Northwest Passage (1940) In King Vidor’s Northwest Passage, the Native Americans are portrayed as the villains, attacking the White settlers. This film's depiction of American Indians has in recent years been seen as racist, even by Hollywood’s standards at the time it was made. “The movie's presentation of the raid on St Francis as a heroic act is historically questionable, and it isn't helped by the unceasingly racist depiction of all native Americans as degenerate subhumans” (Tunzelman, 2013) .The
Alfred Hitchcock’s Rear Window has several themes. One major theme is relationships. The lead character, Jeff Jeffries, a photographer and committed bachelor, is involved in a relationship with Lisa Fremont, a model, although the relationship has some tension due to Jeff’s lack of commitment. When Jeff is confined to his apartment recovering from a broken leg, he begins spying through his rear window on his neighbors in a nearby apartment. Through her frequent visits, Lisa is drawn into this spying as well.
Mise-en-scéne is crucial to classical Hollywood as it defined an era ‘that in its primary sense and effect, shows us something; it is a means of display. ' (Martin 2014, p.XV). Billy Wilder 's Sunset Boulevard (Wilder 1950) will be analysed and explored with its techniques and styles of mise-en-scéne and how this aspect of filmmaking establishes together as a cohesive whole with the narrative themes as classical Hollywood storytelling. Features of the film 's sense of space and time, setting, motifs, characters, and character goals will be explored and how they affect the characterisation, structure, and three-act organisation.
Two characters from each media that could be compared are Lady Macbeth from Macbeth and Doctor Noyes—also known as Noah—from Not Wanted on the Voyage. In this essay, the film and the novel will be utilized
The poem “The Highwayman '' by Alfred Noyes is how a highwayman and his love Bess loved each other so much that they sacrificed themselves. Both characters end up together in their afterlife. The poem “Annabel Lee '' by Edgar Allan Poe is how the speaker loves Annabel Lee so much that even when she passed, he still loved her. The speaker loved Annabel Lee so much that he slept near her tomb. Noyes describes his poem as acrificial love when Poe expressed his poem as obsessive love.
As a result of this novel, Richard Brooks created his own adaption in order to make the words on the pages truly come alive. While Brooks’ film gives a subtle nod to the text in many ways, he is somewhat hesitant in his representation of the themes presented in the novel. Through
The extract I have selected is from the Coen Brothers film, Fargo. I will be analyzing this film in terms of its geographical location, and its social context. Then I will assess how the Coen Brothers utilize editing, sound, mise-en-scène, and the filmmakers’ influences and intentions. The film Fargo is a reality crime based thriller set in Minnesota during the 1990s. Jerry Lundegaard, a car salesman in Minneapolis who is caught in a bit of debt resorts to hiring two thugs, Carl Showalter and Gaear Grimsrud, to kidnap his own wife and later collect ransom money from his father in law , Wade Gustafson, but the whole ordeal turns sour and results in a series of deaths.
Many argue when the Golden age of Film Noir ended. One on the most common arguments is that Orsons Wells A Touch of Evil was the last of the great Noirs. However, the real last true noir may actually be Alfred Hitchcock 's Vertigo which came out later the same year is the true last noir. The first evidence Vertigo gives us is the main character John "Scottie" Ferguson. Scottie is a ex-detective with a past that haunts him.
Alfred Hitchcock was a master of suspenseful filmmaking, renowned for his ability to craft tension and keep audiences on the edge of their seats. Through his use of various filmmaking techniques, Hitchcock was able to create a sense of unease and anticipation that permeated his films. This essay will explore these techniques in depth, with specific reference to Rear Window and Psycho. By examining the ways in which Hitchcock employs lighting, camera movement, sound, and character development, we can gain insight into his unique ability to create suspenseful and engaging narratives that continue to captivate audiences to this day.
Gone with the Wind Analysis While watching the film Gone with the Wind most people would pay little to no attention to details like camera angle or lighting. However, Gone with the Wind is a great example of mise-en-scene ,what is physically being shot in the scene without editing and can include, but is not limited to camera movement, lighting, focus and scenery, in many different ways. Mise-en-scene actually appears during the first scene when Scarlett is sitting on the steps of Tara, her family’s plantation, along with her two of her male companions. Scarlett is sitting on the top stair while the twins are sitting on stairs below hers almost as if they were worshipping her. Scarlett is also looking down upon the twins as if she were superior to them.
In Ken Kesey’s novel One Flew Over the Cuckoo’s Nest, Ken Kesey provides a storyline about personal experiences he saw occur in a mental asylum. Ken Kesey worked as a staff member in an insane asylum in Oregon. When he wrote the book, he was providing personal memories about the patients and other workers into a story. The entire novel is about patients that are checked into a mental asylum, and their unwillingness to act against the nurse. Throughout the novel, there is a theme of “manipulation” implied.
With the emergence of mass media in the twentieth century, generations of Americans have tried to make sense of its immense power, and discern between the gifts and obstacles it presents. Ironically, mass media is often used to criticize itself, acting as the ideological battleground where opinions on the subject are both aimed and fired. The 1941 film, Citizen Kane, directed by Orson Welles examines one man 's impact on the news industry, ans later pieces such as Edward R. Murrow 's "Chicago Speech to Radio and Television News Directors Association" in 1958 and Barbara Kruger 's 1987 (Untitled) I shop therefore I am print continue the tradition of analyzing why Americans treat mass media in the manner they do. Through these three pieces,
Andrew Slawson Professor Morowitz HNRS 353 1 September 2014 American Psycho by Bret Easton Ellis The 1991 novel American Psycho by Bret Easton Ellis is a satirical story detailing the daily life and internal monologue of late-1980s New York City businessman and serial killer Patrick Bateman, a man devoid of empathy and obsessed with how he presents himself to others. Most of the novel is told in a stream-of-consciousness style from the unreliable point of view of the protagonist, and mistaken identity is a consistent theme throughout the novel. As a result, it becomes difficult to determine whether the events that take place are the delusions of Bateman’s psychotic mind or actual facets of reality.
The 1995 film adaptation of Sense and Sensibility, directed by Ang Lee and originally written by Jane Austen, has timeless elements in its composition. Starring Emma Thompson, also the screenwriter, and Kate Winslet as Elinor and Marianne Dashwood, the movie tells of two heroines and their struggle between balancing idealism and reality. As young, female adolescents of the 1800s, they are responsible for finding husbands that can support them financially; and following their father’s death and loss of money, this becomes even more emphasized. But, they come to struggle when having to choose between what their hearts crave, and what their minds know is best. Elinor’s ideal partner is the initially dull Edward Ferrars, who is discovered to be secretly engaged
These were explored by the use of the motifs of birds, eyes, hands and mirrors (Filmsite.org, n.d.). Hitchcock skilfully guides the audiences through a tale
