The Woven is a painting created by Lisa Labarge. This contains the medium charcoal and soft pastel on paper, 40x 27 inches. The painting is located in studio Gallery 234, Pennsylvania, York. According to Labarge, the Woven is a painting that crosses the boundaries of classical and non-classical. Moreover, she specified that the Woven can be made with marble in a classical style.
Her style uses imagery to convey the deeper message that preserving corpses should be a more questioned subject. For instance, each corpse is “sprayed, sliced, pierced, pickled, trussed, trimmed, creamed, waxed, painted, rouged, and neatly dressed” (310). The imagery only gets darker from there. Mitford chose to do this in order for her readers to be shocked. She wants her readers to pay notice to the reality but uses disturbing words and phrases that would only make them stop reading.
His eyes were glazed over, his lips parched decayed (88).” This example of imagery is made to shape the reader’s thought of this scene with a dramatic mood through words that will describe the situation in a serious and dramatic way. The sad mood can be connected to the choice of words that are used to describe an event in the story through
In the novel, Freakonomics, Levitt and Dubner share their ideas regarding the way people withhold information when it comes to publicly display their image. By connecting data from a gameshow and statistics from dating sites, the authors come to a conclusion that while discrimination remains present, it is a quality most people attempt to conceal. The way the authors present and connect their ideas is done effectively with the great use of logic, evidence and organization. Levitt and Dubner make sure to logically describe instances of discrimination that take place in real life situations. For example, they claim that the voting strategy in the game show The Weakest Link, is being influenced by unfair judgements to another player’s identity.
Another technique the author does this is by explaining when Luz watched her dad be abusive to her mother. Luz says, “I saw Papi holding Mom from behind, leaning over the kitchen table with his hand over her face and her cheeks pulled down. I could see the whites of her eyes and he was banging the table as if he were trying to move it, but it wouldn't move, and I could hear her sighing” (Zambrano 146). This clearly illustrates Alberto Zambrano’s use of imagery. Alberto helps visualize how Luz’s mother is being forced down on the table.
Visible imagery is used when O’Brien describes the man’s corpse, he describes the man in great detail which humanizes the Vietnamese soldier. The more the protagonist describes the man, the more the feeling of regret and guilt sets into the reader and it makes the effects of war more daunting. The author also touches kinesthetic imagery by making the reader feel for the author when he begins to create the corpse’s backstory. The readers feels sympathy for O’Brien because he is already consumed with guilt and pain. In the story, O’Brien reflects his own life onto the Vietnamese soldier and the reader sees that.
Catlett does a good job at getting her point across about advocating for social justice in her paintings. She has a similar sculpture called “Mother and Child” which portrays an African American woman cradling her baby. The sculpture represents that black women are courageous maternal figures. She does this to “reflect us, to relate to us, to stimulate us, to make us aware of our potential,” (Catlett). By doing so she was able to win numerous Nobel piece
Without any words, the piece shows what happened and how the world just moved on with it by doing nothing to stop the inhumane actions because it wasn’t directly affecting them. Another form of physical art, dioramas, from the Armenian Genocide helps people relive what their old lives were. Dioramas are models that represent a scene in a third dimensional fashion. One of the dioramas in specific, the Bogigian Complex, shows an Armenian family and their daily life. What sets this art piece apart from the last piece is it being third dimensional.
The physical qualities of Diego Rivera’s “Two Women and a Child” feature an oil on canvas medium. In this painting, Rivera utilizes the fresco technique which according to “A Beginners Guide to the Humanities” is a painting on a surface of plastered wall or ceiling, usually applied when the plaster is wet. Using the fresco technique allows any work of art to have a durable consistency and matte finish. The shapes of the figures have curvilinear lines to accentuate the curves and swirls of their bodies.
An initial reaction to this artwork is a feeling of mourn with an explosion of emotions. At first, the artwork serves as a symbol of sorrow, despair, and melancholy. The title of the work adds a dry, bland sense to the meaning behind the drawing. Through observing the drawing more strenuously, the work becomes more of a symbol of war and a cry for help. The despair and troublesome times that the working class went through during war is characterized in this artwork.
Another artwork that surely makes people shudder is the “Burial of Punchinello” by Giovanni Domenico Tiepolo. In general, Punchinello is like an Italian version of a clown and “appearing in puppet shows, and cavorting in the annual Carnival” . In “Burial of Punchinello” there are few Punchinello with the mask and tall hat carrying a dead Punchinello into a hole in the ground. The appearances of Punchinello just pushes a person fear more because of the masks and tall hat that relatively making the character far from reality and almost transforming like a monstrous creature that freaks people out. The idea of burial is another factors really gives the audiences chills because burial is an ideal of funereal which are often hidden and not something
Visual Analysis In 1948, one of America’s greatest artist of the 20th century, Andrew Wyeth illustrated the painting Christina’s World. This artist often created paintings that related to personal or general real life issues. The young woman in the painting happened to be a good friend and neighbor to Wyeth. His paintings often depicted the sorrow and despair of life, just like Chirstina’s.
The artwork I choose for Renaissance was The Last Supper by Leonardo Da Vinci. This artwork has been taken from the Italian High Renaissance and it is from the scene from the bible and not forgetting its media is tempera which is famous during the Renaissance period. Why I chose this painting is because it shows linear perspective that is everything is pointing towards the head of Christ. It is also approximately symmetrical balance. It shows that it is roughly balanced on both sides.
This piece is important because it is exceptional compared to well-known artists. It has an philosophical interpretation that can relate to viewers’ lives. It is visually unusual compared to other art because it does not have a specific subject, and the crypticness is fascinating because it has viewers thinking deeply about its meaning as they begin to understand the visuals. It is a substantial piece of art because if one is having a difficult time in life, one can glance at The Deep and feel a sense of comfort of not feeling
For instance, the item at top left shows the anatomy and the complexity of being pregnant (Self Portrait as a Tehuana, Autorretrato como Tenhuana, Frida). The baby boy in the middle of the painting symbolizes the baby Deigo she thought she would never have (Self Portrait as a Tehuana, Autorretrato como Tenhuana, Frida). The snail shows how slow and agonizing the miscarriage was (Self Portrait as a Tehuana, Autorretrato como Tenhuana, Frida). The machine in the bottom left was used to symbolize the cold machines they used on her at the hospital (Self Portrait as a Tehuana, Autorretrato como Tenhuana, Frida).
