Why did Hollywood become the dominant film industry with audiences inside and outside America by the end of the 1930s? Hollywood became the dominant film industry with audiences inside and outside America by the end of the 1930’s due to the implications of World War II Hollywood rose to become the dominant film industry with audiences inside and outside America by the end of the 1930’s due to the implications caused by World War II. The Hollywood era of the 1930’s, which is also known as the Golden Age, was filled with great benefits for the film studios of Hollywood. The main factors that, enabled Hollywood to become the dominant film industry by the end of the 1930’s included a combination of factors including: the rise of the five major studios, the Great Depression, and technological developments. The Hollywood institution has been the dominant force throughout motion picture history due to the studios’ cooperative control of distribution as well as production. During the 1930’s, five major studios that became known as The Big-Five and …show more content…
The tree main factors allowed Hollywood to rise and flourish during the 1930s are the rise of the big 5’s power, the vulnerable people during the Great Depression, and the technological advancements. Assembling into one another, they obtained the advantage of large amounts of capital and resources to produce films that attracted the audiences, due to creating a dream-like world of fantasy that the cinemagoers would enter. Competition between these businesses allowed them to constantly improve film technology, allowing them to make the films that audiences demanded. These all helped Hollywood become the dominant film industry with audiences inside and outside America by the end of the
Reagan led Screen Actors Guild from March of 1947 until November of 1952. As the leader of Screen Actors Guild Reagan competed “with voices within the industry; he balanced the interests of corporations with those of individual contributor; and he visited the White House to talk to President Truman about the economic impact of making movies in other countries (Morrell 2014).” Also while he was President of Screen Actors Guild, he “shepherded the industry through cataclysmic changes (Morrell 2014)” Reagan spoke up for the “fair share of bounty in residual payments from the flourishing new television industry (Morrell 2014).” Reagan also served as a spokesman and an ambassador of goodwill for MPIC in the 1950’s (Brownell 2012).
At the end of World War II, Italy’s government started to fall, which made living there even tougher than it already was. The social class difference was an all time high and neorealism had become far more noticed by the people. Italian film was just becoming more popular and with everything happening in Italian society, filmmakers saw the opportunity to react. Italian cinemas began playing films showing difficulty within the economy along with problems in everyday life. This grabbed the attention of a significant amount of people including the government.
After World War I, people in the 1920s had money to spend, which helped the entertainment industry to rise. Radio introduced music to society as well as the famous singers became easily known with it. Plays and movies also became popular. Movies had no sound at first, until 1927 when the first film with sound came out. Newspapers mainly informed about celebrities and their works.
The 20’s and 30’s The 1920’s and 30’s were transitional times in American history. The 1920’s were a time carefree living and success. Americans were wealthy and prosperous, while businesses were booming and stocks were rising. In the 10 years that followed the stocks fell, america was at a standstill, and americans were disgraced.
Due to her book "Hollywood: The Dream Factory. An Anthropologist Looks at the Movie Makers" Hortense Powdermaker is regarded as one of the pioneers of ethnography. Published in 1951 by Secker & Warburg in London, Powdermaker here aims to demystify the affect of movies on the audience and establishes the hypothesis "that the social system in which they are made significantly influences their content and meaning" (Powdermaker, 1951, p.3). After living in Hollywood for one year she concludes that the internal structures resemble those of a totalitarian system in which the struggle between business and art is reflected in the meaning of its movies. It suggests that the values of studio bosses and producers dominate while the artistic values of directors and writers are strongly restricted.
Productions from famous film studios featured the well-known stars for a time. Radio stations broadcasted the popular topics, along with advertisements and music. Newspapers and magazines updated the newest information and offered diverse articles which hooked the readers with tempting visuals and
In the 1920s, movies became the most popular form of American entertainment. No one expected these films, that were once only a couple seconds long, to influence history as much as they did. This addition of technology to the American lifestyle had the rich and the poor lined up to see the newest showings. The movies reflected American culture and personalities. The film industry made an outstanding increase when it changed location, met competition, and when it began adding sound and color.
The 1920s in America was described as the land of golden opportunities. It was referred to as the ‘Roaring Twenties’ because the name suggested a time of uncontrolled fun, and leading economy. In 1926 the government proclaimed that the standard of living was in what was known as a booming economy. The 1920s highlighted the era’s artistic, cultural, and social energy. During the 1920s normalcy came back to politics after the wake of overexcited emotional patriotism after WWI.
Diversity in Hollywood includes more than race and more than acting. There is little diversity not only in front of the camera but behind the scenes too. Likely hood of seeing a nonwhite cast or set of directors is low since the industry is own by Caucasians. Hollywood cast their movies base on their liking. Which they would cast an all Caucasian cast instead of being diverse.
BBBBBOOOOOOKKKKK The relationship between film and society continue in the 1930’s. With the start of the great depression came the start of the Breen Office. The Breen Office regulated films in the mid 1930’s and the movie makers decided to embrace the American Values the Breen Office was trying to stand for. Sklar states that this new sense of American Values in film helped to “boost the morale of a confused and anxious people by fostering a spirit of patriotism, unity and commitment to national values,” (3597).
Hollywood and the Movie Industry The 1920’s was an era of great transformation in the realm of the film industry. Hollywood created the merriment that entertainment brought. With that, it introduced a way of contentment to the entire world. The film industry truly began to flourish in the 1920’s. Thus, Hollywood is considered the birthplace for movie studios.
As it has power to reach a huge number of people around the world. Hollywood is sometimes considered as a centre of news and knowledge. People watch movies and television shows to entertain themselves. Some parents use those
Case Question 1: Most aspects of foreign culture, like languages, religion, gender roles, and problem solving strategies, are hard for a casual observer to understand. In what ways do do Hollywood movies affect national culture outside the United States? What aspect of U.S culture do Hollywood films promote around the world ? Can you observe any positive effects of Hollywood movies on world culture?
Hollywood ended up noticeably acclaimed since the mid 1900s for the birth and improvement of the American Cinema Industry (1). Today, Hollywood is known as the core of motion picture
Movie industry consist of different types of firms throughout the product value chain. This market includes: famous movie studios such as Walt Disney and Colombia pictures, independent production companies like Sony pictures entertainment and Warner Bros pictures, independent distributions such as 20th Century Fox, and major national exhibitions such as Cinemark and AMC. In the United States each part of value chain in the movie industry is separate and integration between distributor and exhibition is not allowed. “Vertical integration between distributors and exhibitors is prohibited under the 1948 United States v. Paramount Pictures decree.”