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A Doll's House Analytical Essay

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A Doll's House by Henrik Ibsen is a play in this play Ibsen talks about how important women’s rights are. Nora Helmer who throughout much of the play is treated like a child, she then truly has no idea of who she really is therefore she tries to find her true identity. Nora is controlled and put down by the manipulation from Torvald. Torvald is very controlling and puts his social status and his job ahead of his wife that he supposedly loves. Torvald is a man that cares more about his reputation than his wife’s feelings. Nora and Torvalds’s relationship from the outside view appears to be a happy. The further the play goes along the more Nora realizes how her husband treats her like a child and how phony her marriage really is. Torvald sees Nora's only role as being a loving wife and not truly as human being. He refers to Nora throughout the play as his little squirrel, little lark, and many other demeaning names. To him she is only a possession the same as a piece of furniture or a car. …show more content…

Whenever she has an opinion on something Torvald quickly insults her as a women saying she couldn’t possibly help because she is just a woman. Nora throughout most of the play has an inauthentic identity which is when a person believes their personality is the same as their behavior. Nora was inauthentic because her situation was all that she had ever known. She is a grown woman that was treated like a child all her life by men. She believes that Torvald thinks that he is her god and she is only there to please him. Nora goes through life with the illusion that everything is perfect, until she realizes that she is treated more like a servant than a

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On the other hand, there’s Nora who has been sheltered by her father and Torvald her entire life. Due to Nora being sheltered, her reality is deluded and she is unable to see the world realistically. Even though Nora has worked a few odd jobs to pay off her debt, her life has been relatively easy. When Nora takes

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Nora is a character that will do everything that somebody tells her, she is kind of submissive regarding what Torvald says. She has to mention him at least once while she’s talking about anything, but she does have some petty forms of rebellion, like the macaroons. A larger way of her rebelling would be when she pays for the trip so that Torvald can get better. She is viewed as a child by Mrs. Linde, Christine, and is treated like one by Torvald and it seems almost like they look down on her because she is a woman and she is completely dependent on her husband. Her character, at this point, has no backbone; she is completely captivated by this life in which she perceives as

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Torvald, however; only lusts after Nora and does not truly love her for who she is. Torvald treats Nora as an object and although he is just is a man of his time, it is still a vile and not virtuous thing to do to another human being. This play has characters that are complex, but their virtues are clearly seen. Every fault that Nora has in this play can be linked back to her being a victim of the time she was born in and the people

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Throughout A Doll’s House, Henrick Ibsen gives emphasis to male-controlled symbolism in order to emphasize the standard family structure of the late nineteenth-century. Torvald, the central male character, perfectly depicts the typical male dominance through his actions of control and dominance in the relationship with Nora Helmer. The names he gives her throughout the play: skylark, little squirrel, little spendthrift, etc. shows his looking down to Nora. He gives her no respect and like all typical marriages in nineteenth-century Denmark, he gives Nora no means to have any control in the marriage. The title A Doll’s House in itself generates the whole definition of the play, giving symbolism to Nora and how she is “trapped” in her own home and being ordered by Torvald in everything she says and does.

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Nora is portrayed as powerless and confines herself through patriarchal expectations,

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First, Nora is treated like a child by her husband Torvald. Torvald had nicknames for Nora like squirrel or skylark that was often accompanied by demenors like sweet or little. At the end of the play, Nora tells her husband that he treated her like a weak, fragile doll just like her father. Nora’s feelings about Torvald’s attitude is evident in the quote from Nora and Torvald’s conversation ”I was your little songbird just as before- your doll whom henceforth you would take particular care to protect from the world because she was so weak and fragile. ”(Pg.

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Her existential choice seems to be forced upon her by society, but in adopting her husband‘s and society’s language, so often used to contain in control women, she now speaks of her duties towards herself, even sacred ones. In a radical refusal to stick to inherited notions of women’s role in family and society, Nora rejects the other identities available to her, both as a doll and as self-sacrificing wife and mother, and of her husband’s pet names for

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Ibsen’s play A Doll 's House, written in 1879, examines the importance of social class and the expectations that follow. A Doll’s House tells the story of married couple, Torvald and Nora Helmer who strive to fulfill social expectation. However, the ending is known to be a shock for some, as roles reverse and Nora comes to realize that she has been mistreated like a doll throughout the whole marriage. Throughout A Dolls House by Henrik Ibsen, doll 's and the dolls house are symbolic of how Nora is a submissive wife controlled and dominated by Torvald, and both are repressed by societal standards.

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