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Alfred Hitchcock's Genius

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The Mad Genius of Alfred Hitchcock I am a great horror movie fan but I don’t like the blood and gore kind of movies. I like the horror thrillers and those that get me scared more psychologically than watching heads flying and so on. This director is one of my favorites and through his genius I couldn’t take a shower while alone at home for the longest time and whenever a bird made a noise above my head I cringed. Setting the Actresses Straight While rehearsing director Alfred Hitchcock’s now classic horror movie “Psycho” Janet Leigh wasn’t getting the famous shower scene just right. So Hitchcock took matters into his own hands and came at the nude actress like “Mrs. Bates” would have to do with the knife. He was so intent on showing what he …show more content…

It became an obsession with me to try to catch a glimpse of him whenever I watched one of his movies. I do have to say that in some cases I was not successful. In 1955 the director began hosting his own TV series. The shows were a half-hour and an hour-long. Audiences soon learned that he had a most macabre kind of comedy. By the time two of his all time most popular movies were filmed “Psycho” and “The Birds” audiences first recognized Hitchcock’s name before they recognized any of the stars. He even had a monthly magazine Alfred Hitchcock’s Mystery Magazine which is still published today. He soon became known as the Master of …show more content…

It puts an emphases on the fact that he was ever aware and watchful of all of the young actresses starring in his movies. In 1966 the director said that he was actually not satisfied with the beginning scene of “Psycho” because Janet Leigh was wearing a brassiere. He would have like her to be bare-breasted however until the late 1960s Hollywood Production Code didn’t allow any nudity. Hitchcock felt that if it had been possible to do it his way the audience would have related more to how Norman Bates felt right at the beginning of the

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Hitchcock utilizes sound, camera work, MacGuffins, and plot twists to tell the storylines of the movies. Hitchcock understood the importance of camera work and sound because he began his career making silent films.12 It is why he uses many close up shots so the audience can pay attention to specific details and the emotions on the character’s face. He does not rely on dialogue to tell the story. He uses sound to help convey the message of a scene.

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Shadow Of A Doubt Film Analysis

1842 Words | 8 Pages

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425 Words | 2 Pages

Alfred Hitchcock successfully performs suspense and shock in a number of ways. One way was when he reveals that the cop is following her, making us think that he found out concerning the money she stole. Another way is when we see Norman staring through the hole, examining her as if he is waiting to make his move. The last technique that Hitchcock constructed suspense is when we identify a shadowy character gazing at her take a shower, making us wonder who it could

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1072 Words | 5 Pages

Comparison of the “Psycho” and “A Rose for Emily” The Psycho by Alfred Hitchcock and A Rose for Emily by William Faulkner are works with different plots and endings. The movie is focused on a maniac, who recreated an image of his mother to kill visitors. Norman Bates killed own mother because he thought she “betrayed” him, and used her personality in his further crimes. The man was caught and his actions were revealed long before his death.

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1431 Words | 6 Pages

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856 Words | 4 Pages

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2728 Words | 11 Pages

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Analysis Of Hitchcock Etudes By Nicole Lize

270 Words | 2 Pages

Hitchcock Etudes were composed by Nicole Lizée in 2014, and released on her album Bookburners. With a combination of disjointed soundtrack music and dialog with similarly altered video segments, Lizée reconstructs a whole new experience of the Hitchcock films. Watching Lizée’s composition I really appreciated and enjoyed the way she deconstructed and recreated the works. As a Hitchcock fan I really enjoyed the new sense of terror and romance she brought to the piece. I believe this piece qualifies as fringe because of Lizée’s unique method of composition.

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Orson Welles Influence On The Film Industry

1492 Words | 6 Pages

Under the corporation of Welles and his brilliant cinematography technician Greg Tolan, the initial film noir style image was first created. It is unbelievable that this incredible work is only a testing sample directed by a 25-year-old. The editor Robert Wise has claimed that people usually see Welles as a brilliant film maker, but they don't realize that he also did amazing works behind the camera. Until now, the Citizen Kane is still regarded as forever top 5 in the history of American film industry.

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Gender Roles In The Man Who Knew Too Much By Alfred Hitchcock

653 Words | 3 Pages

Hollywood has always done a terrible job of depicting real women in film, and although his work has a somewhat misogynistic reputation, Alfred Hitchcock has done so much involving the progression of female roles in Hollywood cinema. Although many of his female victims wind up dead, the survivors have lots of power – and without reliance on their male counterparts. Women remain the central focus in many of Hitchcock’s films, not just because of their beauty, but because the narrative is dependent on them. When you look at his work in the context of this specific Hollywood era, Hitchcock’s female characters are very much out of the ordinary. Looking past the obvious presence of gender roles (male and female) that just so happened to be a part of the social norm during that time, Hitchcock sought to represent women with having more depth, realism, and independence than ever before in women in Hollywood.

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1044 Words | 5 Pages

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774 Words | 4 Pages

However, film critic, Robin Wood, argues that ‘since Psycho, the Hollywood cinema has implicitly recognised horror as both American and familial’ he then goes on to connect this with Psycho by claiming that it is an “innovative and influential film because it supposedly presents its horror not as the produce of forces outside American society, bit a product of the patriarchal family which is the fundamental institution of American society” he goes on to discuss how our civilisation either represses or oppresses (Skal, 1994). Woods claim then suggests that in Psycho, it is the repressions and tensions within the normal American family which produces the monster, not some alien force which was seen and suggested throughout the 1950 horror films. At the beginning of the 60’s, feminisation was regarded as castration not humanization. In “Psycho” (1960) it is claimed that the film presents conservative “moral lessons about gender roles of that the strong male is healthy and normal and the sensitive male is a disturbed figure who suffers from gener confusion” (Skal, 1994). In this section of this chapter I will look closely at how “Psycho” (1960) has layers of non-hetro-conforming and gender-non conforming themes through the use of Norman Bates whose gender identitiy is portrayed as being somewhere between male and female

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