culture through the mediation of language"(Bunkers and Huff 2).
The father from Faulkner's “Barn Burning”, the husband from the Hurston’s “The Yellow Wallpaper” and the bible salesman from O'Connor's “Good Country People” are all good examples. However the main difference between Williams characters and the ones listed above is the amount they change. Many characters simply change in the readers or views eyes from “good” to “bad”. However Williams character's personality and motives change multiple times as the story continues. Blanche DuBois is a perfect example of this, as the viewer's opinion of her constantly changes depending on the scene at hand.
Sylvia disregards the fact that she has been confined into stereotypes; however, she is doing the same thing to her friend, Flyboy. Through othering, allows to see how characters think and see deeper into their
Throughout the play, Amanda is oppressive and controlling of her children, especially Laura. When it comes to Laura, “Amanda is no less overbearing and ill-advised in her attempts to manage her daughter’s life” (Fambrough npag). Whether it is how Laura spends her days or dresses, Amanda gives her input and expects her wishes to be carried out; if they are not fulfilled, then Amanda lashes out. Most of the time, Laura “... just drifts along doing nothing… [she needs] somebody to take care of her, married, a home of her own” (Williams, scene 4). Laura has become so dependent on Amanda that she is lost without someone telling her what to do.
Later in 1944 Williams describes that period of his life in the play The Glass Menagerie, that was written based on his autobiographical elements. In the play Williams tells his story
Tennessee Williams is one of the most recognized playwrights that lived during the mid-twentieth-century (“Tennessee Williams”). After finishing college, Williams decides to move to New Orleans, where he writes A Streetcar Named Desire. His career starts to take off as he begins to write more plays (“Tennessee Williams”). A Streetcar Named Desire talks about the life of a woman, Blanche DuBois, who is very secretive about her past and does not expose her true intentions of coming to live with her younger sister Stella. As the play goes on Stanley, Stella’s husband, starts to dig into the dark past that terrorizes Blanche when they begin to have a conflict with each other.
Of all the social issues of his time, racism is what most disgusted Tennessee Williams. Being himself part of a minority, he understood very well the stigma and the prejudices of the society. Displeased that "The Glass Menagerie" played in front of an all-white public, has imposed on himself that "any future contract I make will contain a clause to keep the show out of Washington while this undemocratic practice
A question that can be answered by the book The Hours by Michael cunningham is what is the value of your happiness in society? Both of the main characters in the book are fighting something in their life that compromises their happiness, and the book does a very nice job of demonstrating the answer to the question. Clarissa Vaughan is an ordinary woman with a lover who is also a woman. She finds no shame in her sexuality, but often finds herself living in her mother and sister’s shadows.
The Role of Fantasy and Purpose in Individuals “I don’t want realism, I want magic”- Blanche DuBois (Williams 145). In A Streetcar Named Desire, Tennessee Williams presents readers with the acute presence of fantasy in individuals’ lives. Every character fabricates fantasies in his life to gloss over his struggles and forget each other 's flaws. A Streetcar Named Desire evaluates individual’s use of fantasy as a crutch to avoid the hard truths and give purpose to an empty life. Blanche DuBois, the protagonist of the story, uses fantasy to cope with her world crumbling around her.
Laura Wingfield’s collection of glass animals gives the play its name and is believed to be the most important symbol. The fragile menagerie symbolizes Laura herself, especially in the figure of the unicorn. Laura is crippled and immensely self-conscious, she hides herself away from reality, taking care of her glass figures and listening to old records. Her mother Amanda’s attempts to get Laura out into the world have proved disastrous. For example, Laura was unable to attend business school because of her crippling shyness, and she was equally unable to tell Amanda about her breakdown in front of the class.