While taking him to the hospital Alan was seizing. Alan and his family spend some days at the hospital while Alan was in coma. After Alan recovered from coma, family shifted to the hospital in Philadelphia. His recovery took his wife and child thru a road of so many ups and downs of emotions. “Where is the Mango Princess?”
The memoir opens with Jeannette, the author and main character, sitting in a taxi, wondering if she has overdressed for the evening, when she looks out the window and sees her mother rooting through a dumpster. She recognizes all her familiar gestures even as she is at times hidden by people scurrying home in the blustery March weather. It has been months since Jeannette has seen her mother, but she’s more overcome with panic that the woman will see her. She slides down in the seat and then orders the taxi to take her home again. She listens to Vivaldi, hoping the music will settle her down.
He decides to stay home and pretend to do work than rather go with his beautiful wife Clare that had smelled like the perfume she used to the movies. “It was hot in the house”, he said. He opened the window for moment but as usual the window
It’s Not So Hot in Paradise As an American from the Midwest, the image that comes to mind of life on a Caribbean island is paradise which evokes a feeling of peace and tranquility. A place where one can escape the snow and freezing temperatures during the long winter months. A place one could enjoy beautiful beaches, tropical trees and green foliage year round.
Michelle Cliff’s short story Down the Shore conspicuously deals with a particularly personal and specific, deeply psychological experience, in order to ultimately sub-textually create a metaphor regarding a wider issue of highly social nature. More specifically, the development of the inter-dependent themes of trauma, exploitation, as well as female vulnerability, which all in the case in question pertain to one single character, also latently extend over to the wider social issue of colonialism and its entailing negative repercussions, in this case as it applies to the Caribbean and the British Empire. The story’s explicit personal factor is developed through the literary techniques of repetition, symbolism, metaphor, as well as slightly warped albeit telling references to a distinct emotional state, while its implicit social factor is suggested via the techniques of allusion, so as to ultimately create a generally greater, undergirding metaphor.
Poetry in literature is often marked significantly by a literary device or a special characteristic of the structure. In Robert Pack’s poem “An Echo Sonnet, To an Empty Page,” echoes throughout the poem create a tone of awe-solemn wonder, revealing the poet’s confused attitude towards the relationship between form and meaning and the inner conflict formed within oneself, dealing with the “voice” and the “echo.” A conversation then begins. The “echo” in this poem acts as the subconscious of the speaker, as opposed to a simple reproduction of the previous sounds. The speaker employs the “voice” as a confusing soul, who is deliberately seeking a response to its questions, and the “echo,” with its one word responses, provides the “voice”
In Small Island, Hortense is ridiculed in London by the host society for her aspirations despite being a Black woman. Hortense trained as a teacher in Jamaica and ‘was the talk of the college for several weeks.’ Hortense’s privileged upbringing is a reflection of her high hopes for England and the educational advantages she feels she will be entitled to in Britain. Although, Hortense is well-respected feelings of superiority often interject Hortense’s outlook on the opportunities available to her in Britain. Thus, she is alienated in the British educational system due to institutionalised racism and nowhere will hire her because she is black.
Article “If You Are What You Eat, Then What Am I?” was published in 1999 in the Kenyon Review. The author describes her childhood life growing up with Indian immigrants. She feels a deep separation from not just her parents but her culture as well. Writer Geeta Kothari explores her personal identity through food. Kothari uses unique writing structure and personal stories to form a well-written piece.
In Eugenia Collier's short story “Marigolds”, the author uses flashback and juxtaposition to create the narrator's voice and present a particular point of view. The narrator uses flashback to show her memories and feelings. The narrator shows in paragraph 1, when she states “ memory is an abstract painting-it does not present things as they are, but rather as they feel.” The use of flashback is to show how her childhood.
Since he sees Edna as a valuable object, he expects her to be the perfect wife model in return- take care of the house, be very caring for their children, and keep up with the creole social standards that he sees necessary. “It would have been a difficult matter for Mr. Pontellier to define to his own satisfaction or anyone else's wherein his wife failed in her duty toward their children.” (9). Being the perfect husband in the Creole culture it makes it very easy to focus on his wife's character and her process of self
She achieves her aim in highlighting that the prohibitive laws which reduce people like her to mere sexual bodies is a psycho-social remnant of the colonial past. She addresses a number of audiences within the piece, including the human rights community, the governments of both her native Trinidad and Tobago and The Bahamas, and by extension all citizens of the Caribbean and wider world who have been disenfranchised by laws that diminish their humanity and highlight their perceived iniquity. The implication of her essay is clear: if not just any body can be a citizen, the democracy which we have set up is in need of some adjustment. It relates to us because it reminds us that for every time we deny any body rights, we have failed to live up to the principles on which are postcolonial societies are supposed to be
The dialogue in Hemingway’s “Hills Like White Elephants” reveals a man’s and a woman’s incongruent conflict on abortion, and the author’s fundamentally feminist position is visible in the portrayal of the woman’s independent choice of whether or not to keep the baby she is carrying. The plot is very simple in the story which is less than 1500 words long. A woman and a man spend less than an hour on a hot summers day at a Spanish train station in the valley of Ebro as they are waiting for a train heading for Madrid. Their dialogue takes up most of the space and only few major actions take place.
Sometimes the things we do for others don’t always go as planned. That was the case for the innocent wife in “Birthday Party” by Katharine Brush, as what was thought to be a nice gesture by the wife, was viewed as a crime by her husband. This small event can be an indicator of a crumbling relationship, and through literary devices such as diction and shifts to portray this deeper meaning. The harsh adjectives used throughout this piece paint a story much darker than simple botched celebration.
With everyone now aboard the cruise ship, I can’t even hear myself think! The sound of adults and children overwhelmed with excitement and bursting with laughter fills the sea air. “We’ll be departing for the Caribbean islands shortly,” exclaims Captain George Johnson. This is my cue to start making way to my compact yet cozy room to unpack my belongings for my ten day trip.
In Jamaica Kincaid’s essay “On Seeing England for the First Time”, she clearly voices her animosity towards the one place her whole life surrounded as a child in hopes of persuading her audience into understanding that there is a fine line between dreams and realities. As an adult, Kincaid finally is able to travel to England to witness firsthand what all the hype was about and why her childhood and education happened to be based around the fantasy customs of this country. Noticing that every detail of her life revolved around England, from the way she ate her food to the naming of her family members, Kincaid found her hatred growing more and more. Coming from a British colony, the obsession with England drove Kincaid crazy to the point that she finally traveled there one day. She says, “The space between the idea of something and its reality is always wide and deep and dark” (37).
