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Anti-Feminism In Mary Shelley's Frankenstein

656 Words3 Pages

Frankenstein, a novel written by Mary Shelley, contains various themes throughout the story. One of themes is feminism and the power of women. In the novel, all of the female characters have passive attitudes, despite Shelby’s strong beliefs in feminism. Victor’s destruction of the female monster can be viewed as anti-feminism and another example of female passivity in the novel. Victor has fears of creating a race of monsters or risking the separation of the two monsters. Victor is illustrated differently than the Creator God of Genesis, who creates a mate for Adam. Victor’s destruction of the female monster is an act of anti-feminism, in hopes of protecting the world. Victor is portrayed differently than the Creator God of Genesis, in Frankenstein. The creation of the Victor’s monster triggers a series of events, ultimately ending …show more content…

The problem Victor tried to avoid was the reproduction of the two monsters. This would leave him responsible for an entire race of monsters, holding him accountable for all disasters and misery. Victor, also, is interested in creations by himself without the help of a woman. Victor’s destruction of the female monster can be viewed as an act of anti-feminism. Fearing the progression of a female monster, Victor destroys the almost finished female creature, leaving the first monster vowing vengeance on Victor because he has doomed his life of loneliness and despair. Victor considers the creation of a female monster to fail in the world and not comprehend to the plans for the first monster. Believing his thoughts were best for the world, Victor destroys the female monster before he can provide her with

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“You may render me [Victor] the most miserable of men, but you shall never make me base in my own eyes,” Victor says to the monster, meaning that the monster can do whatever he wants, but he will not allow him to make Victor lower himself more than he already has, but this is exactly what the monster does when he convinces Victor to make him a female companion. This is a prime example of a minor character foil contrasting a main character; the monster takes complete control over Victor and dominates his character, ultimately turning himself into a more prominent aspect of the storyline. The author most likely does this in order to employ a drastic shift in the meaning of her novel. As the novel started, it was portrayed that Victor would be a rising character and achieve great things, but with the creation of the monster, his character ultimately became his own

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The creature wants to take revenge on Victor for abandoning him and causes Victor grief by killing the people he cares about. When the creature kills, Victor feels responsible and guilty of the murders. He continually breaks down with each death by “his” hands, which makes him go mad. The task of creating a monster turned Victor into a monster

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Lack Of Parenting In Mary Shelley's Frankenstein

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Victor had two loving parents that gave him everything he ever needed or wanted to fulfill his physiological and emotional needs. Since Victor did not do this for his monster, the monster would kill all of Victor’s family and friends that he loved which would bring destruction to Victor’s life. For the rest of his days, Victor would go on a search for his monster to destroy it or die trying. Unlike Victor, the monster was never loved because of the way he looked. He was left alone, even by his creator, and lived a miserable life always escaping people that would “attacked [him], until, grievously bruised by stones and many other kinds of missile weapons” (Shelley).

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Victor creates the Creature, but there are many situations throughout the novel where the Monster displays as the victim. He seeks love from different people, but everyone treats him bad. His anger towards his father drives him to kill Victor’s family. The Monster later feels devastated for the murders he commits. All the monster wants is love.

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This unquestionably exhibits his egocentric conventions as he places himself above everyone else even in matters of life and death. Furthermore, if Victor himself is willing to take responsibility for her death then it becomes unambiguous as to whether he should be held accountable for the actions of his creation. Throughout the story, the monster struggles with the repercussions brought about by his creator which leave him in turmoil. He does eventually overcome these obstacles, although it is undoubtedly too late.

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The State Of Mind In Mary Shelley's Frankenstein

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Victor Frankenstein, blinded by ambition or driven by madness? In Frankenstein, Mary Shelley embodies a cloud of characteristics that follow Victor along for the entirety of the novel. As a young scholar, Victor was driven to invest in his interests of chemistry and science. Hence, Victor soon became enamored with the ideas that lie in between life and death. Further pondering led Victor to become obsessed with the idea of bringing inanimate objects to life.

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In Mary Shelley’s Frankenstein there is a strong antithesis between motherhood traits that female characters possess and that Victor lacks. Motherhood traits of care, protection and self-sacrifice are what hold family together when family is a representation of the nucleus of society. In Frankenstein there is a contrast between Agatha role as caregiver and protector in the De Lacey family, Caroline’s willingness to self-sacrifice for the health of her adopted daughter, Elizabeth bravery to testify, and Victor’s abandonment of his Creature followed by the abortion of the female creature. Female characters are represented as the protectors of humanity therefore, no female characters was involved on the creation of the Creature. It is for this

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