ipl-logo

And Nosferatu: A Comparison Of Two Great Examples Of German Expressionism

1227 Words5 Pages

Caligari and Nosferatu: A Comparison of Two Great Examples of German Expressionism For almost a century now, two great films have managed to horrify and captivate audiences with their unique approach to storytelling and striking, outlandish visuals. Both films, The Cabinet of Dr. Caligari, and Nosferatu still remain relevant and interesting to today’s audiences, not just from a historical or educational standpoint, but still manage to provide ample entertainment as well. In the early 1920s, towards the end of the silent movie era, film was radically changing in many ways. These films are both part of a movement called German Expressionism. One can very clearly see that the visual aspects of the storytelling were unlike any other films before, and many say the directors were ahead of their time by decades. Many of the aspects that made these movies withstand time are influenced by the german expressionism movement. The emotional effect these movies rendered unto audiences is exactly why they still garnish attention nearly a hundred years later. …show more content…

The telltale trait of this genre of art was a distortion of reality to provide some deep emotional effect unto the viewer. Film subjected to this movement was no different, and rather than aim for a more traditional, and realistic approach to storytelling, would use jagged, geometric shapes and minimal backgrounds. The films were dark and often had a foreboding feeling accompanying the movie’s atmosphere and a large part often involved the supernatural. Both these films showcased the style of the German Expressionist movement wonderfully, but

Show More
Related

Wendy Haslem's Essay 'Neon Gothic: Lost In Translation'

458 Words | 2 Pages

Throughout the essay, many references and comparisons are made to other films. Also incorporated in the essay is the use of advance terminology; Giving indication that the author is very knowledge about film. Haslem mentions in her essay “Neon Gothic: Lost in Translation”, “In many ways Coppola’s film exhibits marks of classic European art cinema. Specifically, in her interest in stillness rather than action, Coppola recreates a similar impressionistic resonance that was initially established by filmmakers like Carl Dreyer in The Passion of Joan of Arc (1928) and elaborated by Michelangelo Antonioni in films like L’Eclisse (1962) and L’Avventura (1960)”

Read More

A Brief Comparison Of Japanese Relocation And The Eternal Jew

813 Words | 4 Pages

The shooting style in of both films are similar but what is being said about the subjects is completely

Read More

The Boy In The Striped Pajamas And Night Comparison Essay

956 Words | 4 Pages

Both of these are very powerful tools created by people to really portray the horrible events that occurred and really happened to people in the Holocaust. There are many similarities and difference between the two movies but neither is more or less powerful in getting the point of complete disgust across to the viewer. There

Read More

Compare And Contrast Charlottes Web And Charlotte's Web

803 Words | 4 Pages

To summarize this essay, there are several points that highlight differences between the two films, yet the overall context of the film remains the same. One common theme that tends to drive the force between the reasoning in why the two films have varying aspects is because they were made for slightly different audiences at different times in society. Though both versions of the movie have small portions that vary from one another, the main emphasis is the same and both versions are loved by the

Read More

German Expressionism In Film Detour

1638 Words | 7 Pages

Film noir is a cinematic style that began in the early 1940s that focused on the crime and corruption that occurs in everyday life. Film noir was influenced by two major film movements, German Expressionism and French poetic realism (Schrader 8). While German Expressionism influenced lighting techniques, realism affected narrative and cinematography. The Great Depression and World War II shaped film noir’s cynical tone that fate is uncontrollable. A classic example of film noir is the 1945 film Detour, directed by Edgar G. Ulmer.

Read More

Fritz Lang: Film Noir

1347 Words | 6 Pages

Austrian director Fritz Lang has been noted as being exemplary in film noir by utilizing his stark visual style and moody representation of human characters, and has a history of making great classics such as Metropolis (1927), M (1931), Fury (1936), and The Big Heat (1953). Lang came to America to escape the rise of Nazi power in Germany in 1934, he was part of the German expressionist, and could skillfully direct drama-thrillers and epic science fiction dramas with ease, as noted by Foster Hirsch in his book, The Dark Side of the Screen: Film Noir, “Of the four major Germanic directors of noir - Fritz Lang, Robert Siodmak, Billy Wilder, and Otto Preminger - Lang is the most consistently incisive. In temperament, he is the quintessential noir stylist” (Hirsch 116). Lang had a longstanding career in Hollywood, making numerous films of many genres, and seems to focus on the human perspective of outcomes that are beyond their control. “Lang’s output over a period of almost forty years reveals a remarkable visual and thematic continuity.

Read More

The Dressmaker Analysis

911 Words | 4 Pages

From the cinematic techniques to the plot line, the film incorporates many elements of the style of film. Despite being set in an older period of time and adapting the elements of the spaghetti westerns, it appeals largely to the modern audience due to the certain things which capture their attention. Director Jocelyn Moorhouse

Read More

Gender Roles In 1950s And 1990s: Roman Holiday And French Kiss

3780 Words | 16 Pages

The concentration is on comparing and finding the changes that history made to this movie genre, especially considering the gender roles. Results will clearly explain the psyche of society in two different periods, which confirms that people reflect the movies as movies have an impact on people. The Introduction It is often said that the element of surprise makes the movie more interesting and leads the plot. There are many masters of storytelling

Read More

German Expressionism In Weimar Cinema

1068 Words | 5 Pages

Over the fifteen weeks of the first semester of film school, we were taught many interesting types and styles of early world cinema which were extremely informative and influenced the filmmaking style of the whole class and made us better filmmakers instantly. One such ‘ism’ which inspired me the most was German Expressionism which is a unique characteristic of Weimar Cinema. In this essay I am going to talk about the history of this ‘ism’, its impact on cinema, some significant works and how it inspired me and influenced my filmmaking style. German Expressionism is one of the earliest artistic genres to influence filmmaking, and one that ostensibly prepared for some other cutting edge artistic styles and techniques. It is an artistic genre

Read More

German Expressionism In Metropolis

754 Words | 4 Pages

German Expressionism has influenced thousands of films and filmmakers since the art movement began in the 1920’s. It is known for its dismissal of the standard conventions of Western filmmaking for a more off-kilter style of storytelling. Some film historians consider Metropolis (1927) to be one of the most groundbreaking German Expressionist films ever made. However, there are many instances throughout Metropolis in which it deviates from the eccentric Expressionist style. There are many obvious occurrences of expressionism during Metropolis, for example the opening machine sequence, but conventional Western techniques are also common in the film.

Read More

Frankenstein German Expressionism Analysis

1656 Words | 7 Pages

Of some of the many early films, Frankenstein (James Whale, 1931), can be noted for its impact on film history as being one of the first films of its kind. This new genre of film inspired many more films to come in the Universal Hollywood film era, due to its vast amount of new techniques that were used to support German Expressionist film production. German Expressionist film production occurred after World War One, and had the primary goal to create a world much different from which the creator lives in. Frankenstein, itself, also created strong ties to German Expressionism, which called for a new way of cinema. This new wave of Cinema was noted for its “great burst of artistic activity” (Mast, Kawin 104).

Read More

Analysis Of Edward Scissorhands

229 Words | 1 Pages

Charlie in the chocolate factory:in this film the director used a lot of ways to gets the viewers attention. First he used background music to show the viewers the mood of the scene an to put there mind into the movie. Next,the director used various different camera angle views to capture emotion on the characters faces to give the viewers a guess on how the character(s) are feeling at that moment. Then,in the factory the director used different lighting techniques to give the movie a mood an feeling on what the factory held further inside.lastly,the director put different feeling background in for each different character to give you a feeling of the characters. Edward scissorhands:The film of Edward scissorhands had many film techniques to

Read More

Analysis Of Tim Burton's Film Style

1071 Words | 5 Pages

Tim Burton’s distinct style became evident in his very first films and stayed clear in his later film, while the plot of Burton’s films vary greatly his style stays pronounced. This can be seen across his many movies from Charlie and the Chocolate Factory, Edward Scissorhands, “Vincent”, and “Frankenweenie”. In all of these films his distinct style is developed through the use of a strong contrast of high and low key lighting to show contrast between characters and circumstances, a recurring motif of mobs antagonizing the antagonist, and the frequent use of shot reverse shots to show the development of the relationship between the outsider and the people on the inside. With the use of a contrast between high and low-key lighting, a recurring mob motif, and the use of shot-reverse-shots Tim Burton develops his hopelessly bleak style. One of the most evident cinematic techniques that Tim Burton uses to develop his hopelessly bleak style is the use of a strong contrast of high and low-key lighting or colors.

Read More

Analysis Of Baz Luhrmann's Contribution To The Art Of Film

836 Words | 4 Pages

Baz Luhrmanns contribution to the art of film, brings about a flamboyant and revitalizing side to the industry. Through the use of cinematic language, his story telling techniques and belief in the theatrical cinema come to life. Baz Luhrmann has a very distinctive directing approach with particular techniques that define his style. He presents his films as if he were telling a story, which he invites you into. His stories are simple and he tends to give away the ending at the beginning of the film, which intrigues you to find out more about what had taken place.

Read More

Baz Luhrmann's Red Curtain Trilogy Film Analysis

976 Words | 4 Pages

Baz Luhrmann is widely acknowledged for his Red Curtain Trilogy which are films aimed at heightening an artificial nature and for engaging the audience. Through an examination of the films Romeo + Juliet, Moulin Rouge and The Great Gatsby, the evolution and adaptation of his techniques become evident. Luhrmann’s belief in a ‘theatrical cinema’ can be observed to varying degrees through the three films and his choice to employ cinematic techniques such as self-reflexivity, pastiche and hyperbolic hyperbole. The cinematic technique of self-reflexivity allows a film to draw attention to itself as ‘not about naturalism’ and asks the audience to suspend their disbelief and believe in the fictional construct of the film.

Read More

More about And Nosferatu: A Comparison Of Two Great Examples Of German Expressionism

Related Topics

Open Document