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Analysis Of Bonheur De Vivre And Picasso's Les Demoiselles

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In an essay, discuss how both Matisse’s Bonheur de Vivre (Joy of Life) and Picasso’s Les Demoiselles d’Avignon can be simultaneously seen as inspired by and breaking free of Paul Cézanne’s, The Large Bathers. Refer to specific visual references in your discussion.

Matisse’s Bonheur de Vivre (Joy of Life) and Picasso’s Les Demoiselles d’Avignon art work can be seen as inspired by and breaking free of Paul Cézanne’s, The Large Bathers when juxtapose because they were both heavily influenced by art from other cultures such like Asian art, North Africa art, some of the decorative qualities of Islamic art, the angularity of African sculpture, and the flatness of Japanese. They both have balance of purity and serenity devoid of troubling or depressing subject matter," and this aspiration was an important influence on some, such as Clement Greenberg, who looked to art to …show more content…

The compressed space the figures inhabit appears to project forward in jagged shards; a fiercely pointed slice of melon in the still life of fruit at the bottom of the composition teeters on an impossibly upturned tabletop. These strategies would be significant in Picasso’s subsequent development of Cubism, charted in this gallery with a selection of the increasingly fragmented compositions he created in this period.

Joy of Life is a large-scale painting (nearly 6 feet in height, 8 feet in width), depicting an Arcadian landscape filled with brilliantly colored forest, meadow, sea, and sky and populated by nude figures both at rest and in motion. As with the earlier Fauve canvases, color is responsive only to emotional expression and the formal needs of the canvas, not the realities of nature. The references are many, but in form and date, Bonheur de Vivre is closest to Cézanne 's last great image of

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The name of the painting adduce to the allegation by Henri Matisse: What I dream of is an art of balance, of purity and serenity, devoid of troubling or depressing subject matter, an art which could be for every mental worker, for the businessman as well as the man of letters, for example, a soothing, calming influence on the mind, something like a good armchair which provides relaxation from physical fatigue.1 What is being suggested on hand is not a visual percept. What Matisse is trying to express is an art of retinal sophistication and visual effortlessness that is juxtaposed and well removed from Futurist vehemence and Cubist structures. Matisse’ s art of pure enduring presence of flatness underneath and above the most vivid illusion of three-dimensional space – balance, tint, pictorial equilibrium and homogenous connections - all of which are considered and employed like artistic constituents of his clear masterpieces. Subsequently, Matisse’s brilliant art has definite aesthetic characteristics: shapes are

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There are heavy layers of oil paints that shadow and reveal where the man scrapped the paint off or placed a lot to create an impression of depth. There were streaks of paint that covered his hands, which held a paintbrush, tip upward, which provided the paint that showed on his hands and parts of his clothing.showed his hurry to complete the piece and gives a . The three heads on this canvas, entitled Self Portrait, is larger than life, with the three ages of Johnson all looking down on me as the viewer as if he was judging my right to judge his art, all eyes seemed to follow my every movement. This does fit his main ideas for the first several years, all the images on the canvas resembled and were meant to symbolize him, plus the concept of time was one of his biggest drives while he painted the images. Another aspect was that the image had a left to right style of paint of brush strokes to it, since the man moved across the surface, paint brush sweeping in broad strokes, in a motion that somehow gave the painting a sense of motion and energy that this artist viewed as the whole point of creativity. There is even a glint in his eyes and the suggestion the man was amused by my reaction.

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