In your journey, you may come across artworks that appear similar; however, it is highly unlikely that you will encounter artists who work in the same manner. When presented with two artists, how do we effectively compare and contrast them? Instead of stating our opinions on the artists and expressing who we believe is better or worse, we focus on analyzing their differences identifying similarities, and recognizing the influence their art has had on society. In this paper, we will discuss the similarities and differences between Georgia O'Keeffe's and Frida Kahlo’s art, along with the impact that their pieces have had on the art we know today. Georgia O'Keeffe and Frida Kahlo, two prominent female artists of the 20th century, share several
Psychological awareness and an indication of an inner life is central to a portrait – with certain techniques, an artist can represent the emotions and personality of the sitter as well as showing the effect and influence they had on people. Using symbolic colours, styles and depths, Gordon Bennett and Andrew Mezei are successfully able to characterize the inner life of their subjects. Gordon Bennett’s “Eddie Mabo” is a portrait of Koiki (Eddie) Mabo, a Torres Strait Islander responsible for initiating a legal case for native rights against the State of Queensland in 1982. In 1992, Mabo’s case was approved, and it was decided that the Mer people (from Murray Island) were the traditional owners of the land, four months after Mabo died of cancer.
The artist masterfully expresses various human forms of suffering through a process of engraving the original piece on a wooden stamp, and repeatedly stamping it onto other papers. The work was refined after every few weeks, until the stamp was completely ruined. This engraving is meant to evoke emotions more frightening than any
Each painting is unique, with a tactile presence, which reveals the hand of the artist. The image, which was the product of a split second drive by photo, now takes on substance through both the physicality of the paint, and through the contemplation of place and time. In this, the paintings come to represent more of a testament to her experience than the photographs. In the essay An Art That Eats Its Own Head – Painting in the Age of Images Barry Schwabgley acknowledges photographs place in contemporary art while also confirming the significance of painting, “ Although it was
There were so many days that I just couldn’t convince myself to leave the safety of my bed. Some days, I buried myself in books and the internet and other days, I spent hours staring up at the ceiling and wondering why I couldn’t cry no matter how much my eyes burned and my chest ached. Melinda and I could commiserate; we were both lost, wading waist deep in emotions we couldn’t fathom. Moreover, we both found similar escapes-- Melinda had art and I had music. When I was at a point where I could no longer verbalize the way I was feeling, I found melodies and lyrics that perfectly captured my thoughts.
Kaysie Rich Mr. Dibattista ENGL A111 619 September 25,2016 Literacy is Not Just Reading and Writing Creating art is one of the many ways our brains can go on autopilot and deal with the stress everyday events may cause. It isn’t just drawing or painting; in fact, art can be defined as visual, auditory, or performing acts that convey unique and creative thoughts to be appreciated for their beauty by oneself or others. The artist’s thoughts become the art through their personal hardships, struggles, and overall awareness of oneself. In her essay The Sanctuary of School, Lynda Barry, an art major and successful artist, demonstrates her founding love and freedom through art provided by her teacher in her classroom as a young child.
The theme of death in Antigone and The Tragedy of Julius Caesar created a big effect for the character left behind. In Antigone, death effected Creon and in The Tragedy of Julius Caesar, death effected the entire city of Rome. In Antigone, the deaths around Creon are to be shown as a punishment for Creon’s hubris and his failure to follow the god’s rules. Creon had to pay for what he did to Polyneices because Creon, “denied the grave.
Whitney Chadwick writes about the history behind what artists do and why along with the influences on society. She looked at the art pieces that she chose and gave a well listed history on the subjects she chose. She tells the fact, not giving her emotions, but the truths of what it was that happened very plain. It is as if it just is what is and there is not joy or sorrow that it happened. She translates the meanings and has assumptions to why something was inspired and she gives them.
In like manner, Frida’s suffering throughout her life had a huge impact on her long term career. Also, “By distilling and depicting the emotions surrounding her traumatic accident and subsequent medical complications, Kahlo painted experiences that people could recognize and relate to—feeling pain, being hospitalized, and fearing isolation.” (Pain and the Paintbrush: The Life and Art of Frida Kahlo.) Moreover, her artistic output was dominated by self-portraits that often showed her suffering. This was due to Kahlo’s poor health, from illnesses like the poliomyelitis virus, which weakened and deformed her body, and chronic pain, which inevitably became prominent themes in her artwork.
In the Two Fridas, we see two different characteristics of the same person, eventhough they represent two different people. The Frida on the left illustrates herself in a traditional European dress with a cut exposing her broken heart. On the right side, Frida is in a Mexican attire dress with a full beating heart and is holding a picture of her now ex-husband Diego Rivera. Frida choice of colors for this painting are dark and creates a sense of yearning for someone.
She has put her life and biography into her work. As a local critic puts it “It is impossible to separate the life and work of this extraordinary person. Her paintings are her biography” (Lucie-Smith, 2008). Kahlo’s life was full of all kinds of pain a woman would experience: Injury and disability, miscarriage, husband’s unfaithfulness, etc.
This essay examines one of the many self-portrait paintings by Frida Kahlo called ‘broken column’ (1944). In this painting Kahlo portrays herself as a complete full bodied woman while also reflecting her broken insides. She stands alone against a surreal barren fissured landscape that echoes the open wound in her torso. A broken stone column replaces her damaged spine and is protected by a white orthopaedic corset, while sharp nails pierce into her olive naked flesh. Frida is partially nude except for the corset and white bandages.
The arts are viewed by David Swagner as “a shared vision of humanness” (1993, p. 44) that facilitate empathy. Kazuo Ishiguro’s dystopian novel Never Let Me Go (2005) highlights the artistic community’s
In contrast, in the book The Glass Castle by Jeannette Walls, Lori, Jeannette’s older sister became an artist. It was her childhood dream and she pursed it to the end. In contrast to my approach, Lori avidly strived to be an artist despite what others would say. “‘I’m only telling you this because I love you,” he said, (Lori’s father) “ And I don’t want to see you hurt’”
This is a critical analysis of the painting Henry Ford Hospital by Frida Kahlo. This artwork consists of oil paint on a tin canvas. It was painted in Detroit, Michigan after she had one of her many miscarriages. Today it can be found in the Collection of Museo Dolores Olmedo in Xochimilco, Mexico (Esaak). This analysis will describe the elements of design, principles of design, and the reason Kahlo created this artwork.
