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Allusion In Macbeth

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In Act 1, Scene 5 of Macbeth, William Shakespeare uses tone, allusion, oxymoron, and smile to demonstrate the theme of guilt and coincidence. Shakespeare uses tone to show Lady Macbeth’s bitterness and hatred towards King Duncan when Lady Macbeth says, “But be the serpent under’t. He that’s coming” (1.5 65). This expresses she is encouraging Macbeth to be evil and fake on the inside in order to become King. Shakespeare uses allusion when Lady Macbeth is trying to persuade Macbeth to go along with the plan when he says, “Be the serpent under’t” (1.5 65). The serpent is an allusion to the bible story of Adam and Eve. The serpent encourages Adam and Eve to eat the apples to disobey God’s word. Lady Macbeth is telling Macbeth that he needs to be
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In act one scene seven, in the play Macbeth, shakespeare uses diction to reveal Lady macbeth's complex thinking and ruthless ambition of gaining power by having macbeth kill king duncan. Shakespeare demonstrates this through many conversations between Lady Macbeth and Macbeth. The diction shakespeare uses also expresses Lady Macbeth’s motivation towards killing king duncan and how it influences Macbeth. Shakespeare also uses metaphors, and persuasive language to depict Lady Macbeth's obsession for power and authority along with Macbeth’s reluctance to agree with Lady Macbeth's plan to kill king Duncan. Macbeth and Lady Macbeth’s relationship is very strong.

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These quotes are seen in a soliloquy to show the independent moral and mental destruction of Lady Macbeth and describe how she is perhaps overly obsessed with Macbeth becoming king. Lady Macbeth is once again seen as supernatural as she encourages Macbeth to "'look like the innocent flower, but be the serpent under it. " This arguably refers to the book of Genesis to emphasise the duplicity of Lady Macbeth as well as show her as evil. In the Jacobean era, a serpent was seen as an instrument of Satan, further reinforcing her connection to the

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In the play “Macbeth”, written in 1606 by William Shakespeare and the film “The Lion King” released in 1994, Roger Allers demonstrates in depth that ambition for royalty will lead one to betray his peers. This has vividly been portrayed throughout the film and novel with the use of rhetorical language and by the visible actions of the characters involved. In the play Macbeth, he is constantly thinking about what his life would be like if he was king and creates a plan to execute and replace the king. He successfully completes the execution of King Duncan and will become the leader.

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The soliloquy illustrates Macbeth’s grief for his dead queen, how her death had been untimely (due to an implied suicide) and also, in a larger-than-life context, about the brevity of life. Yet, correlations to the rest of the play can be observed through the Shakespeare’s choice of diction and figurative language. As explained by Nicholas Brooke in the Oxford edition, “word” in lines 5.5.18 means death and coupled with the tripling in “Tomorrow, and tomorrow, and tomorrow” (5.5.19), the lines show a crescendo of the aforementioned grief. However, “word" can also refer to the words used in a prophecy in which “time” (5.5.18) becomes a crucial condition. The next line of “Tomorrow…” illustrates the same tripling the Weird Sisters often speak in; “I’ll do, I’ll do, and I’ll do” (1.3.10), suggesting a clairvoyant characteristic to Lady Macbeth’s death.

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The use of symbolism in Lady Macbeth’s soliloquy from Act I, scene 5 establishes the tone as being defiant. Throughout her soliloquy, Lady Macbeth refers to the fact that Macbeth is too amiable to commit the acts necessary to become the king, and states, “Yet do I fear thy nature;/ It is too full o’ th’ milk of human kindness/ To catch the nearest way” (1.5.3-5).

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In the story Macbeth, act one, scene three, the witches represent the serpent from Genesis three. They were evil and would use their power to trick people into doing what they want. The witches appeal to Macbeth in a way that he can’t refuse. The witches approach MacBeth saying, “All hail, MacBeth!

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The flower represents what Macbeth is expected to be: trustworthy and gentle while the serpent represents what he will become: deceitful and feared. The illustration of the serpent hiding underneath a flower can be compared to Adam and Eve and the serpent in the garden. The serpent symbolizes temptation which also can be drawn to Macbeth and his decision to submit to the allure of power and murder King Duncan just as Adam and Eve decided to eat the fruit. In Act III, Macbeth conveys his troubling thoughts concerning Fleance's escape: “O, full of scorpions in my mind” (III.ii.37). Scorpions represent poison, evil, pain, and angst.

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In Act 3, Scene 1 of Shakespeare’s play, the Tragedy of Macbeth, Macbeth confronts the prophecy that Banquo would father kings during his soliloquy. Shakespeare’s purpose was to depict Macbeth’s frenzied suspicion and desire to maintain his position of power, establishing the idea that the difference between kingship and tyranny lies in the presence or absence of compassion, morality, and logic. By the utilization of diction and allusion, he exemplifies a paranoid tone to convey Macbeth’s spiral into madness to his audience of Elizabethans. In a time where supernatural beings were widely feared among his audience, they may have sympathized with or understood Macbeth’s loss of logic due to comprehending the extents people will go to when feeling distressed.

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Macbeth is the Shakespearean play that features the triumphant uprise and the inevitable downfall of its main character. In this play, Macbeth’s downfall can be considered to be the loss of his moral integrity and this is achieved by ambition, despite this, Lady Macbeth and the witches work through his ambition, furthering to assist his inevitable ruin. Ambition alone is the most significant factor that led to Macbeth’s downfall. The witches are only able to influence his actions through Macbeth’s pre-existing and the three witches see that Macbeth has ambition and uses it to control his action. Ambition alone is displayed throughout the play to be the most significant cause for Macbeth’s downfall.

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