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Analysis Of The Little Mermaid By Alexa Wallace

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The Little Mermaid is a whimsical tale of about a mermaid named Ariel, being just one of her seven sisters and princesses of Atlantica. While this fairytale is one of popularity, it was reperformed in a unique style at Southlake Christian Academy on March 10th, 2017. Presently directed by Alexa Wallace, the performance was unforgettable and related Christian beliefs in with the traditional Disney scenes. Starting with the intertwining Christ’s works with the generalized thought of good versus evil and showing the audience with comparisons of Triton’s and God’s love for his children, this performance started into Ariel’s tale. Moving the audience along with the start of this performance and setting the underwater vibe that the stage held, the
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The Little Mermaid: Hegemonic Femininity The transition from a girl to a woman is created by the socially constructed ideals of femininity often depicted in commercials, books, and mainly films. One of the famous animated princess Disney films, The Little Mermaid can be easily added to yet another Disney film portraying hegemonic femininity. In the 1989 film The Little Mermaid, (Ron Clements, John Musker) a beautiful, young mermaid is willing to make a risky deal with an evil sea-witch because she yearns to walk on land and fall in love with a Prince, while secretly the sea-witch wishes for the mermaid to lose the deal. Ultimately, mermaid ends up achieving her dream of marrying the Prince, although the evil sea-witch tries to destroy the plan.

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