It made the ballet of Bonnie and Clyde more believable. The music was jazz music which was popular during the 1920’s and 1930’s. Even
Wicked The Musical is a beloved Broadway show that has captured the hearts of audiences all over the world. From the catchy tunes to the stunning costumes, this musical has it all. However, one of the most impressive aspects of Wicked is undoubtedly its dancers and choreography. In this critique essay, we will be taking a closer look at the technical execution of dance routines and use of space and staging in Wicked The Musical. These two elements are crucial to any successful dance performance, and they play an vital role in bringing this larger-than-life story to The Gershwin stage.
The effective improvisations succeed one another with color and feeling. Highlighting Stinson 's basswork and Zack 's dry drumming, “Survival Instincts” appears as an awkwardly disconcerting dance that gets epic contours. It opposes to the simplicity of movements revealed in Stinson’s “Why She Loves”. “Alligator Got the Blues” is another high point, showcasing a leisurely-paced introductory section before exploring alternative beats with a strong foundation in rock music.
Black Female Presence; Tennis and Dance In Claudia Rankine’s, Citizen, she addresses a various amount of relatable circumstances as an African American. Rankine addresses a specific black figure in America, Serena Williams, as an example of a resilient and strong black female athlete. Serena is one of the examples in which Rankine points out racial inequality, and microaggressions in sports, she also opens up about the stereotypes placed in front of Serena and the personas Serena had to play for years of her career. I've found that in both dance and tennis, black women have faced judgement from spectacle, competed with mostly white counterparts, and have had to consistently reclaim their undeniable contribution to the sport and art form.
The western imagery of Higley’s prose made such an impression on local homesteaders that the poem was printed and reprinted in several other local publications. Eventually, in 1874, Higley’s friend Daniel Kelley composed a melody to accompany the poem’s text. During this time in American history, cowboy poetry and songs flourished. In the Western United States, railroad terminals became the places where cowboy songs were “sung, shared, and then taken to new parts of the West by the cowboys returning home” (Western and Cowboy Songs, n.d.). In fact, the proximity of Higley and Kelley’s homesteads to the Abilene railroad terminal likely helped their song spread rapidly across the West.
“Dance me Outside” by W. P. Kinsella tells the story of little Margaret Wolfchild, an eighteen year old Indigenous mother who is brutally murdered by Clarence Gaskell at the Blue Quills Dance Hall (21). The film by the same name attempts to convey a similar message, but there are key differences such as overlooking the Gaskell’s trial. The broader scope of film allows for the story to be told through multiple perspectives, aiding in rounding out the characters and providing them with a realistic dynamism. In her book “Iskwewak Kah Yaw Ni Wahkomakanak” Janice Acoose criticizes Kinsella’s portrayal of Indigenous women, particularly a character from a different story of Kinsella’s named Linda Starr (69). Acoose asserts that Kinsella “exhibits
The story and the movie is introduced with George and Hazel, the parents of Harrison Bergeron, watching a ballerina dance, which is the same in both the movie and the story. Their son, Harrison, was not home because of the fact that the H-G men took Harrison away. Since, in the movie, the ballerina’s were made to put on masks and metal handicaps, they didn’t look their very best while performing. The music sounded bland, and the ballerinas were doing the same dance day-by-day. The author describes the ballerina’s in the text as “burdened with sashweights and bags of birdshot, and
In 1971, Alvin Ailey choreographed Cry, a three part work solo dance set to gospel music that describes an emotional journey filled with struggle, hardships, defeat, survival and joy. It was intended as a birthday present to Alvin’s mother and a dedication to all black women everywhere. The first part of the dance is the struggle of trying to maintain pride irrespective of the opposition faced from outside. The second part reveals the sorrow within after the woman’s pride has been shattered into pieces and finally the third part is a spirited celebration of finding strength and joy in God. Even though cry was dedicated to only black women, i argue the notion that all women both black and white of the nineteenth century could relate
What if winning the lottery meant that there’s a chance you can lose your life? In a small sunny village they have a tradition called the lottery. The whole village comes out to a big gathering and they draw a card from a black box. The cards hold a life or death situation.
Sampson Paquette Professor Edwards ENGL101C 9-13-2016 The Dance The essay: “Silent Dancing” By Judith Ortiz Cofer reflects on the transitional period in her life where herself and her immediate family made the move from Puerto Rico to the Big Apple, otherwise known as New York city. The timeline for the essay was set in the 1950’s where cultural fusion and blatant racism ran rampant in the streets.
New York City Ballet was founded in 1948 by George Balanchine and Lincoln Kirstein. Kirstein’s goal was to create a place for young dancers to train in American ballet with the greatest ballet masters. They met in London in 1933, where Kirstein encouraged Balanchine to come to America. They opened the School of American Ballet in 1934, before starting the professional company. It was designed as a way for Balanchine to train dancers in his innovative style and technique.
“Harrison Bergeron” Discussion Questions: Question Two: What is the significance of the dance that Harrison performs with the ballerina? How does the style in which the story is written change in this passage? The significance of the dance that Harrison performs with the ballerina is to represent the way the world would be like if they were allowed to express themselves and show the world their beauty, intelligence, and any other physical attributes. According to page 4, it says “Harrison and his Empress merely listened to the music for a while-listened gravely, as though synchronizing their heartbeats with it…
Roethke’s My Papas Waltz Many literary scholars, researchers and readers in general, driven by intrigue, have tried to dissect, analyze, and interpret the ambiguous meaning of Theodore Roethke’s poem, “My Papa’s Waltz.” Their explications however, result in ambivalent, and sometimes controversial views. Some critics argue that “My Papas Waltz,” portrays the physical violence inflicted by a father to his child.
The text I am going to be analyzing is ‘My Papa’s Waltz’, a poem written by Theodore Roethke. The poem was written in 1942. The poem discusses a domestic situation of a little boy describing the behaviour and characteristics of his parents, especially his father. Roethke had a difficult relationship with his father, who died when he was fifteen, and the poem reflects that. The themes of the poem are family and admiration.
The final poem of significance is Jazzonia, in which Hughes experiments with literary form to transform the act of listening to jazz into an ahistorical and biblical act. Neglecting form, it is easy to interpret the poem shallowly as a simple depiction of a night-out in a cabaret with jazz whipping people into a jovial frenzy of singing and dancing. But, the poem possesses more depth, when you immerse yourself in the literary form. The first aspect of form to interrogate is the couplet Hughes thrice repeats: “Oh, silver tree!/Oh, shining rivers of the soul!” Here, we see the first transformation.
