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Dissertation on the effects of postnatal depression on women
Dissertation on the effects of postnatal depression on women
Dissertation on the effects of postnatal depression on women
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YOUR TITLE GOES HERE Anna Quindlen’s problem was that America had its struggles. Like people with welfare or starvation. She analysing that America isn’t that great for others who are in needs. Some are homeless,but others are rich. Anna had said that “The Agriculture Department estimated in 1999 that twelve million children were hungry or at risk of going hungry.”
Ellie Wiesel, an author who wrote about his near death experience of being sent to a Concentration Camp in his book , Night, named his book after the darkness found in those who captured and tortured over six million people. The Jewish, Gypsies, and the Homosexuals were the main groups who were captured by German Dictator Adolf Hitler and his soldiers. In 1944, Wiesel and his family was captured in their neighborhood and was sent to Auschwitz. Wiesel, who was fifteen at the time, lied about his age in order to stay alive and be sent to work instead with the able-bodied. The able-bodied were those who were not too young, anyone under eighteen, or too old, those who were over forty-five.
Margret Feury, most called her Peggy, was born in 1924 on the day of July 30. She was born in Jersey City in New Jersey. Her mother was Irish, but she was born in the United States with her sister. She went to Barnard University in New York City. Margret Fuery had a sleeping disorder called narcolepsy.
In a way it is like a cyclic recurrence where she finds that she must transform the image of herself yet again for she is not fulfilled by her own role as a woman. By becoming a biological mother for five children and a mother substitute to numerous others not her own, Marie Lazarre begins to encompass this maternal ideal, a person that has adopted the “mystique of feminine fulfillment [...], the cherished and self-perpetuating core of contemporary American culture. ” We witness Marie’s capacity, resilience, and strength to fulfill the role of Nokomis and the stereotypical woman during the birth of her first born son, Gordie. Marie movingly depicts the pain that she suffered during labor, describing the contractions as if she was allowing her “body to be driven by waves, like a boat to shore, like someone swimming toward a very small light.” And it is after the birth of her son that we observe this connection between her mother in that they “shared the same boat, where [Marie] had labored.”
To illustrate this theme the author describes that: “She had driven through a forest fire, gone boating in a hurricane, swum across riptides”(532). In other words, she is not someone who runs from change or opposition in life and is not afraid of a simple bucket of blood that contains a swamp rat in it. It seems that this is a type of woman that conveys a different model and that is something that can definitely be learned from. It is very important to move outside of one’s comfort zone to be able to live a full and exciting life. As one can see, Waugh examines the way that a mother does the untraditional approach to life and ends up having an impact on those around
“Pushed” is featured once again and is both sterile and nonchalant. This important moment and painfully emotional time of giving birth is described with no emotion. This act lacks care. To further demonstrate this lack of care “she doesn't miss a day” of work (35). Although seemingly she doesn’t have a choice, she is notably choosing work over caring for her child.
Thank goodness, she turned out alright. But I’ll never risk it again. Never! The strain is simply too - too hellish,” (36). Larsen uses words provoking anxiety and horror to give the reader insight into Clare’s mind when she thinks about pregnancy and motherhood.
As demonstrated through the water imagery, both Sethe and Denver have developed their own definitions and roles as “mothers.” This contrast may serve to be a point of tension as the meaning and extent of “motherhood” continues to be defined throughout the
Because she was drugged during the delivery of both her sons, Edna never truly experienced childbirth. She didn’t realize the overwhelming natural force of bringing a child into the world. When she witnesses the birth of Adele’s child, it is brought to her attention that the female body is designed for childbirth, and she has already committed herself to this purpose by becoming a mother. Her mindset is all wrong for a mother, she sees children as just one more life to populate the world, yet nature has decided that this is her purpose in the world. Edna’s realization about her natural position of woman and mother in combination with the societal position she’s expected to fill drives her to suicide.
Parenting has been a long practice that desires and demands unconditional sacrifices. Sacrifice is something that makes motherhood worthwhile. The mother-child relationship can be a standout amongst the most convoluted, and fulfilling, of all connections. Women are fuel by self-sacrifice and guilt - but everyone is the better for it. Their youngsters, who feel adored; whatever is left of us, who are saved disagreeable experiences with adolescents raised without affection or warmth; and mothers most importantly.
As a photographer myself, the theory of punctum is not unknown to me; however, the application of the concept of punctum towards the perfomativity of a photograph is unchartered territory. The photograph I chose to analyze is Dorothea Lange’s renowned portrait Migrant Mother, which is a Great Depression-era photograph featuring a migrant farmer, and is among the most famous photographs from this turbulent chapter of American history. The raw emotion in the mother’s face, paired with her body language and grimy appearance, captivates viewers; however, it is not the mother that makes this image so powerful to me, but rather, the turned away children framing their mother. This detail adds a new dimension to the portrait for me.
When thinking of personal experiences, “The Mother” by Gwendolyn Brooks touches on the emotional topic of abortion. Even though this poem was published decades ago, it can still be seen very relevant to this day. Accepting abortion and the outcome can indeed be a challenging task for many, while others seem to adapt to it without much of a problem. Gwendolyn Brooks’ writing lets us take a look at the mothers view point of abortion and how a mother responds to her new situation. Throughout the poem, the speaker shows signs of grieving concern of the topic of abortion and its outcomes by presenting emotions of regret and memories, shame and guilt, and contradicting herself to almost justify what she has done.
Anna Quindlen is an American author and columnist wrote an article titled “Doing Nothing is Something”. In her article she explains that there are times when doing nothing accomplishes something. A person daily life is hectic and it just best to let go. Just letting go for a second to let your mind wander, relax, and to be free of stress will let you undiscovered paths and become more creative.
Portrayals of Women in The Big Sleep In The Big Sleep, women are treated more as objects than human beings. When they are treated like human beings, they are still being viewed as unintelligent, inferior troublemakers who are incapable of doing things for themselves. Often, they are smacked and thrown around like ragdolls and talked down to in a degrading manner. The character of Carmen Sternwood is one of the main female characters portrayed this way.
No One Sleeps in Alexandria is the first part of the Alexandria Trilogy. In it, Ibrahim Abdel Meguid focuses on the changes that took place in Alexandria throughout history, especially during World War II. This essay will focus on the representation of Alexandria, the effect of the war, and the importance of time in No One Sleeps in Alexandria. Ibrahim Abdel Meguid says, ‘’did Alexander know that he [is] building not just a city to immortalize his name, but a whole world and a whole history?
