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Ambition In Rosemary's Baby

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Repulsive Ambition The film “Rosemary's Baby” published in 1968, marks the beginning of the genre of horror. It centers on the lovers, Guy and Rosemary Woodhouse. The conspiracy starts when they visit their next door neighbors, Roman and Minnie Castevet, whom creates the perfect plan to use Rosemary as the bearer of Satan’s child. Guy makes a pact with them to be a successful actor in exchange for his first child. The themes that make the film a horror classic are the price of ambition, and the ingenuity and love of a mother. Ambition is a disease that brings out the worst in a person. One of the main characters, Guy, goes blind rage when his neighbors
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Karen Joy Fowler depicts a family heavily impacted by an experiment to raise a chimpanzee as their own in her 2013 novel We Are All Completely Beside Ourselves. Fowler illustrates how even though leading character Rosemary attempts to hide her monkey-like attributes, her animality is ultimately unveiled. Through Rosemary’s need for attention, shown through her physicality and impulsive choices, she evinces her animal-like characteristics. Growing up perpetually being in the arms of her beloved chimpanzee sister produced Rosemary’s desperation for physicality.

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Shakespeare’s ‘Macbeth’ and Oliver stones ‘wall street’ set in distinct time periods, explore the concept that one’s longings for ambition can become overpowering and eventually lead to one’s moralities being recognised. The texts both illustrate that greedy ambition will lead to one’s downfall, that ambition causes people of weak character to behave corruptly to attain their goals, and that ultimately ambition comes with a price. Firstly, in Macbeth ambition is portrayed as seductive yet ethically destructive, in the text both characters who are frail are charmed to pursuing their ambitions at the cost of their own humanity. In ‘Macbeth’ this is shown through the protagonist and how the ambition due to the influence of the witches takes over the like of Macbeth.

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