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African American Culture In Langston Hughes And We Wear The Mask

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The Harlem Renaissance was a period in American history, which occurred in the 1920s in Harlem, New York. The cultural movement was an opportunity for African Americans to celebrate their heritage through intellectual and artistic works. Langston Hughes, a famous poet, was a product of the Harlem Renaissance. One notable piece of literature by Hughes is “Dream Deferred”. However, the discussion of African American culture isn’t limited to the 1920s. Paul Laurence Dunbar showed the potential struggles of being African American in his poem “We Wear the Mask”, written fifty-five years prior to “Dream Deferred”. Both poems share similar tones and themes. “Dream Deferred” by Langston Hughes can serve as a sequel to “We Wear the Mask” by Paul Laurence Dunbar through displaying a cause and effect relationship which highlights the strength of neglect and disguises. …show more content…

Similarly, Hughes uses grotesque imagery to emphasize the decay of a forgotten idea. However, said forgotten idea can be interpreted as more than a concept when the time period is taken into account. Through analysis, it’s possible to construe Hughes’s dream as a person or society. In the line “Or fester like a sore-- And then run?” (Hughes 4), imagery is used to conjure the picture of a blister on human skin. Such personification mirrors Dunbar’s use of figurative language, which relates the poems in more ways than one. Dunbar touches on human features such as cheeks and eyes in his poem but also uses a spiritual element to advance his point of view. Furthermore, “We Wear the Mask” was written in 1896; a period in American history that was post-slavery but still had widespread discrimination. The spiritual connotation within Dunbar’s poem can allude to African American churches and/or the hymns slaves sung on plantations. Nevertheless, the struggle of African Americans is a symbol of both presented

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As I read, Paul L. Dunbar’s “We Wear the Mask” I was interested in how he described what a mask represents. It is true that a mask was used to hide a person’s pain, emotion, or mood before the day known as Halloween developed. I love how Paul refers the use of the masks as a black or white person’s escape from other peoples’ worried faces. No one can ever understand what someone else is going through. People can never truly speak their truth or let out their suffering.

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The Harlem Renaissance was an awakening of African American culture which began to spread and influence society in areas including music, art and poetry. The moment gained popularity and for the first time, African American culture was being celebrated in American society, which led to the concept of the “New Negro”. (Doc. 2 Harlem Renaissance) Jazz music and Louis Armstrong, a famous African American jazz artist, began gaining popularity across the United states and became a big part of the American culture (Doc 3. Lois Armstrong’s Trumpet).The Harlem Renaissance was also remembered for bringing powerful poetry to literacy, including the great work of Langston Hughes (Doc 4.

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In Paul Laurence Dunbar’s poem, “We Wear the Mask” the speaker wears a mask to hide his internal suffering because he does not want the rest of the world to think he is weak. This poem relates the prejudice black people face against white people. The speaker starts the poem with the lines, “We wear the mask that grins and lies,” (1). Here he describes the kind of “masks” that he wears.

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It was a period of expression in which they took pride in their culture, this sense of group identity formed a basis for later progress for blacks in the United States. The Harlem Renaissance took down previous racial stereotypes, as well as exemplified that African Americans had much to offer and contributed greatly to the creation of American culture. B) James Weldon Johnson’s excerpt argued that African Americans during the Harlem Renaissance were establishing themselves as active and important forces in society whom were also accomplishing great artistic achievements. Langston Hughes, a leading African American poet of the Harlem Renaissance, wrote literature about the pain and pride

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The Harlem Renaissance was a “outpouring of writing, music, and social criticism” (Baker, 1987) aimed at destroying the ever-present racism of the 1920s. Langston Hughes, an artist of the Harlem Renaissance, was a big contributor to change, inspiring those of his own time and later on to stand up for African American rights. Penning the 1926 manifesto The Negro Artist and the Racial Mountain, Hughes encapsulated the thoughts of Harlem, and urged African Americans to be proud of their own culture, “without fear or shame” (Hughes in Bernard, 2011).

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Heavily related to the minstrel Blackface shows that took place in the early 20th century, the images and masks are notable symbols throughout the poem. With just one visual image of the minstrel show performers, people associate many different elements to that visual. The image provokes the memory of songs sang in the show, the roles assumed, and perhaps even the social phenomenon that the show sparked. In this sense, images are extremely powerful as they connect various perception of the senses to a visual. As the United States has certain perceptions and prejudices against African Americans, the poet argues that there is a strong need to come up with a fresh, new image that people will associate different thoughts and other

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The Harlem Renaissance was a period of great cultural growth in the black community. It is accepted that it started in 1918 and lasted throughout the 1930s. Though named the ‘Harlem’ Renaissance, it was a country-wide phenomenon of pride and development among black Americans, the likes of which had never existed in such grand scale. Among the varying political actions and movements for equality, a surge of new art appeared: musical, visual, and even theatre. With said surge, many of the most well-known black authors, poets, musicians and actors rose to prevalence including Langston Hughes, Countee Cullen, Louis Armstrong, and Eulalie Spence.

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The poem I chose to analyze is We Wear the Mask, written by Paul Lawrence Dunbar in 1896. Its theme is about hiding our true feelings and emotions, and lying about who we are. When looking at Dunbar’s life history, and the political context at the time, we understand that he efficiently uses this theme in order to talk about how black people have to hide how they feel about their social status and the treatment they receive from white people. He conveys the theme to the audience thanks to a clever word choice. Indeed, he talks about “grin” and “smile”, using facial expressions as a description of the mask (Dunbar, lines 1 & 4).

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The Harlem Renaissance was a movement that reflected the culture of African Americans in an artistic way during the 1920’s and the 30’s. Many African Americans who participated in this movement showed a different side of the “Negro Life,” and rejected the stereotypes that were forced on themselves. The Harlem Renaissance was full of artists, musicians, and writers who wrote about their thoughts, especially on discrimination towards blacks, such as Louis Armstrong, Ella Fitzgerald, and Langston Hughes. The Harlem Renaissance was an influential and exciting movement, and influenced others to fight for what they want and believed in. The Harlem Renaissance was the start of the Civil Rights Movement.

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1. Scansion and Analysis The Harlem Renaissance was a period of revolutionary styles of music, dance, and literature that presented the hardships and culture of African Americans. The “Trumpet Player,” by Langston Hughes portrays the theme of the therapeutic effects of music through the development of an African American trumpeter’s music. The free verse poem “Trumpet Player” epitomizes the Harlem Renaissance and Jazz through the unique use of inconsistent rhymed and unrhymed lines mixed with the use of colloquialisms.

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