Sinners in the Hands of an Angry God, is a Puritan sermon from the eighteenth century during the Great Awakening. During this time, Puritans had strayed from the church due to the church’s strict guidelines and regulations and begun to embrace more secular thought. Sinners in the Hands of an Angry God, was written to motivate people to join the newly refined church that embraced these secular thoughts. Jonathan Edwards uses rhetorical devices throughout his sermon to show God’s wrath on sinners and to instill the fear of God in Puritans. Jonathan Edward’s was a well respected clergyman of eighteenth century New England.
In her memoir, The Glass Castle, Jeannette Walls reflects on her unstable, chaotic, poverty-stricken upbringing at the hands of her profoundly dysfunctional parents. Constantly getting into trouble, being short on food and money, the Walls family frequently tried to escape their issues by moving from one city to the next, as her father Rex refers to it -- “skedaddling”. Despite sounding a little silly, the word “skedaddle” has a rich history, developing overtime into today's meaning -- “ to run away or flee in a hurry”. This cultural idiom finds its origins in late 19th century Britain and Ireland.
Dante’s Inferno is an epic poem by Durante “Dante” degli Alighieri, written in the 1300s. He wrote a trilogy, known as the Divine Comedy, consisting of Inferno, Purgatory, and Paradise. Dante was inspired by many events and issues happening at that time, such as the war between Guelphs and Ghibellines, the Battle of Montaperti, and Christian religious beliefs. In this paper, I will explore the first book, Inferno, on the topic of Hell and how the sinners had a significant impact on Dante’s journey through Hell. In Circle 5: Styx, Canto VIII, Filippo Argenti, a sinner of Wrathful, helped Dante to symbolize to readers his anger towards Black Guelphs, political enemies of the White Guelphs.
On the bus, the narrator encounters various people who reveal what the nature of Hell is. First, the narrator meets a youth. After a puzzling comment from the boy, the narrator asks, “Do they like [Grey Town]?” (Lewis 469). The youth is convinced that the damned like Hell “as much as they’d like anything” (Lewis 469).
Down to the penultimate Canto, Dante meets the second pair of sinners bound together: Ugolino and Ruggieri. Ugolino bites the skull of Ruggieri—the vengeance that he badly wanted on earth is given to him for eternity. This image of Ugolino and Ruggieri reminds us of the image of Paulo and Francesca as the only sinners in Hell that are bound together. The juxtaposition of Ugolino and Francesca ultimately demonstrates two facets of love: A fatherly love that was rejected because of pride and a passionate love that was pursued despite its unlawful nature. (Inf.
The story is a sempiternal incubus; puritans fearing the fervid, ardent flames of Dante’s Inferno will consume reprobates, and even the pious, withal. Perhaps, the author’s chalice of Hippocrene was befouled with bereavement, mutilation, and purgatory. Nonetheless, this begets scepticism/dubiety concerning the benevolence, rectitude, and omnipotence of God. Hell on Earth: “I thought it not because I believe in God (I don’t, I think, not after all of this) . . . .” Ruby Morris’
However, in hell the Estelle and Inez shift the power dynamics, disrupting the typical power balance Garcin experienced on earth. This changes how he acts. Instead of possessing superiority and abusing women, he transitions into a “peacekeeper” in hell. However, his real insecurities eventually come to the surface. Thus, while Garcin seemingly redeems himself in hell of his emotionally abusive behavior on earth, he ends up revealing his true, insecure nature.
In Dante’s Inferno, Dante Alighieri's depiction of Satan at the bottom of hell reveals the theme that in Hell the punishment is always befitting of the due to the fact that the lower you go, the farther that person is from god. The picture of Satan satisfies the reader because he shows that he is the opposite of god and that he is full of evil. Lucifer is the demon in the circles of hell which he has three faces, and bat like wings in which he creates the cold wind where the sinners suffer. “The face in the middle was red, the color of anger. The face on the right was white blended with yellow, the color of impotence.
Francesca and Paolo lack remorse, and forget reason, which led them to Hell. In contrast, Beatrice and Dante’s love story is described in terms of divinity and with respect to God. Francesca di Rimini and Paolo Malatesta are in the second circle of hell, where the lustful sinners are punished. Francesca had an affair with her husband’s brother; two of them were innocently reading a romantic story – Lancelot, and swept up with romantic passion. Consequently, they are being punished together in Hell.
Sartre argues the idea of human nature without God and a “heaven of ideas”, because there is no God to create us according to his plan. Human beings just appear on the scene for no reason and cannot appeal to anything above them to give their lives meaning or direction. This concept is forlornness. In Sartre’s eyes, man must come to grips with the fact that he is alone in his decision making. He states by saying that humans occupy the ontological category of “the for-itself.”
Unfortunately, Dante’s journey transitions from the wood into the depths of Hell where he and readers discover the Christian view of sin, repentance, and the need for a savior. The author introduces his readers to Jesus Christ during Virgil and Dante’s conversation about the lost souls in Limbo. In the First Circle of Hell, known as Limbo, the lost souls that did not have an opportunity to meet Jesus Christ dwell in this place. Although they did not sin, they did not have a proper relationship with God through Jesus Christ. However, Virgil testifies about Jesus’ decision into Hell when he says, “ I saw a mighty lord descend to us…
As Dante enters through the Gates of Hell, he is surrounded by a thick mist engulfing spirits who had no place in Heaven nor Hell, they aimlessly chase a forever eluding banner in a field of, “Loathsome
The story revolves around metaphors where everything has a double meaning behind what is said. Here what Dante is trying to tell us is that he wakes up in hell because he has strayed from the righteous path that the church and God has set for him. This medieval writing continues throughout the layers of hell sinners are damned to hell and live in a world devoid of any sanitation everything around them is full of suffering and death. Above the gate is a message that tells the beginning of the journey into hell and the suffering that will be caused, “I AM THE WAY INTO THE DOLEFUL CITY, I AM THE WAY INTO ETERNAL GRIEF… ABANDON EVERY HOPE, ALL YOU WHO ENTER” (399, 1). The church brings out these punishments seeing as the medieval era he lived in was during the time that the church dominated a person’s way of living.
This particular piece, No Exit, was written while Sartre was involved in World War II. Sartre was originally drafted into the French army as a meteorologist, but was later captured by German troops and was held prisoner for nine months. While he was held captive, Sartre wrote No Exit, which portrayed what Sartre had lived through during his encounter with the German army. Sartre wrote this iconic piece in order for his readers to interpret and to understand that the idea of Hell can come in all different forms - that Hell is not always the usual fiery pits and brimstone type of Hell like one is traditionally led to
The argument Jean-Paul Sartre, a French philosopher, presents on existentialism helps to prove the foundation which is “existence precedes essence”. Existentialism is normally understood as an ideology that involves evaluating existence itself and the way humans find themselves existing currently in the world. For the phrase existence precedes essence, existence’s etymology is exsistere or to stand out while the term Essence means “being” or “to be” therefore the fundamental of existentialism, literally means to stand out comes before being. This can be taken into many different ideas such as individuals having to take responsibility for their own actions and that in Sartre’s case the individual is the sole judge of his or her own actions. According to him, “men is condemned to be free,” therefore “the destiny of man is placed within himself.”
