Violence is often incorporated in media as a means of entertainment; however, there are certain instances where the use of violence crosses a line. It is up for debate on when this line would be reached and when the violence would be considered too extreme. In these cases, it may be necessary for schools to remove such literature from their libraries and from their curriculum. In Cold Blood is an example of literature that has been deemed questionable by several parents; therefore, banning this novel has been a popular topic of discussion in many different school districts. In Cold Blood tells the true story of the Clutter family, who were savagely murdered in their own home. The murder was brutal, and it was described by Capote in a very graphic …show more content…
After the murder took place, anyone who knew the Clutter family was in shock because they could not understand why anyone would murder this particular family. After discovering that the murder was committed by strangers who seemed to have no motive, the townsfolk became very suspicious of everyone. As paranoia began to rise, evidence is found at the scene of the crime that ties two men, Dick Hickock and Perry Smith, to the murder. These men are arrested, and they are forced to confess to the crime, leading them to reveal their motive. Perry’s motive is much clearer than Dick’s, and is actually rather unclear what Dick’s role in the murder would have been. After these two men confessed to having committed the murder, they are sentenced to the death penalty. There are many subjects in In Cold Blood that may be deemed too inappropriate for young readers; however, the main issue would be the excessive use of violence. Although violence in novels may give young readers insight into the psychological aspect of crime, the violence in In Cold Blood is glorified making it too graphic for a school
In Cold Blood, by Truman Capote, was a non-fictional novel published in 1965. Written in four parts, Capote meticulously details the brutal 1959 murders of the recognized farmer Herbert Clutter, Bonie Clutter, Nancy Clutter and Kenyon Clutter in the small, once peaceful, city of Holcomb, Kansas. Throughout the book, while Capote sympathetically depicts the murders of the Clutter family, we also realize that the author has a strong sympathy for one of the murders called Perry Edward Smith. Although the novel was intended to be written in a journalistic form, Capote seems to fictionalize much of the information used to write the novel in order to add suspense and certain reactions from the readers. Truman Capote’s new literary form of “the non-fictional novel” leaves the readers feeling conflicting emotions
Sticks and stones may break your bones, but words in books can kill. The influence of literature is overlooked when it comes to violence. Movies and video games are usually blamed for this type of aggressiveness, but rarely does one point their finger towards a compilation of words on paper. It is forgotten that books hold an incredible power over the mind. Whether it is the power of imagination, the key to new thoughts and ideas, or the development of new emotions, reading can change a person.
In the book, “In Cold Blood,” Truman Capote takes us through the lives of the murderers and the murdered in the 1959 Clutter family homicide, which transpires in the small town of Holcomb, Kansas. The first chapter, “The Last to See Them Alive,” vividly illustrates the daily activities of the Clutter family—Herbert, Bonnie, Nancy, and Kenyon—and the scheming plot of Dick Hickock and Perry Smith up to point where the family is found tied up, and brutally murdered. In doing so, he depicts the picture-perfect town of Holcomb with “blue skies and desert clear air”(3) whose safety is threatened when “four shotgun blasts that, all told, ended six human lives”(5). Through the eyes of a picture perfect family and criminals with social aspirations, Capote describes the American Dream and introduces his audience to the idea that this ideal was no more than an illusion. Herbert Clutter: the character Capote describes as the epitome of the American Dream.
However, the two murderers never took the time to find out more about the Clutter family. Once they realized there was no fortune, Dick did not mind. Dick’s motive for remaining inside the Clutter home was he knew there was a young girl living in the house. His motive was to rape the young girl, Nancy. Nonetheless, the other murderer, Perry Smith, had no motive for killing the Clutter family after realizing there was no fortune.
“In Cold Blood”-Comparison In 1959, the Kansas town of Holcomb was left horrified after the murders of the Clutter family. The shocking murder caught both the attention and hearts of those who learnt of it. In 1966, Truman Capote brilliantly captured the acts of the murders in his book “In Cold Blood”. Shortly after in 1967, Richard Brooks released the adaptation to Truman’s book, “In Cold Blood” which uniquely captures the essence of the murdered and the murderers. Capote and Brooks depicted the killers, Perry Smith and Dick Hickock in two comparably different lights While observing both works of “In Cold Blood” various differences and commonalities stand out including; the portrayal of Mrs. Clutter’s or Bonnie’s illness, how the murderers
Truman Capote’s novel, In Cold Blood epitomizes the shifting sentiments related to the murder of the Clutter family which range from terror, to sorrow, to pride, and all mixed emotions in between. Yet through Capote’s particular descriptions about each character, the connection between their feelings and their actions become further clarified. In effect, the readers experience feelings of sympathy for the victims, their friends and family, the investigators, and even the brutal murders of the innocent family. In order to craft this association, Capote employs a pathos appeal to amplify the audience’s ability to sympathize with each and every character.
Throughout In Cold Blood, Truman Capote hints at his own opinion of the death penalty, yet lets the readers decide for themselves what they believe Hickock and Smith's punishment should have been. When the murderers are being hanged, a conversation occurs between a reporter and an investigator about what it might feel like to be hanged: "'They don't feel nothing. Drop, snap, and that's it. They don't feel nothing.' ' Are you sure?
In In Cold Blood, the issue over the death penalty is prominent. Did Perry and Dick deserve to die? Should the severity of one’s crime determine one’s fate? Although Truman Capote writes the novel in a straightforward, “from a distance” way, he conveys, through his characters, theme, and plot development, that the death penalty is an issue that should be looked at from all sides and that the legal system itself is the real issue at hand, and that the death penalty is used as a means to suppress the distress and indignation of the citizens surrounding the case, instead of suppressing the victim himself.
How crazy would it be to interview criminals who murdered 4 people in cold blood? Well that’s exactly what Truman Capote did in this chilling book. In the novel In Cold Blood, Truman Capote used different rhetorical strategies to create sympathy and influence the idea that there are always two sides to every story. Some of the mainly used rhetorical strategies throughout the novel were imagery, diction, tone, and pathos. Furthermore, Capote also illustrated sympathetical emotion towards both types of characters, the protagonists and antagonists.
Perry’s erratic spontaneous outbursts is what caused him to go through with the murders and slit Mr. Clutter’s throat which put him on the killing frenzy that ended the rest of the Clutters lives. Capote highlights Perry’s sociopathic tendencies by comparing them to that of Dicks Psychopathic tendencies which exemplifies how when put together they are at each others fault for the
He is portrayed as a mastermind in the cold-blooded killing of the Clutters family, a man with little respect for the lives of others, which can be seen through Dick’s expression before the murder of the Clutters when he converses Perry, “We’re gonna go in there and splatter those walls with hair” (Capote 234). This sudden tone shift enables Capote to depict Dick as a cruel and immoral character. Dick’s lack of empathy and concern for other people beside himself allow him to commit crimes without remorse, which is in contrast to Perry’s moral contemplation after each bad actions they committed. Moreover, Dick is represented as the true criminal with evident motives in murdering the Clutters, while Perry is seen as a vulnerable victim who depends on Dick for validation and acceptance, something in which Dick happily provides in order to manipulate Perry, as Capote writes, “Dick became convinced that Perry was that rarity, ‘a natural born killer,’—absolutely sane but conscienceless, and capable of dealing with or without motive, the coldest-blooded deathblows. It was Dick's theory that such a gift could, under his supervision, be profitably exploited” (Capote 205).
In the book “In Cold Blood” by Truman Capote, Capote blantly describes the murderous acts of two men who killed an entire family they knew nothing about. The Clutters were good people who had no intention on hurting anyone. Dick and Perry, the murderers, had no reason to do this, meaning they had no motive for these actions and they can not be excused for their actions. In the beginning of the book, Capote introduces everyone to the Clutter Family, and a few pages further into the book he introduces everyone to Dick Hickock and Perry Smith.
No matter how we try to change our situation or better ourselves in society, variables will obstruct the path we choose. One cannot take control of everything that surrounds us as fate decides what happens to us. In Cold Blood by Truman Capote explains the murder of the Clutter family in the quiet town of Holcomb, Kansas. The murderers, Richard (Dick) Hickock and Perry Smith, try to escape the consequences of their actions, believing that they can get away with what they did. The story tells what the murderers were thinking after and before they committed the crime and their various interactions.
One Flew Over the Cuckoo’s Nest has graphic violence that may seem pathetic compared to the media of the 21st century American society. Violence can affect children and adolescents up to the age of 18 mentally, physically, and socially. As Zena Rudo, senior researcher at the American Institutes for Research with 35 years of experience, infers through her research, “Social learning theory suggests that violence exposure has effects on children's behavior through modeling and the positive and negative reinforcement of aggression... and through the development of coercive parent--child interactions” (94). Children exposed to violence can begin to behave aggressively and develop unhealthy relationships with their parental figures. Detrimental
The non-fiction novel ‘In Cold Blood’ interestingly begins as a fiction novel would-with the author setting up the scene of the gruesome quadruple murder about to take place, unbeknownst to the victims. Capote describes the isolated flatlands of rural Kansas, and introduces the victims and their killers as if they were the main characters of a fictional murder mystery. What immediately struck me is how Capote uses literary techniques like the simultaneous narration of the lives of the killers and victims, and the fragmented retelling of the story not specifically in the order of events, which makes the story read more like a work of fiction than of pure journalism. As one gets engrossed in the book, it gets easier to forget that the story is based on truth and is not just a fictional story born in Capote’s head. Capote also demonstrates his mastery over the ‘thriller and suspense’ genre, detailing the Clutter family’s everyday lives, emotions and experiences but with progressively higher levels of anticipation as the pages go by, employing versions of the omnipresent phrase, ‘and that was their last’ for dramatic effect.