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Analysis: How Vampires Went From Creepy To Hot

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How Vampires Went From Creepy To Hot

According to Robert L. Johnson, vampires have been around in many cultures since about 2000 B.C. There are cultures that perceive vampires in different varieties, but there is only one trait that they all have. They suck blood or take the soul out of another’s life. Vampires nourish themselves by taking another’s vitality. Most vampires are characterized by Christianity, but expanded through Eastern Europe. The Ekimmu was called the “departed spirit” because it is the soul of the dead wandering around in the living. They are forbidden rest in their afterlife and must spend eternity with the living. In Babylonia, China, Greece, Christian, and Egypt religions, vampires are caused from not following religious rituals. In the medieval Church, suicide was considered to be vampiric. The only way to destroy them is from a priest. They had three weapons to successfully destroy the vampire, a crucifix, rosary, and the Bible. In Mexico, the spanish …show more content…

Modern day vampires symbolizes romance because in Bram Stoker’s “Dracula”, he is described as seductive and tempting. Dracula only wanted one thing and one thing only, that being food! Vampires also symbolize blood. Blood is what most people think of when they hear the word “vampire”. “Blood stands for life”, according to Robert L. Johnson (www.jungian.info). As for sexuality, vampires are incredibly eroitc and mysterious. Innocent people can be easily possessed by them. In Eucharist, Jesus is thought to be like a woman receiving her love. “He enters into one, and by him, one is possessed.” (Johnson, page 3.) The sexuality meaning is also perceived as possession. Most people fear the vampire because of the danger of their possession. It precludes natural death or suicide. Sexuality was never a must, but an excessive spiritual love. D.H. Lawrence wrote “one partner sucks the life out of the other”, like a

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For example, one of Dracula’s first victims, named Lucy Westernra, becomes undead after being killed by Dracula. While she lied in bed dying, she asked her husband Arthur to kiss her before she died. However, this kiss had its own sinister meaning, as if Arthur had accepted this kiss he too would become an undead. Additionally, after her death, the undead Lucy continued to attempt to trick Arthur into joining her in undeath, and attempted to lure him to her tomb in order to kill him. Thankfully, both times the doctor Van Helsing stopped Arthur before he could do anything unwise.

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Throughout High Noon Religion is present with the sounds of the church bells ringing as the three men part of Frank Millers crew ride into town. The church choir is heard throughout almost the whole movie. Also while the three men ride through town a woman makes the sign of the cross as the men pass her (High Noon, 1952). This opening scene can be interpreted as God being needed and called upon because of the presence of something that is evil and extra help will be needed. The church choir that can be heard could also be interpreted as Gods presence through the movie.

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The book also mentions that the vampires are repelled by communion wafers and the cross. This give the impression that they are unholy and truly are demons that need to be killed. In addition, the group stuck these items around Lucy, after returning her innocence. This could give the book a central topic of the prospect of Christen salvation. Dracula features several topics, but few themes.

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These vampires encompass one of the major sub-themes of the Novel - sex. This topic was considered rude to discuss in public and could only be propagated through the medium of writing. These vampires are portrayed as “air, as fair as can be, with great masses of golden hair and eyes like pale sapphires. (!!!) ”

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Also, when the three female vampires appear before Jonathan, he characterizes them to have “dark, piercing eyes” and “ruby [red]” lips, which conveys that they are also among the evil in Dracula (Stoker

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Vampires are a classic and incredibly versatile kind of monster across all kinds of media, certainly not just limited to videogames. A big part of that undoubtedly stems from how many cultures around the world have variations on the vampire present in their folklore – usually in the form of some sort of otherworldly something that swoops in and saps the life force of humans and/or animals before slipping off into the night when they've finished. Sometimes these beings are little more than monstrous animals, sometimes they're overdramatic goth fashion plates, and sometimes they're just regular people who like to chill out with a bloody mary every now and then. You can find a pretty diverse range of vampires in games of course. Maybe too diverse,

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A myth is a false belief or idea. It is usually held within an old traditional story or it is a way to explain a natural or social phenomenon, typically involving supernatural creatures or events. Myths are stories of transformation. Many people are surprised to learn that ancient myth was often at least as violent, if not more so, than the mayhem of our modern fantasies. For example, The Godfather, and its companion, Godfather II, have been justly praised for excellence in such technical matters as acting and direction; their popularity is enhanced by less pleasant preoccupations: a lust for violence accentuated in recent years; an obsession with the details of organized crime; a cynical belief that only small distinctions separate lawless behavior from ordinary business practice.

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The first mention of vampires in literature seeped through from European folklore. In the mid-1700s, a vampire panic swept the Serbian countryside. Victims reported being visited in the night by their recently deceased relatives or neighbors, who throttled the life from them. Those struck by these visions died within days. When panicked townspeople exhumed the offending corpses, they found "tell-tale" signs of vampirism: hair and nails that continued to grow after death, blood in the mouth, a lack of decomposition.

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What would it be like to be a vampire? What would it be like to have a vampire in one’s life? What were the vampires of folklore like? These topics will be reviewed throughout this essay by comparing four of the vampire books and movies. All the vampire movies have some similarities and differences but four literature pieces in particular will be gone through in this comparison.

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Dracula is about vampires in general, the myth, the mystery and the horror. Even though Dracula wasn’t the first vampire story, it was the first really popular one. Throughout the novel, the author, Bram Stoker, portrays many different aspects of women's roles in the 19th century. With the use of imagery and symbolism, the theme of sexuality and gender roles has an enormous presence in the novel. Social gender roles of women and men during the Victorian Era were very strict and looked upon differently than any other time period.

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In the novel Dracula, Bram Stoker highlights the theme of sexuality that challenge ideas of sex to both the female and male characters. The author objectifies the female characters in the novel to be over sexualized and portrays sex to empower women. Stoker may present the theme of female sexuality; however, he demonstrates gender inequality triumphs at the end leaving women in the shadows again. Women in the eighteenth century hardly had any type of power outside of overseeing the household and they probably contained much less power expressing any type of sexual emotions. Stoker’s novel gives readers a different perspective of the female sexuality as if almost empowering women and stating that they too can be sexual creatures like men.

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Indeed, the work condemns the expression of sexuality, particularly deviant sexuality, as in the case of Lucy, who is eventually destroyed and transformed into a voluptuous vampire. Dracula is the immoral foreigner; he contains and conveys a sexually transmittable disease, perhaps akin to syphilis in its internal and external transformation of the afflicted. In this novel, Stoker stands by the ideal woman, Mina, who resists temptation and becomes a submissive and dedicated wife and mother. Finally, Abraham Van Helsing and his group of men defend the patriarchal pillars of society and try to contain, at all costs, the sexually dominant behavior that attempts to contaminate society. The anxieties surrounding and permeated by the characters of the novel emulate a literary culture inspired by Gothic literature.

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A good answer is given by Carol A. Senf in his book The Vampire in the 19th Century English Literature where he notes that such beliefs go far beyond the place itself, and that “the vampire was simply one more example of a mysterious subject that appealed” (1988: 21) by virtue of its Orientalism. As he explains it Dracula symbolized an idea of the sensational that attracted the reader, and not the essence of Transylvania or its historical richness. Nevertheless, fundamental in Dracula are the constant journeys that the characters undertake: across Europe, in between cities, across provinces or from America. All these journeys have a fundamental aspect in common: they all start from or finish in the capital city of the largest empire of the world in the nineteenth century: London. This city represents one of the key locations that the author uses for the development of the plot because of the importance it had at that moment.

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Danijela Akrapovic ENGL 1104-70 John Berke Chapter 8 questions 2/2/2018 Vampires Never Die Questions on Meaning 1. “With “The vampire” Polidori gave birth to the two main branches of vampiric fiction: the vampire as a romantic hero, and the vampire as a undead monster (Del Toro and Hogan, par.4). I believe, del Toro and Hogan wrote this essay because they wanted to give details of how vampires are made and analyze the motivation behind why they never die. Their purpose was to also draw comparisons on how these two-vampire fictions are similar in the myth and philosophy with angels. They likewise demonstrate how science has an extensive influence in what vampires are viewed as.

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Also they do not sleep in the coffin or burn in the sunlight. 'Twilight ' blood suckers do not sleep, in the sunlight they shine like diamonds. These characters seem to be normal forever young teens with bizarre feeding habits. In the same time Dracula is presented with some super powers as hypnosis, telepathy, shape shifting (when he changed into a wolf) and super strength. In the opposite to the ‘Twilight’ vamps Dracula has more then call of blood problems, he is sensitive to garlic, holy water, stakes and crucifixes.

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