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Analysis of movie genres
Analysis of movie genres
Alfred hitchcock intdoductions to film
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More handpicked essays just for you.
Analysis of movie genres
Analysis of movie genres
Alfred hitchcock intdoductions to film
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Through its macabre subtext and circular structure, Billy Wilder's ‘Sunset Boulevard’ encapsulates the nihilistic world of 1950s Hollywood, with essences of pessimism and cynicism ingrained in post-war America. The posthumous narration of protagonist Joe Gillis presents fame as a poisoned chalice that can leave you literally dead. Wilder highlights the human’s inherent desire for love and the detrimental consequences as it gets equated with infatuation with self-image and possession within interpersonal relationships. He explores how artistic integrity is ultimately attainable, and that both true sacrifice and indulgence are a necessity in this art making. The silent film star, Norma Desmond unveils the fleeting nature of fame, her mistaken
Josiah Koser 04/10/2017 Robert Sklar, Movie-Made America, Random House inc., New York City, New York, 1994. The argument made by the author Robert Sklar in his book Movie-Made America has to do with the impact that American movies have had on the country's culture and society as a whole. Sklar says this by stating that, “American movies, through much of their span, have altered or challenged many of the values and doctrines of powerful social and cultural forces in American society, providing alternative ways of understanding the world.”
SETTING One Flew Over the Cuckoo’s Nest takes place in Oregon during the late 1950’s or early 1960’s in a mental hospital. We know this because the memory of World War II is fresh in Bromden’s and McMurphy’s minds. The environment is very grey, dull, confining, and machine-like. There is very little warmth before McMurphy’s arrival.
Alfred Hitchcock’s Rear Window has several themes. One major theme is relationships. The lead character, Jeff Jeffries, a photographer and committed bachelor, is involved in a relationship with Lisa Fremont, a model, although the relationship has some tension due to Jeff’s lack of commitment. When Jeff is confined to his apartment recovering from a broken leg, he begins spying through his rear window on his neighbors in a nearby apartment. Through her frequent visits, Lisa is drawn into this spying as well.
One’s ability and need to love reflects the sole purpose of being human, it begins at birth and carries on throughout adolescent years and adulthood, but contrary to the simplicity of loving a person, when one experiences an inability to express their love and gratitude for a person, it takes an incredibly unimaginable toll on his/her mental and emotional stability which in due time results in a form of depression. The feeling of depression emerges from the low spirits and loss of hope and courage accompanying a person, and while each case of depression varies in effect, the movie, The babadook, expresses its severe control, capable and detrimental power over a person, and the extreme coping measures. In the movie The Babadook, depression abruptly
American Psycho takes place in New York City in the midst of the Wall Street boom in the 1980s with the main character and narrator being Patrick Bateman, a successful investment banker who appears to live an ordinary life amongst the rich of New York City. Bateman and all the people he associates with come off instantly to the viewer as materialistic and vain caring about nothing but who has the best clothes, business cards and even restaurant reservations. Each individual is made out to care about nobody but themselves even getting each other’s names wrong and mixing them up with other people’s, in the world of American Psycho each character is the king of their own world but when it comes to Bateman the viewer finds his world to be even more distorted than everyone else’s as his persona unravels across the story. Bateman’s psyche truly begins to spiral out of control when the jealousy and pure hatred reaches a high and he murders the colleague he despises most named Paul Allen where after he takes over Allen’s apartment which then becomes his home for where he conducts a series of brutalities that include rape, torture and mutilation. Bateman’s obsession with being number one in everyone’s
Film has the ability to capture events in time that visual narrate suffering, pain, honor, and death. These elements of the human experience separates photography and cinema from other art forms, as the viewer witnesses what they believe is untampered truth. So what better way to visually document and tell the story of the greatest war ever fought in modern time, World War II. This war was of biblical proportions with over 72 million casualties and scares that were felt in almost every part of the world form Europe, China, Middle East, North Africa, South-East Asia and the Pacific. World War II set a script of tremendous magnitude that any director would love to depict with names like Franklin D. Roosevelt, Joseph Stalin, Winston Churchill, Gen. Patton, and Gen. Eisenhower leading the allied forces against the evilness set by the axis forces of Hirohito’s Japan, Benito Mussolini’s Italy, and the most villainous of all Germany’s Adolph Hitler.
Many argue when the Golden age of Film Noir ended. One on the most common arguments is that Orsons Wells A Touch of Evil was the last of the great Noirs. However, the real last true noir may actually be Alfred Hitchcock 's Vertigo which came out later the same year is the true last noir. The first evidence Vertigo gives us is the main character John "Scottie" Ferguson. Scottie is a ex-detective with a past that haunts him.
Gone with the Wind Analysis While watching the film Gone with the Wind most people would pay little to no attention to details like camera angle or lighting. However, Gone with the Wind is a great example of mise-en-scene ,what is physically being shot in the scene without editing and can include, but is not limited to camera movement, lighting, focus and scenery, in many different ways. Mise-en-scene actually appears during the first scene when Scarlett is sitting on the steps of Tara, her family’s plantation, along with her two of her male companions. Scarlett is sitting on the top stair while the twins are sitting on stairs below hers almost as if they were worshipping her. Scarlett is also looking down upon the twins as if she were superior to them.
Citizen Kane story is using different points of view and is making a classification of narrative in the film. This movie is a revolution for Hollywood in the idea of a singl story teller and uses multple narrators to expose Kane's life. In every shot of the movie we see the different part of Charles Foster Kane's life in the different narrator story parts. A singl narrative in the bigining of the movie is follow with the different narrative which tell the Kane's life in different shots. Too many storis arrange and understand Kane's life and in this point narrative is a way of structuring, to engage us with cinematic structure.
Doe Zantamata, an American author, once said, “Good friends help you find the most important things when you have lost them... your smile, your hope, and your courage.” In Frank Darabont’s film The Shawshank Redemption, hope and friendship are a large part of the characters’ lives, as they are inmates in the Shawshank prison. Andy is a newcomer and intrigues Red, an inmate who has been in the prison for a long time. Although Red is not sure what to think of him at first, they soon become good friends.
The voice giving the narrative in the introduction of the film told it in a tone that really set the stage. The music fit the scenes. They both were all over the place. This was fitting for an Alfred Hitchcock movie. He would make the scenes so erratic that the viewers could become dizzy.
Kylie Mawn Professor Rodais CINE 121 Midterm 4 March 2018 Question 1: Citizen Kane (Orson Welles, 1941) is a film that is well known for pushing cinematic boundaries in many ways. One commonly recognized technique in Welles’ film is deep focus photography. Deep focus photography is used in films to allow everything in a shot to be in focus at once. Typical, only specific characters or objects are in focus in any given frame in order to guide the audience’s attention in a scene, but deep focus can bring a new level of sophistication to a shot.
The Breakfast Club is not in fact a movie about bacon 'n eggs. It’s a coming of age film about five coincidentally different teenagers all linked together by one common element, Saturday detention. At first, they are all close-minded and judgmental of each other until coming to realize they may be from different circles of friends but are not so different in the end. This film is still remarkably relatable to this day. Everyone in this film is in his or her own societal bubbles, but come to understand they are all facing the same problems.
The Silence of the Lambs displays the unique style of director Jonathan Demme (1944), “an American filmmaker, producer and screenwriter. “Demme began in exploitation for Roger Corman as a writer and producer on Angels Hard As They Come (1971), and made his completed directorial debut with the lively women-in-prison picture Caged Heat (1974). Although he handled straight action with Fighting Mad (1976), and a Hitchcockian thriller with Last Embrace (1979), Demme specialized in quirky, blackly comic road movies such as Crazy Mama (1975), Melvin and Howard (1980), and Something Wild (1986). He gravitated toward mainstream comedy with Swing Shift (1984) and Married to the Mob (1988)” (Schneider 476).