As Bryson sings, “Gotta be sick of this guy, pull up, skrr, get in the ride” the girl comes to terms with the mistreatment she receives and leaves her boyfriend. Through his lyrics, Bryson Tiller is showing the woman the logical course of action and advising her to do what’s best for herself. The use of the word “skrr” is another crucial aspect of this song. “Skrr” is an onomatopoeia for the sounds of the tires of car that are made when the brakes are abruptly used at high speeds. In the same speeding manner and abrupt stop as the car, Bryson Tiller is moving fast to save the women he desires by immediately stopping the abuse she’s receiving. The sum of Bryson Tiller’s action can be understood in the simple, but powerfully moving hook, “Don’t, …show more content…
Several new era hip-hop artists based upon Drake’s introspective and emotional blueprint break misogynistic boundaries by connecting their personal life to their music. An artist such as Bryson Tiller exemplifies how a philogynyistic approach in hip-hop music has gained momentum and has positively influenced hip-hop. Even though the number of philogynyistic artists are heavily outnumber by misogynistic artists, their efforts have begun to shift hip-hop’s traditional ideological boundaries. Drake, Bryson Tiller and many worthy unnamed artists’ most successful moments arise when they focus on a woman’s situation and contribute to her well being. The emotions philogynyistic artists emanate feel tangible and real enough for anyone who has loved or been loved to relate with. Also, the soft, introspective side of a philogynistic artist allows for commentary on the relationship between masculinity and femininity to be accurately and equally evaluated. Hip-hop is not a one dimensional genre that only produces negative content, but a diversified genre that influences and impacts the world in a positive way. According to Trapp, “To understand the impact of hip-hop, we must not view it as monolithic, but as a one of the most diverse contemporary cultural expressions that possesses something of a “triple consciousness” in terms of race and gender” (Trapp 13). Although rap is massively dominated by nonsensical artists who create controversial music, there are brilliant rap artists who are transforming hip-hop for the