The 1950s were oppressive and degrading towards the culture and identity of African Americans. This principle is especially personified through the drama, A Raisin in the Sun, by Lorraine Hansberry. As a black female author in this time period, she was easily able to capture the racism and forced stereotypes poignant within the lives of the minorities. Beneatha, a fictional character in the play, represents the ambitious and suppressed black female intellectual who is stripped of her identity at every turn. The men in her life are as different as black and white, and in essence that is what they are. George represents the assimilationist aspect of black society. He aims to be like the rich white landowners by adopting their culture instead …show more content…
His name is Joseph Asagai and he embraces his African heritage and encourages Beneatha to do the same. He prefers people call him by his surname, which originates from a Yoruba tribe in Nigeria. Asagai visits Africa fairly often and loves sharing his culture with Beneatha. He even bequeaths her with the agnomen “Alaiyo,” another Yoruba word meaning the “One for Whom Bread-- Food-- is not enough” (473). With this he is denoting her sense of purpose and her thirst for discovering who she is and who she wants to be. He gives her gifts native to Africa, like the robes from his sister, and inspires her to find herself with them and through the influence they bring. He often has intellectual discussions with her about identity and progress. However, Asagai does not always convince Beneatha to love Africa with purely wholesome comments. In order to get his point across, he often ridicules the beliefs of assimilationist black people. He is the one who mentioned Beneatha’s hair was “mutilated” which prompted her to cut it off (Hansberry 471). In this way she expresses herself, but would never have done so without the provocation of Asagai. He also rebukes her need for her father’s insurance money to continue her education. He shows her that her dream of attending medical school is still going to be fulfilled without the insurance money, as it was never promised to her before she conjured up that dream. Advocating for Beneatha to finish her educational journey to become a doctor is another way he develops her confidence and wants her to become all she can be. Asagai believes she is the epitome the New World can offer: an educated, stubborn, beautiful black woman who owns her own heart and constantly betters her mind. He even proposes marriage to Beneatha, ushering her to return “back across the middle passage over which her ancestors had come” (Hansberry 511). Asagai is the
The cultural confusion that Beneatha has driven her to look back into her original family heritage. She looks into the African tribal apparel, headwear, along with tribal language/chants influenced by Asagai. She first finds that maybe the tribal culture isn't for her when she gets into a conflict with her brother walter. A quote describing that incident is
Beneatha would try to express Nigerian culture despite the fact, her family didn’t wish to see her doing such activity. furthermore, she would have been shown racist expressions towards her due to strong racism white communities emit. Racism against blacks in the 1950's led to Jim Crow being made. Jim Crow was an executed social system devised by the ruling class. At times of economic crisis, the ruling class often use racism to divide working people.
Mama is the mother of Beneatha and Walter Younger and widow to Walter Sr. Her dream was she wanted to build a happy family and believes one step toward this goal is to own a bigger and better place to live. But is put off when her husband dies and he leaves behind a 10,000$ check behind of his life earnings. Upon learning that her husband was the key to her dream and when he dies so does her dream Mama first realizes that her dream had died. Asagai say’s "in a house - in a world - where all dreams,
In the play Raisin in the Sun written by Lorraine Hansberry takes place on the southside of Chicago where Walter and his family are racially profiled and show us how the survive throughout their struggles. The central struggles for the younger family in their search for the American dream is mostly poverty and being racially profiled against for their actions. Hansberry challenges the traditional gender roles and issues of dominance throughout the play when Mama gives Walter lee the rest of the money at the end of the play. He becomes all excited and was supposed to save some for himself and put the rest of the money to Beneatha 's education. Instead, he gave all that money to Willy another character in the play which later on that he stole from him.
Beneatha first finds herself struggling with sexism as she dreams of becoming a doctor. Lisbeth Lipari, a journalist, writes on how A Raisin in the Sun comments on racism and classism, but fails to mention the obvious sexism laced throughout (Lipari 87). During this time, overwhelmingly, women held the position of “stay at home mom” rather than a powerful position such as a doctor, societies opinion leads her family to believe the same—she is not doctor material. Her family’s opposition displays itself after Beneatha wakes and greets her family. Walter, Beneatha’s brother, asks her how school is going, Beneatha responds, “Lovely.
The racism and sexism being shown in the Raisin in The Sun demonstrates that the matrix of domination is in play. In the book, Beneatha is an African-American woman who is battling not only racism, but also sexism. She battles racism by attending medical school during the civil right movement era and she battles sexism at home with her brother Walter, and being told to marry George Murchison. In the text Walter says “We one group of men are tied to a race of women with small minds” (Hansberry, 35). In this quote he not only degrades the woman, but he degrades the African American woman.
His sister, Beneatha, wants to become a doctor and Walter isn't very supportive of her decision. Walter's wife, Ruth, is the recipient of the majority of Walter's anger and sexist remarks. In Act 1 Scene 1, the audience learns that Beneatha, a colored woman, wants to become a doctor and attends medical school. Beneatha and Walter begin to banter with each other about Mama’s money.
Beneatha is the most educated person in the family. Her dream is to medical school and become a doctor. Beneatha almost gives up her dream of becoming a doctor when Walter lose her money but Asagai offers for her to go be a doctor in Africa. Another dream she has is to have her cultural identity and be a part of the African heritage. Much of her desire to express her African heritage comes from Asagai who says she is assimilated and acts white.
She puts a lot of effort and time in trying to get an education for herself and learn how to be her own person. Beneatha does not want to be with George because she feels that she will not be able to fulfill her dream of being a doctor. For example, “But if the Younger’s are sitting around waiting to see if their little Bennie is going to tie up the family with the Murchisons, they are wasting their time” (Hansberry31).Beneatha wants to be a hardworking woman and this connects to the American Dream because hard work is a big component of achieving what you want. Also, she does not want George Murchison stopping her from being a hard-working woman. She does everything by herself and puts her hard work into everything she does.
This character trait is seen when Asagai mentions how he met Beneatha. She tells him she wants to know more about Africa because she is looking for her identity (62). Beneatha’s effort to make herself different from her family shows her personal identity. She has different views from her family. For example, she does not accept the existence of God (51).
He is very honest with her and makes her realize she needs to change. One thing he says is “Then isn't there something wrong in a house in a world where all dreams, good or bad, must depend on the death of a man? I never thought to see you like this, Alaiyo” (Hansberry 1599). Asagia is telling Beneatha she shouldn’t be upset about losing
Beneatha dreams to be a doctor, which is a male-dominated profession. She says, “I am going to be a doctor and everybody around here better understand that!” (Hansberry 33). This shows her feminist attitude in the play when Beneatha takes a largely optimistic stance when facing troubles of entering a male-dominated profession, implying that she is a ‘non-conformist’. Additionally, Beneatha refuses to “just get married and be quiet” (Hansberry 22), as her chauvinistic brother, Walter Lee, expects her to be.
All of the things that make Asagai’s relationship with Beneatha healthy, come from his upbringing; his upbringing that was lesser than George’s. Beneatha’s relationship with Joseph Asagai is healthier than Beneatha’s relationship with George Murchison because Asagai has a more positive view on the world. One key to a healthy relationship is having positive conversations ("MindPerk RSS"). In Act three, when Asagai comes
She defies the ideal life for a woman and expresses her opinion loud and clear. Beneatha throughout the play finds herself and her African American roots. Walter does not approve of Beneatha’s hopes to become a doctor he tells her, “If you so crazy ‘bout messing ‘round with sick people---then go be a nurse like other women---or just get married and be quiet. . .” (1.1.125) These social issues that the characters faced in their lives made them out to be the people that they were meant to be.
Beneatha: Love him? There is nothing