Analysis Of Kerry James Marshall's Vignette By Kerry Marshall
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Synchromy in Purple Minor in Blanton by Stanton Macdonald-Wright is an abstract painting with an intention of creating a new language of art to express the musical rhythms and depicting space and color through the uses of blocks of color rather than lines and modeling like that of the Renaissance and Baroque art. Stanton Macdonald-Wright applied thin layers of dry paint in wide strokes on the canvas to create flat surfaces of color. In some regions, the painter uses the technique of drybrush to create a scratchy texture that let the under layer of white paint to show through. This created the transition from dark and intense hues to lighter shades of that hue, giving the colors a transparent quality. Although chiaroscuro modeling is not used,
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When simply looking at the formal attributes of Lightning Lipstick the viewer can instantly see that this very large painting (90 x 114”) uses bright and bold colors. The painting is done in acrylic paints, acrylic paint is typically very flexible in how it can be are applied and how texture is expressed. When looking at the figures in the painting you can see that they are distorted and almost grossly cartoonish. The painting shows the history of biracial people. In the middle left part of the painting Colescott painted a map of the Caribbean and part of the southern United States.
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In the case of Jacob Lawrence, his personal style brought the African-American experience to life using contrasts between dark and vivid colors. Nonetheless, two examples of some of his most known paintings include “ The Builders, The Family” and “This is a Family Living in Harlem”. While both paintings are similar in that they both show strong family unity in the African Culture, they are different in the setting where each of the paintings are taking place. Strong family unity is present in, “ The Builders, The Family”, as it shows a nice, well dressed family walking together on their way to either church or their household.
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It is sometimes difficult for individuals to settle the discrepancy between truth and illusion, and consequently they drive others away, by shutting down. Mrs. Ross, in The Wars by Timothy Findley, is seen as brittle while she is attending church, and cannot deal with the cruel reality of the war and therefore segregates herself from the truth by blacking it out. As a result, she loses her eyesight, and never gets to solve the clash between her awareness of reality and the actuality of the world. She hides behind a veil, and her glasses to distance herself from reality. Mrs. Davenport has to wheel her around in Rowena’s chair to keep her awake, so she doesn’t harbour up subconscious feeling within her dreams, which she is unable to deal with.
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It was a moment when modern African American culture took people's imagination. According to Coleman, F. (1995), “No one captured visually the essence of African-American life in the 1920s and 1930s as vividly or faithfully as did Archibald Motley” (para. 2). Archibald Motley was a visual artist who took part in that period and expressed his art well. He has paintings from all aspects of his career. From the time he was in college at the Art Institute of
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