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Abstract of 12 angry men
Theme of 12 angry men
What social psychology themes are demonstrated in 12 angry men
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Twelve Angry Men was about a group of jurors struggle to come with a verdict for a murder case. In the beginning, all but one tenacious juror believed that the eighteen year old boy was guilty of murdering his father. The main problem of the story was that the jurors verdict had to be unanimous. Through the process of trying to get each other to change positions, the jurors face many arguments and disagreements. The jurors personalities clash multiple times because each one has a different view on things and are adamant in their decisions.
I think maybe we owe him a few words. That’s all.” (13) In the movie, juror eight said basically the same exact statement with the exception of a few words, only instead of saying the boy was sixteen, he said that the boy was
In order to convey a message author sometimes breaks away from the traditional way of portraying a protagonist. They do this to maybe go against other books written within the same genre or to make them stand out. Some books that have exhibited this characteristic are; Slaughterhouse-Five by Kurt Vonnegut, Frankenstein by Mary Shelley, and the fairy tale The Bloody Chamber by Angela Carter. In each of these stories, the author creates a protagonist that goes against the norms of the genre.
Some of the arguments and issues with the case that he seems to care most about are the knife Juror #8 bought that is similar to the murder weapon and how fast it took the old man to get to the door. In Act 1, Juror #4 begins to explain that the knife used is very unusual. That even the store-keeper that sold the knife had never seen a weapon like that before. Juror #8 then argues that someone could have possibly gotten a knife similar to the one the boy had and then “reaches into his pocket and swiftly withdraws a knife... they are exactly alike”(23).
Well, it’s not easy to stand alone against the ridicule of others. He gambled for support and I gave it to him. I respect his motives. The boy on trial is probably guilty. But I want to hear more” (Lumet).
The Power of Three Perspectives One can be easily mislead or persuade in a direction they do not agree with. However this is not the case with Juror 8 (Mr. Davis) in the film 12 Angry Men. In this film, twelve jurors try to identify whether or not the convicted eighteen year-old boy is guilty of murdering his father with a switchblade knife. If the puerto-rican boy is found guilty, he will be sent to the electric chair and sentenced to death.
Name: Ethan Lang Teacher: Sasha King Subject: ELA Date Completed: N/A "A jury verdict is just a guess—a well-intentioned guess, generally, but you simply cannot tell fact from fiction by taking a vote." This quote from William Landay, the author of two award-winning crime novels, shows how jury verdicts can be wild guesses that aren’t always accurate. In Reginald Rose's play 12 Angry Men, 12 jurors debate whether to convict a boy of first-degree murder. A few of the jurors start to show signs of aggression toward one another, and things get heated very quickly, partially because of the hot conditions in the room. The jurors can’t come to a unanimous decision, which leads them to examine how the boy and the witnesses might have seen or done the murder.
What if one day, twenty years from now you were chosen to discuss the fate of an eighteen year old boy. What would you do? Would you take your job and do it responsibly, or would you do it like some of the Jurors in 12 Angry Men and blow it off so you can finish early and leave. Even though there was a lot of controversy in that jury room, I noticed that Jurors 3,7, and 9 used their personalities, beliefs, and views of their responsibilities to bring the boy on trial to justice. This very excitable juror is the last to change his vote, and while his stubbornness could be seen as being based more on emotions than facts, he starts off with his little notebook with facts of the case and tries to insist that he has no personal feelings on the matter.
Throughout the play 12 Angry Men, jurors use reasonable doubt; previous knowledge or opinion of a topic, to influence the opinions of other jurors. Personal insight used by Juror eight, juror 9, Juror 5, Juror 8, and Juror 2 influence other jurors by changing their opinions and their reasoning behind that vote. For Instance, Juror eight exhibits how the old man 's testimony is not valid. He demonstrates the old man walking from his bedroom, down the hall, and down the steps, just in time to witness the boy stab his father.
The American Government is made up of three branches: judicial, legislative, and executive. Americans are very fortunate to have a judicial system in the United States, which is based on the idea that everyone is innocent until proven guilty. The same problems still happen today in 2018 that happened in 1957 when the movie Twelve Angry Men by MGM was made. Common reasons jury duty is not popular include taking time off work, not getting the same amount of pay as if one is at work, and simply just not wanting to be there. People will always be biased from their own experiences.
The juror’s emotions affected their belief by putting the boy onto the chair. Juror number 3 was convinced that the teenage boy was guilty. This was due to his past experiences within his family; the rage that he had towards his past created a very one-sided belief. Therefore, juror number 3 let his emotions choose the side he would be on. His emotions gathered up anger, frustration and family rage leading him to ignore the rest of the information provided.
‘Twelve Angry Men’ written by Reginald Rose, is based on the story of a jury who have to come together to determine the fate of a young boy accused to have murdered his own father. Initially, eleven of the jurors vote not guilty with one of the juror being uncertain of the evidence put before them. As the men argue over the different pieces of evidence, the insanity begins to make sense and the decision becomes clearer as they vote several other times. Rose creates drama and tension in the jury room, clearly exploring through the many issues of prejudice, integrity and compassion, in gaining true justice towards the accused victim. These aspects have been revealed through three character who are Juror 10, Juror 8 and Juror 3.
Several feature films of the 1950’s showcase a variety of war and criminal justice themes, specifically 12 Angry Men directed by Sidney Lumet. Released in 1957, the film focuses on a contentious case, where twelve diverse jurors must collaborate and determine the fate of the defendant. With seemingly substantial evidence, viewers are taken into the jury room, where all but one juror are quick to return a guilty verdict. Although a unanimous finding is required, juror number eight, played by Henry Fonda, questions the evidence, unable to return a verdict without further examination of the documentations and testimonies. Insisting the jury take additional time to analyze reasonable doubt within the evidence, Henry Fonda utilizes critical thinking and reasoning skills to depict through the case.
The movie “Twelve Angry Men” illustrates lots of social psychology theories. This stretched and attractive film, characterize a group of jurors who have to decide the innocence or guiltiness of an accused murder. They are simply deliberating the destiny of a Puerto Rican teenaged boy accused of murdering his father. Initially, as the film begins, except the juror Davis (Henry Fonda), all other jurors vote guilty. Progressively, the jurors begin trying to compromise on a point that everybody agree because the decision of the jury has to be unanimous.
Choosing the variables to capture the magnitude of the urban sprawl is the main challenge for the evaluation of the consequences of urban sprawl. One of the most well-known measures for assessing the urban sprawl employs variants of population density or developed areas as a proxy. However, the use of this kind of variables has been criticized for two main reasons. First, as pointed out by Hortas-Rico and Solé-Ollé (2010), there is no agreement regarding the right variables to capture density (density of housing units, population or employment), the extent of the space over which density should be characterized (total or urbanized area), and the scale at which density should be measured (metropolitan or municipality). Secondly, the density does not describe the urban areas properly, although it indicates the presence of scale of certain urban services, it fails showing the distribution of the
