Abnormal Diction In Linda Pastan's The Imperfect Paradise
An example of diction is “a strange nostalgia”. The author chose the word “nostalgia” to add texture to her
Song of Solomon, a novel written by Toni Morrison in 1977 spans over the course of 30 years during which the protagonist, Macon Dead, embarks on a quest for cultural identity. In a small excerpt retrieved from the novel’s first chapter, we see how Macon observes his estranged sister Pilate, along with her daughter and granddaughter, through a window. Through the narrator’s vivid descriptions, symbolic setting, and witty comparisons, Morrison conveys a conflicted relationship between the observer and the observed. In this piece, Morrison utilizes vivid diction that works on multiple levels. For example, in the text he uses specific phrases to create a image and representation as if we (the readers) are present.
“Mammita’s Garden Cove” by Cyril Dabydeen tells the story of a protagonist Max, who demonstrates nostalgia of an island he once lived on whilst living in urban, downtown Toronto. Relying on the use of, repetition, diction, and juxtaposition Dabydeen successfully conveys the emotion of mild regret and ultimately complex attitude towards place held by the protagonist. Permeated throughout the excerpt are examples of repetition; emphasizing the despairing nature of the protagonist as he searches for a job. Dabydeen highlights the way in which Max’s sullen attitude towards his current place of residence. The author repeats the image of feet kicking into the ground on two separate occasions, “feet kicking hard ground” (line 4) and “His heels pressed
The feeling of astonishment and awe are directed into the speaker’s impersonal tone. During the poem, the speaker leaves out emotional ties in
“Nineteen”, by Elizabeth Alexander uses language and tone to form a multi-sensory poem about remembering her youth and desire to connect to her past Vietnam vet lover. These aspects of language and tone are embedded in the outer form of the poem, as the author forms an imaginative recreation of her young adult life, which directly impacts the reader to allow for an enjoyable simple read. The elements of language and tone formation ensure the translation of Alexander’s emotions or feelings of her youth for the audience to relate and understand. In the first place, the language within “Nineteen” is casual and not really poetic.
Jewett writes, she notices the feelings Jewett portrays with her diction and writes it in her own essay, “Miss. Jewett”. In Cather’s own words she writes, “One can, as it were, watch in process the two kind of making: the first, which is full of perception and feeling but rather fluid and formless; the second, which is tightly built and significant in design. The design is, indeed, so happy, so right, that it seems inevitable; the design is the story and the story is the design” (1). This passage from the essay, “Miss Jewett”, justifies how diction is used to create art in writing. Willa Cather uses words like, “design”, “full of perception and feeling” and “two kinds of making”, to justify how authors’ have the ability to express their feelings through their writing.
In the poem Incident the tone changes from happy in the first stanza and once the event in the second stanza happened, the tone changed to crushing in the last stanza. This poem had a change in vocabulary as the mood changed, in the first stanza
By using easily understood English and short sentences, Tan is humbling herself before her audience and makes the text immediately intimate. It is a text that her mother could comprehend and read with ease. To allow the readers to connect to her story even further, Tan quotes her mother in her broken English. This shows the reader how difficult it can be to understand Tan's mother's English and how different it is from the English Tan has learned through formal
In detailing the events that led up to her change in perspective, she made note of the honeysuckle that covered the walls of the well-house, the warm sunshine that accompanied going outdoors, and the cool stream of water that she felt as she placed her hand under the spout. These details kept the reader with her in the moment as she felt something less simple, but still universal; the returning of a, “ misty consciousness as of something forgotten.” In using rich diction, she maintained a sense of intimacy with the reader which allowed her to call on personal details from her own life and theirs. Later in the passage, she described how, once the reality of language was opened to her, and she returned to the house, “every object which I touched seemed to quiver with life.” She had gone through a complete shift of perspective, one that, to her, was felt entirely through senses other than sight or sound.
Heartbreak and vengeance make the perfect cocktail for any juicy story, but so does the concept of a twisted illusion of reality. Stories of passion such as, Evona Darling written by Silas House and My Ex-Husband written by Gabriel Spera, are both examples of stories that give the reader the equation of love and hate entwined together with the tainted sense of reality. House descriptively writes a story about the passion of a mother’s love whose heart has been taken away by her child’s father, who through suspicious friends got Evona’s custody stripped away from her. On the other hand, Spera creates her poem in her perspective of being married to a man that betrayed her and played his cards of deceit. Both stories were passionately written after love had partaken, but the fairy tale ends had come upon them.
Outline 1. Introduction: Background information: California has been experiencing severe drought for about five years. Without rain or snowfall, California is becoming more and more dry, causing people to argue over who needs to conserve more water and whose water rights are more important. Some farmers have had farms near essential water sources for many years while others have more recently started farming in California, farther away from water sources, posing the question of whose water rights are more important. Even as farmers fight against other farmers for water rights, people living in urban area fight for their right to water, claiming that it is the farmers who should receive water cuts instead of them.
Rationale In order to demonstrate a wider range of comprehension of the novel “A Brave New World”, I decided to write a diary about Bernard’s position throughout the novel, which shows a carping yet courageous voice that demands to be heard. Nevertheless, his desires change as power and prestige comes to him, creating an inner conflict on the character. Considering Bernard´s reality as an Alpha individual, it is noticeable that a formal and intellectual tone prevails as the diary entry develops, and intends to approach critical readers whose interests lie on exploring Bernard´s personality.
This short story wrote by Barbara Lazear Ascher a woman who describes with explicit details her thoughts and feelings of the participants in the streets of New York. The author uses rhetoric elements such as Pathos, Logos and Ethos to convince her audience that compassion is not a characteristic trait, it is developed within ourselves. The author use rhetorical elements that appeals to Pathos to invoke sympathy from an audience.
Alice walker uses diction to convey the loss of innocence in this short story. Using diction such as “She struck out at random at chickens she liked” to convey innocence at the beginning of the story. However she starts using different diction towards the end to convey the loss of that innocence. With lines like “The air was damp and silence was close” and “It was then she stepped smack into his eyes” and “It was only when she saw his naked grin that she gave a little yelp of
Another example of diction being utilized is shown when Bradbury wrote “angry sparks” and “tenderly crisping,” (Bradbury 3) to describe a fire that has begun
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