The Chicago World Fair stirred many emotions in this great time of industrialization, but not only was Chicago shining in the spotlight from the fair, it was also promoting something much more sinister, this dark enclosing spotlight shined directly on H.H Holmes. Burnham the leader of the World Fair and H. H Holmes the notorious serial killer, are the two main characters in this novel that Erik Larson uses the balance between light and dark between these two’s personalities. In the novel The Devil in the White City Erik Larson uses Imagery, paradox, and alliteration to show the balance between the light and dark in the ever growing city of Chicago. Imagery paints an ever expanding picture for the audience, the detailed descriptions such as “but his eyes are as blue as ever, bluer at this instant by proximity to the sea" (Larson 3).
The novel, In Cold Blood, is an anomaly in the literary paradigm. The author, Truman Capote, designed his novel in a way that made it unique when compared to others. His fundamental purpose was to present the problem of American violence and the fragility of the American Dream and how it can be so easily shattered. In order to portray his purpose, he used many rhetorical devices including syntax, diction, tone, ethos, logos and pathos. These devices allowed Capote’s novel to be different from the spectrum of other non-fiction novels and to support his purpose.
Throughout the course of the year, as a class, we have discussed countless works from a variety of authors, artists, directors and speakers. One overarching theme from these works is the ability that a character can have to redefine social standards and have the courage to break societal norms. In society, it is incredibly hard to take a different stance than your peers and choose an alternative to the ordinary. The contrasting forces between good and evil in the world is the cause for exceptional people who are able to break social norms, however, not always in a positive manner. In the novel To Kill a Mockingbird by Harper Lee, the film Schindler’s List directed by Steven Spielberg, and the short story “Harrison Bergeron” by Kurt Vonnegut,
Throughout life, we all go through rough moments where we think all is lost. However, we as humans always grow from these experiences and turn into beings with a new awakening and understanding of the world. In a passage from The Crossing by Cormac McCarthy, the narrator describes a striking ordeal, in which a man is coping with the death of a she-wolf. Despite the cause of death being left ambiguous, this dramatic experience has a vivid effect on the main character—causing him to change and grow into a new man by the end of the passage. McCarthy uses eloquent and expressive diction to create imagery which gives the reader an understanding of the narrator’s experience, supplemented by spiritual references as well as setting changes, elucidating the deep sadness and wonder felt by the protagonist.
Throughout the course of his The Devil in the White City, Erik Larson describes Chicago’s 1893 World’s Fair through the eyes of two different main characters: Herman Webster Mudgett—a psychopathic serial killer who builds his famous “death castle” on the outskirts of the fairgrounds, and Daniel Burnham—the director of works for the World’s Columbian Exposition. Larson employs the use of many contrasting themes within his writing including success and failure, but perhaps most importantly, murder and beauty. In order to emphasize said themes, Larson juxtaposes the accounts of his two main characters: Mudgett and Burnham. There is no doubt that the manner in which Larson portrays Mudgett is sketchy at best. Rather than introducing him with a concise description, Larson familiarizes the reader with Mudgett over the course of several chapters.
Authors often write with total purpose; every metaphor, every symbol, and every detail relating back to the novel’s intended focus. In Harry Mulisch’s The Assault, the importance of complexity is revealed through Anton’s journey to accept the reason for his family’s grim fate. As Anton opens himself up to remember and learn about the War, he develops the skills to understand the convoluted situation in which he endured during his earlier life. Mulisch’s distinct writing style and use of unmistakeable parallels, ironic contradiction, and vivid allusions to illustrate the value of complexity in giving meaning to the events leading up to and following his family’s death. The novel explores the value of complexity in giving meaning and significance to Anton’s life.
Throughout the book his attitude towards the jacket changes as he learns to accept it. The main idea where this is portrayed is when he calls the jacket “that green ugly brother who breathed over my shoulder that day and ever since.” This quote also uses personification to describe his new feelings towards his jacket. The figurative language extends the understanding of his new reaction to the jacket by being able to relate to their own lives
The no-space trip: a mirror to our world Literature serves as a mirror to our world, when looking into it closely, it reflects even the most banal aspects of ourselves and the society we live in. Kurt Vonnegut 's Slaughterhouse Five serves as a mean of social criticism. For instance, the creation of Kilgore Trout and the different plots of his books criticize several aspects of society by the use of science fiction such as faith, economy and oil dependency. In chapter nine, Billy Pilgrim stops at a store which has several Trout books. As he reads them, the narrator introduces the resumed plot of each one.
This trip changed White’s outlook on life, for he finally realized that mortality was closer than he imagined. He was no longer young, and watching his son mature only made this notion more real. One day, he will be only a memory to his son, just like his father is to him. White uses a variety of rhetorical devices to convey the message to his audience that life moves quickly, not stopping for anything, including emotionally-charged diction, imagery, and personification. White uses emotionally-charged diction as a form of pathos to convey his feelings about his past and explain trouble he is having with accepting his old age.
Throughout the story the boys are faced with many obstacles that they must overcome and they often change trying to overcome those challenges. One character that had many changes was Jack, which include being a choir boy leader to being a tribe leader, growing more dangerous and aggressive as the story went on, and having the urge to hunt more. The first way Jack changed in the book was he went from being an egotistical choir leader to a fierce tribe leader. As the boys were painting their faces Jack, “looked in astonishment, no longer at himself but an awesome stranger” (Golding, 1954, p. 63). This quote is taken from a part in the book where Jack is starting to gain more power and some boys were starting to paint their faces.
Throughout The Devil in the White City, Erik Larson uses structure, diction, and figurative language to demonstrate the delicate balance and inescapable
Regardless how unique and unparalleled individuals throughout society may seem, there is one inevitable commonality that all of humanity must encounter: death. Don DeLillo presents the inevitability of death through the Gladney family in his post-modern novel White Noise. Through the journey and characterization of protagonist Jack Gladney, readers are capable of recognizing how uncomfortable the subject of death truly is, as well as how individuals repress their fear of dying. However, DeLillo’s also focuses intensely on other aspects of American society, such as consumerism and humanity’s impact on nature, through his unique implementation of literary elements. Analyzing DeLillo’s White Noise through the Marxist, psychoanalytic, environmentalist,
My working title is: Don DeLillo, What's Good? Libra’s comments on race, gender and politics. To analyze the literary tactics of metafiction and creating a paranoid reading, I will take a closer look at these comments. I hope to articulate how Libra is a ‘good’ example of postmodernism literature. To achieve this I am going to illustrate aspects of postmodern
The theme of the story is about the happiness in life so many people have numbed themselves to or feel as though they are forbidden to feel. Through the surprise and ironic death of the protagonist, Oates shows how easily that joy and happiness can disappear or be ripped away. The setting and theme of this story relates to our current society and how individuals within society feel entitled to extreme privacy and personal space and are unable to cope with stress, anxiety and the struggles of everyday life. Oates also depicts and how an invasion of this could trigger irrational reactions to something as small as a
In the novel Chronicle of a Death Foretold written by Gabriel Garcia Marquez, the narrator sets out on a journey to assemble the remaining pieces of truth surrounding the murder of Santiago Nasar, twenty-seven years after incident. As the narrator recounts the series of facts relating to Santiago’s death, the reader becomes aware of the emptiness, as an accumulation of these informations can’t recreate the event itself. Judging both the narrator’s desire to revisit the past and the foretold events leading up to Santiago’s death, the narrative explores the ways in which the past and the future have an effect upon the present state. The narrator uses the form of a chronicle to organize time into a confined segment, he engages in the nature of time itself and the analysis of the murder. Captivated by the murder that occurred nearly 30 years ago, the narrator continues to look for the truth surrounding Santiago’s death out of desire secure the past.
