Recommended: Women's roles through history
Lieutenant Nun: Memoir of a Basque Transvestite in the New World is a memoir by Catalina de Erauso detailing her experiences during the early 1600’s in South America and Spain. She was born in 1585 into a well off Basque family and her parents were native-born residents of San Sebastian Spain. This book is one of the earliest known autobiographies by a woman and details the events that took places when Catalina escaped a Basque convent dressed as a man. During this time she served as soldier in the Spanish army, traveling to Peru and Chile, and even becoming a gambler. Being that my major falls under sociology, I will be looking at themes surrounding the constraints of females in Spanish society in the 1600’s and how this affects Catalina.
Alvarez and her family have a lot of trauma considering there lives in the dominican republic and living under the dictator,through it all alvarez's parents raised a daughter who would share their story in a fashionable matter that told the story how it was.
Julia Alvarez’s In the Time of the Butterflies is a work of historical fiction set in the Dominican Republic that focuses on the four Mirabal sisters who bond together to rebel against the corrupt leader of their country, Rafael Trujillo. The four Mirabal sisters, Patria, Dedé, Minerva, and María Teresa form closer relationships with each other as they figure out a way to bring down the tyranny of Rafael Trujillo. Although they have a mutual goal, each of the Mirabal sisters has different feelings and thoughts throughout this time period. The theme of coming-of-age and identify is best exemplified through the character of María Teresa, known as Mate, through the ways she matures throughout the novel and becomes her own person who stands up for what she believes in.
Both the play Real Women Have Curves by Josefina Lopez and the movie adaptation make an attempt to communicate the message of female empowerment through their respective protagonists, Estela and Ana. Men resolve most of Ana’s problems, whereas Estela relies on herself and other women. The play conveys the theme of female empowerment because it is female-centric, successfully addresses the issues of body image, and focuses on women’s independence and self-validation. Lopez’s play serves as an example of what can happen when women uplift and depend on each other, as opposed to men.
Although she went and work in the factory to help out her sister Ana did not give up on her dream of attending college. Without her mother knowing and help from her high school teacher she began to fill out college and scholarship applications. After finally being accepted into the University of Columbia, Carmen takes a stand and make Ana to but her family before college. Ana has more curves than her mother would like her to have. Carmen thinks just because Ana is “fat” she will not be able to find a husband.
The legend of the Virgen de Guadalupe has become a common symbol of hope to many incoming immigrants of Latin American countries. Due to U.S. governmental and economic interventions in Latin American countries, it has caused many people to migrate as refuges and flee unstable environments. These mass migrations have been followed by torturous trails and stories that many times end in death or abuse, however, other times it has allowed refugees to move away and live stable lives in the U.S. However, once in the U.S., these immigrants are faced with discriminatory policy based on false accusations that makes their lives unsafe and unprotected. Therefore, Latinx religious faith becomes a strong component of community for these groups.
The movie “Real Women Have Curves” tells the story of Ana Garcia, a high school graduate on her way to pursuit the American dream. Ana lives in barrio in Eastern Los Angeles, she is a brilliant student whom teacher really admire. Although she wants to go to college, her family, especially her mother, Carmen, tells her not to. In her mother’s eyes, Ana is a spoiled child who only thinks of herself. As the movie rolls along, the conflict between Ana and Carmen grows larger and Carmen turns into Ana’s biggest obstacle in achieving her American dream.
Esperanza’s environment shifts her identity from being an insecure child to a confident, mature young adult who realizes the decisions that adults must make. Esperanza’s response to her environment reveals an insecurity about herself early in the story. In one of Esperanza’s experiences, she finds herself ashamed
Lola takes advantage of her deteriorating mother whose illness represents the declining hold of the norms over Lola. Since her mom “will have trouble lifting her arms over her head for the rest of her life,” Lola is no longer afraid of the “hitting” and grabbing “by the throat” (415,419). As a child of a “Old World Dominican Mother” Lola must be surrounded by traditional values and beliefs that she does not want to claim, so “as soon as she became sick” Lola says, “I saw my chance and I’m not going to pretend or apologize; I saw my chance and I eventually took it” (416). When taking the opportunity to distinguish herself from the typical “Dominican daughter” or ‘Dominican slave,” she takes a cultural norm like long hair and decides to impulsively change it (416). Lola enjoyed the “feeling in [her] blood, the rattle” that she got when she told Karen to “cut my hair” (418).
In a Hispanic tradition growing up, its every little girl 's dream to have a huge party when you turn 15 which in Mexico we call quinceanera. It 's a party where all your loved ones go, Friends and family. It 's all something you shouldn 't forget, from all the food, to our tradition, music, dances, planning , laughter, crying , pictures , presents, and much more stuff. Its all a dream come true that we all have a day that everyone dedicates that day to you and only you . First thing for my family and I was to plan this whole party a whole 6 months ahead, or others like to do a year ahead, because of course you need to save money for the party and you have almost all your imidate family helping you out with what ever you may need, they all cooperate with any little thing,
We make tons of food such as posole and tamales. At some point of that time everyone gathers around where baby Jesus is and we pray together. In my Mexican culture, we celebrate quinceaneras. When I turned fifteen my dad threw me a quinceanera. This celebration is basically when a lady, such as myself, takes the first step to becoming a woman.
Luis is working at the junkyard when a girl around his age drives up to ask for a part for her car. Luis stares off to the side and begins to space out. Luis describes the girl saying, “She stood in the sunlight in her white sundress waiting for his father, while Luis stared. She was like a smooth wood carving. Her skin was mahogany, almost black, and her arms and legs were long and thin, but curved in places so that she did not look bony and hard- more like a ballerina. ...
The Mirabal sisters were revolutionaries who opposed the dictatorship of Rafael Trujillo. During the revolution, they were given the code name “Las Mariposas”, or “the butterflies”. The term “mariposa” suits each sister in a different way. Patria, Dedé, Minerva, and Mate Mirabal each have their one reason to be compared to a butterfly. The nickname “mariposa” shows who the Mirabal sisters are; they transformed from domestic, innocent mothers and wives into brave, defiant martyrs for national freedom.
Esperanza tries to wear high heels like a woman, tries to have a boyfriend like an older woman, and she tries to get a job like an adult. Esperanza’s longing to grow up quickly causes her to confront the reality of being an adult. Although Esperanza desperately wants to be an adult, she is not prepared for the responsibilities that accompany adulthood; she is unable to successfully make the transition
This novel follows the life of a recent college graduate, Marian MacAlpin, through her career and emotional maturation in a somewhat unnatural, if not threatening world. The queer concept of this world is branded by a spectrum of moral viewpoints of gender politics that manifest themselves and surround Marian. The political and cultural values and practices of a male dominated and sex driven society depicted in the novel are so strong that they seem to devour Marian physically and emotionally. She rebels against this cannibalistic, patriarchal society through a comestible mode and the end, reclaims her identity crisis by restoring her relationship with
