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Light in streetcar named desire
Symbols and motifs in a streetcar named desire
Symbolism in Streetcar Named Desire
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The practice of selfishness is in itself the inability to practice self-love; and therefore the incapacity to love. Selfishness is in essence the mere opposite of self-love. | One can only love another inasmuch as one loves oneself, otherwise one is never loving freely. Love is not specific, but the wisdom to understand that we all are one and not objects of
Some fear caught in her throat as he mentioned the physical description. It sounded the way he might describe her to a friend who hadn’t met her. She pushed down the unease, flashing a smile to hide her apprehension. “Sounds like you have similar tastes,” Lila teased, and then immediately regretted it, finishing her bottled water to avoid having to see the reaction on his face. He continued, ignoring her remark for the time being.
Everyone wants to live a life they do not have. Some people want to be rich, while others want to travel the world and never work a day in their lives. In order to live the lives they do not have, many people create their own fantasies. Tennessee Williams’ Streetcar Named Desire demonstrates Blanche and Stella’s lives as a lie, leading each woman to come face to face with their own realities realizing they will never live the lives they wish to live.
Death is inevitable is the overall theme of the story because death has been and still is a mystery that has generated both fear and horror. The fear and horror generated is an inspiration in subject that may involve topics of the infliction of death, the prevention of death even resurrection from death. Poe is greatly influence by death and one of his characters in the story Prince Prospero took drastic steps to avoid and escape from death. Symbolism is a figure of speech used when an author wants to create a certain mood or emotion in a work of literature; it is the use of an object, person, situation or words to represent something else like an idea in literature(Gill,2006;182).’’Symbolism plays an important role in literature’’(Knowles,
The themes of violence and power in ‘A Streetcar Named Desire’ hold an important role in the criticism of 1940s American society. Conflicts perpetuated by violence and power, such as abusive relationships and violent oppression are projected through the characters within the play. Williams uses these conflicts to highlight his criticisms of faltering values and social norms, from the perspective of an individual constrained by the expectations of a strict, Southern society. To begin with, there is an indefinite violence between men and women within ‘A Streetcar Named Desire’. Stanley Kowalski, a focal character, is the epitome of male dominance and primitive aggression.
Symbolism in general is the building blocks to all sources of literature and can shape a piece of writing in many ways. Symbols in general can portray what something or someone represents, giving a deeper and metaphorical meaning to a symbol. Symbolism is often used within poetry, literature, music, or even art. This is how an author conveys a different meaning to the audience. For example artists may use the color “red” not only because of the color theory, but to convey love, passion, and maybe even health.
A Streetcar Named Desire is driven by a fantasy of Blanche Dubois, who dwells illusion to hide from reality and escape from the world she live in. In the beginning of play, Blanche is introduced to Mitch, a single man, looking to settle down. Throughout the play Mitch is overwhelmed by Blanche and admires her beauty. After losing her young husband, Blanche loses all the money in funeral and eventually loses her home.
In the play A Streetcar Named Desire, Williams shows that when one chooses to blind themselves in order to obtain desire, one sets up ruin. He emphasizes his meaning with symbols. Williams focuses on symbols that suggest enlightenment or ignorance in order to make his audience aware of the main characters chosen blind spots; as well as, their desires and the impacts that their blind spots and desires have. Williams meaning first appears when Stanley hits Stella.
Tennessee Williams story, “A Streetcar Named Desire,” was a mix of the past and present that clashed together by two characters who believed in different lifestyles. In the story, Williams uses the domestic setting along with the characters personal traits as a base for the elements for social change. There are many references in “A Streetcar Named Desire,” that represent the use of past and present being used together. The past and present were entwined by the characters personal characteristics, the setting of the story, and Blanche’s personal relationships with men throughout the story. To begin, the personal characteristics of Blanche and Stanley were used to represent how society was changing into a new world.
William’s play A Streetcar Named Desire presents a variety of perspectives on relationships, especially addressing the idea that bonds which aren’t bound by trust, loyalty and lust in an even balance will inevitably fail. Tennessee Williams uses the interaction between his characters, predominantly Blanche, Mitch, Stella and Stanley; to express a variety of ideas regarding relationships. These connections can be witnessed in scenes 2, 3, 6 and 11, through the use of stage directions, dialogue and expressionism to display different perspectives of character interaction. Trust acts as the foundation to any relationship, establishing a strong link between individuals and without it, the connection will eventually disintegrate.
Tennessee Williams wrote “A Streetcar Named Desire” (Williams, 1947) It is based in New Orleans a new cosmopolitan city which is poor but has raffish charm. The past is representing old south in America 1900’s and present is representing new America post world war 2 in 1940’s. Past and present are intertwined throughout the play in the characters Stanley, Blanche, Stella and mitch. Gender roles show that males are the dominant and rule the house which Stanley is prime example as he brings home food and we learn of one time when he got cross and he smashed the light bulbs.
Tennessee Williams was born in Columbus, Missouri in 1911. Williams is considered to be one of the three most famous playwrights of the 20th century for American Drama. In 1947, one of his best works, A Streetcar Named Desire was released to the public. The play was set to be the exact year in which it was written (“Tennessee Williams”). The play begins as character Blanche Dubois arrives to her destination after getting off a streetcar named Cemeteries.
In Tennessee Williams’s iconic play, A Streetcar Named Desire, Williams introduces Mitch to the play as one of Stanley’s “poker buddies” and Stanley’s co-worker at the plant. Mitch intensifies the conflict between Stanley and Blanche due to his identity as one of Stanley’s best friends and Blanche’s potential suitor. Despite Mitch’s identity as a member of the lower class, closer examination of Mitch’s social behavior shows that he differs from his friends by presenting himself as a gentleman, courting cultivated women, and exhibiting compassion. In A Streetcar Named Desire, Mitch presents himself as a gentleman, setting himself apart from the men he befriends.
“A Streetcar Named Desire” is a very elegant film in which the Southern gothic culture is demonstrated profoundly. Tennessee Williams uses the characters in the play to bring about a sense of how corrupt society truly was in the 1940’s in the South. The 1940’s was marked by an immense amount of violence, alcoholism, and poverty. Women at the time were treated as objects rather than people. Throughout the play Tennessee Williams relates the aspects of Southern society to the characters in the play.
In any form of fiction writing there is alway a bit of truth and imagination woven together to create a work of art that enthrals the adiunce. In Tennessee Williams 1947 play "A streetcar named desire", he has created a world were you actually see what can happen to a person when they choose to live in the illusions of their own making when they can no longer handle their situation in reality. In a Streetcar named desire, Blanche recreates and raps herself in her own delustions, because she can not face what she has become or her past actions, but in doing so her past litterly hounts her, through her brother in law and voices in her head, to make her deal her own tragic past and present reality. Through out the play Tennessy Williams lets
