The Omaha Storm Chasers are a Minor League Baseball team founded just outside of Omaha, Nebraska in the city of Papillion. Due to the Storm Chasers being located in a high population, such as Omaha, the team can interest a larger community of fans that most Minor League teams can’t do. This outstanding Minor League team is affiliated as the Triple-A organization for none other than the defending World Series champions the Kansas City Royals, and has been affiliated with the Royals since 1969, giving the fans of the Royals a team to cheer for in Nebraska. The Storm Chasers play their games at the beautiful Werner Park, a place that provides wholesome entertainment and quality baseball games for the thousands of fans watching. This ballpark can hold up to 9,000 thrilled fans, also this unique park has a grass berm seating section in the outfield area, making the experience a little different than a regular ball game.
In the middle of the poem she recounts, “or the storm that drives us inside / for days, power lines down, food rotting” (Trethewey 4-5). Trethewey opens up a new stanza with describing the storm that forces her family into the house for days, then moves to describe all the damage the storm has done outside and to her family. The storm has knocked down power lines and created rotting food for her family. Moreover, Trethewey ends the poem in the same structure, “why on the back has someone made a list / of our names, the date, the event: nothing / of what’s inside – mother, stepfather’s fist?”
Winter and summer storms are characteristically very different. In winter storms, there is often mindless shrieking winds, and they occur quite often. However, summer doesn’t usually have that many storms, so when one happens, it seems to always happen with strong intention. Thus, using this word choice to describe the setting of the scene gives the reader the impression that there is a motive in the events taking place. Hence, adding to the idea that the results of the situation are inevitable.
Analytical Summary “Are We Worried About Storms Identify or Our Own” by Patricia j Williams uses the child’s gender complexity issues of the parent’s decision not to release the gender once born to ask a philosophical question to people who feel that they must know a person’s gender. Patricia j Williams feels that the label of a gender should not be a crucial issue in the world that we live in today. She feels that the world should become less gender oriented in todays world. People talk all the time about how we should not categorize by gender, but as soon as someone attempts to erase gender ideals the world goes into an uproar.
The speaker struggled with the swamp. Oliver expresses this with the use of strong diction and full imagery. Powerful dark words are used, and the swamps omnipotent grasp is felt. Through the use of structure and enjambment the intensity and pace builds to the end where a hope is exposed
Details, such as the “wild weather” and “cold sky” (62), form the basis of this foreboding tone. In learning that “[t]he wind warbled wild as it whipped from aloft” (62), the audience’s feelings of uneasiness about what is to come grow. Furthermore, the personification of weather as an antagonistic force allows for the description to have more of a
The entire first paragraph is an example of the wind causing mayhem and being violent. Petry describes what the wind is doing when Johnson is just merely observing her surroundings as “The wind set the bits of paper to dancing high in the air, so that a barrage of paper swirled into the faces of the people on the street” and “it had rattled the tops of garbage cans, sucked window shades out through the tops of opened windows and set them flapping back against the windows; and drove most people off the street in the block…” The wind had obviously been making a mess of the city’s streets and scaring anyone away who stepped foot in those streets. Lutie didn’t let the wind take her focus away and she was stronger than the other pedestrians in the street. While people were bending double to avoid the wind, she had only shivered when the wind had attacked her.
Dana Gioia’s poem, “Planting a Sequoia” is grievous yet beautiful, sombre story of a man planting a sequoia tree in the commemoration of his perished son. Sequoia trees have always been a symbol of wellness and safety due to their natural ability to withstand decay, the sturdy tree shows its significance to the speaker throughout the poem as a way to encapsulate and continue the short life of his infant. Gioia utilizes the elements of imagery and diction to portray an elegiac tone for the tragic death, yet also a sense of hope for the future of the tree. The poet also uses the theme of life through the unification of man and nature to show the speaker 's emotional state and eventual hopes for the newly planted tree. Lastly, the tree itself becomes a symbol for the deceased son as planting the Sequoia is a way to cope with the loss, showing the juxtaposition between life and death.
Images of rain invoke the idea of tears, as does the phrase “an interrupted cry.” It is dark in the poem not only because it is night but also because the speaker has “outwalked the furthest city light.” The speaker is engulfed by their overwhelming sadness, symbolized by the dark night in which they walk, and they have turned away from the light --the happiness-- of the city. It is bitterly ironic that, even in the city, Frost’s speaker is utterly alone. They even hear and see other people, yet they know that everyone else is totally disconnected from their solitary
As mentioned in the story, "She stood by the window and looked out dully at a grey cat walking a grey fence in a grey backyard." (Henry 165). Grey is a representation of dullness with in the characters' lives. It also depicts and element of sadness, for the characters do not have much aside from one another, they live with very little. It may also represent a loss of hope, the feeling that their lives with continue to be sad, and dull for the rest of their days.
one of the many times he uses imagery throughout this story is when the narrator says, “on his way he would see the cottages and homes with their dark windows, and it was not unequal to walking through a graveyard where only the faintest glimmers of firefly light appeared in flickers behind the windows” (Pg 1). By using imagery to compare walking through the neighborhood as walking through a graveyard shows that it is completely silent and there is no activity in any of the houses. Most people wouldn't describe their neighborhood as a graveyard, this also develops the mood. Another time he uses imagery is when the narrator says, “The street was silent and long and empty, with only his shadow moving like the shadow of a hawk in mid-country” (1). This shows mood because the narrator describes him as a hawk in mid-country, that means that he is all alone in what he feels to be like a barren or abandoned place.
In many poems, poets use nature as a metaphor for human life. In "Storm Warnings" by Adrienne Rich, she uses an approaching storm as a metaphor for an emotional storm inside herself. Although, there is a literal meaning of the poem. There really is an incoming storm. Rich uses structure, specific detail, and imagery to convey the literal and metaphorical meanings of the poem.
The impact of the weather scene is a way to indirectly relate to the murder of Victor’s young brother, William. The author, Shelley utilizes weather to convey the Victor’s emotional feelings about the murder of his bother William. Through imagery in the quote, Shelley is able to utilize words to describe the weather relating them to both the storm and what has happened to our protagonist. To me, the flashes of light illuminate the lake which is his brother. William’s illumination is the light of his life is soon quenched when the author describes the “pitchy darkness”
Overall the terrible storm, which Alcee deems a cyclone, not only helps to show the theme of the story but helps to reveal the emotions of a character. Because of the repression of women in the time period the risqué details which are enhanced or represented by the storm serve to give detail to the life of
Ray Bradbury’s “There Will Come Soft Rains,” tells the story of a self-regulating house that is all that is left of the world. Through the use of diction, the reader is able to understand the shifts in tone throughout the story. In the beginning of the story, we are introduced to the house. Bradbury uses terms such as “ruined city,” “radioactive glow,” and “rubble and ashes,” (Bradbury 1) effectively creating a dark and forlorn atmosphere. The author’s word choice creates an image in the reader’s mind of how desolate the house’s surroundings are, ultimately contributing to the somber tone.
