Women in the Workplace Compared to the 1930’s, things have really changed in the workplace. Especially with women. With the start of World War II women started their endeavor into the workplace. In the article “Scenes and Un-Scenes: A Woman’s Work” the photos really capture how women begun their work and moved up. The article’s images show the appeals of ethos, pathos, and logos in every picture to express how women have made their move in the workplace. Ethos is presented almost immediately in the first photo of the article with Rosie the Riveter. This photo is an ad created by the U.S. government to try and get women to work and replace the men who went off to war. “Rosie the Riveter was originally intended to represent the country’s short …show more content…
Rosie the Riveter shows logos because she, being the cover of the ad, is motivating women to take men’s jobs while they are at war. “…to recruit women into industries that had lost their male workforce to overseas fighting…” (432). The catch phrase “We Can Do It!” is supposed to motivate and show women that they can do any job a man can do. The image from the Hollywood film “9 to 5” also shows that women can do the same jobs that men can. The women in this movie end up owning their own company after somehow holding their boss hostage. They flipped the stereotype of only men holding high positions in the workplace. “Over the last few decades, our airwaves have been filled with movies and television shows that attempts the Rosie-like feat of placing women within positions of workplace authority traditionally occupied by men.” (435). Although the film is a comedy it could just be making fun of women running a company. “…this sort of role reversal has often been undertaken for comedic effect: a way of poking fun at conventional gender norms…” (435). The photo with Nancy Pelosi also shows logos because she became the first woman Speaker of the U.S. House of Representatives in 2007. With the position, only being fulfilled by men in the past, this event was a mark in history for women. It was another move ahead in the workplace for women. Especially for women in politics. With all of the things women are capable of, it is only …show more content…
The comic by Jim Sizenmore provokes comedy. The comic is used to flip the gender roles in the workplace and make men the joke instead of women. “the phrase girl talk- uttered here by a female executive- gets transformed into a sly joke” (434). Women are usually made a joke in the workplace because many assume they cannot do the job a man can, but this comic made the woman the executive in a meeting, and turned it into her making a joke about the men. “…gets transformed into a sly joke, one that inverts conventional gender hierarchies by making men the object of humor.” (434). The comic takes a humorous poke at gender roles and stereotyping in the workplace. Pathos was also presented with Rosie the Riveter. “Rosie the Riveter stands as a pointed rebuke to the ways Americans have traditionally been taught to think about “women’s work.”” (432). The advertisement was made to motivate women and make them feel powerful. The makers of the advertisement wanted women to see that they can do the same things that men can do. The ad was just the beginning of women’s imprint in the workplace. The same idea was used in the image of Nancy Pelosi. She because the Speaker of the U.S. House of Representatives after that position was filled by 60 other men previously. She really broke the boundaries with women working. She was able to show millions of women everywhere that just because you are a woman, that it does not mean that you
Historiography Individual Books This source, Creating Rosie the Riveter, is a monograph written by Maureen Honey, which describes how during the 1940s, due to the need to fill jobs normally held by men, who were mostly enlisted overseas, the US government turned to its women and tried to persuade them to apply for jobs in factories, production, and management through propaganda, such as advertisements, pulp fiction, and magazines. It also examines how the image of Rosie the riveter was formed through propaganda and why, as well as why the propaganda turned back towards traditional images of women, such as the housewife and mother image, when the war came to an end. In terms of the argument, the author argues that propaganda was used
As World War II developed more and more Australian men were conscripted by the British Empire to join the war and therefore tens-of-thousands of men left Australia, leaving their wives and children behind. On the home front, women dealt with the consequences of war in an extreme manner which consisted of managing children and family accountabilities alone, shortages of resources, as well as their concerns for the future, and the grief of losing loved ones. Although this was a distressing and challenging time for the women population within Australia it also enabled them to access ‘a man’s world’ and be successful within the economical workspace, which was previously not accessible to them prior to the war. 'Rosie the Riveter ' was a
It compared the work typically associated to women, such as sewing and caring for nails, to the new workforce that required welding and grinding. The propaganda used the practices that were considered feminine to make the typically masculine roles seem more fitting to women, in the hopes that it would bring more women to work. Women were also said to have smaller hands that were more precise, which would be perfect for working. This trait associated with women was not advantageous to gaining a career in the past, but with the need for workers it became desirable. Eventually, Rosie the Riveter was created, a character that depicted the perfect working woman.
Ulrich discusses that this slogan succeeded in today’s world so well because women have always had a specific stereotype. They are only known to be the caretakers to the real laborers, therefore women were easily forgotten. If women were seen out of the home doing something or trying to do a “man 's job”, individuals look poorly upon them ultimately leaving women’s history in the dust. “The problems with this argument is not only that it limits women. It also limits
The image on page 42 was taken by photographer Joe Rosenthal. It featured a scene where U.S. Marines raised the American flag on the Pacific Island of Iwo Jima in 1945 on February 25 (Muller 42). According to the text below the picture, on the day it was taken, 7,000 American lives were lost in trying to capture the island from Japanese troops (Muller 42). The overall purpose of the image is to convey the message that America is strong, united, and resilient. When looking critically at various elements of the image, one can see aspects of ethos.
Rosie the Riveter was not the only big impact on women. The propaganda poster, “Woman’s Place in the
The iconic figure of women working in shipyards and factories came to term as Rosie The Riveter during World War II when women were encouraged and praised for working in place of the men who fought for the country. It was not only the men fighting who helped win the war for the allies, the women working to build the fighter planes and other war machines were victorious on the home front. Throughout the 1940’s, propaganda posters were widely used to promote patriotism in war efforts whether it was to get more men to fight in the war or it was to get women to fill in the shoes of the men. The famous propaganda poster of Rosie The Riveter was used to promote the bravery and strength of women workers, the famous caption being “we can do it” to
Rosie the Riveter is a widely recognized, iconic symbol of rebellion. Originating as a 1940’s propagandic symbol to encourage women everywhere to band together and keep strong using her famous phrase, ‘We can do it!’ , Rosie has grown to become a symbol of feminism and impacted the USA’s views and beliefs ultimately very positively. This pattern is present everywhere. Additional examples include Antigone, written by Socrates in classical Greece, The Hunger Games, written by modern author Suzanne Collins, and the nonfiction example of the women’s rights movement in early 1900’s USA.
Rosie the Riveter’s contribution to the United States is remarkable. She was able to get over 18 million women to join the workforce. She became the face for women workers in the second world war. She aided in the women’s right movement as well as the civil rights movement. The representation of women has been forever changed since the introduction of Rosie.
Jaila Sargent Mrs. La Rue Research Paper 28 February, 2018 The Life of Women in the 1930s Women in the 1930s always had to lower the costs on thing because there was not a lot of money to go around for all women. Women had to start groups. Women who were married had to be in the married-women group and single women had to be in the all-single women name.
This was shown when it was proved that Women could do what men could do just as well. As a large portion of men left Australia to fight, many jobs crucial to Australia’s sustainability were left without people to fill them. As a result of this, women were given the opportunity to fill what most people in this era would call a “man’s job”, this advanced the position of women in society as it offered them a sense of independence. The popularly used poster titled “Join us in a victory job” (illustrated by Bramley Maurice), was used to promote the notion of working to Australian women. It gives the audience of Australian women a positive impression on the subject and encourages them to sign up for a “victory job”.
By choosing to include such a strong sense of pathos, she was able to promote an effective argument that was appropriate for her intended audience; the National American Woman Suffrage Association. The use of pathos, as seen in lines 18-19, “Tonight while we sleep, several thousand little girls will be working in textile mills, all the night through” constructs a sense of guilt, she
During the 1930’s women were not being treat equal in society. The men of this era had control over the women and they treated them with no respect. In addition, they had to take lower paying rate than men. “Also, they had to work longer hours. Even though, women had to take a pay cut, they were still able to find a job.
In 1953, Alcoa Aluminium published their advertisement for Del Monte ketchups with flip up, easy to open ketchup lids called HyTop. It read “You mean a woman can open it?” and depicted a stereotypical image of a woman wearing red lipstick and nail polish preparing to open a brand new ketchup bottle. Advertisements portraying gender roles the way that “You mean a woman can open it?” did were less frowned upon and more popular at the time, although today they would be considered overly “sexist” or offensive. This critical response will examine the origins of this particular type of advertising from the 1950s, as well as the way Alcoa’s advertisement represented women at the time. Although gender equality wasn’t exactly a complete achievement
Many of the women already working there are too afraid to speak up because the men have threatened them if they would ever speak up about the situation. The movie dedicates their time on showing how these men have verbally and physically abused women because they are working “a man’s job” and believe they