Questions Episode 8: Boom (The Story of Us) In 1910 I California, a column of oil nearly 200 feet high explodes out of a derrick and sets off a chain of events that will turn America into a superpower. Mass production and job opportunities prompted by the First World War draw African American to northern cities like Chicago, but racial conflict follows. A popular campaign to ban alcohol succeeds, yet when it comes, Prohibition triggers a wave of organized crime. Several things happened simultaneously during this period of America’s history.
In the book Ethan Frome by Edith Wharton multiple objects are used to represent big moments in the book and is heavily used. There are many objects that clearly relate to people and relationships between people. The first emblem that represents love between Mattie and Ethan is Mattie's red scarf and ribbon in her hair. The first symbol is the pickle dish representing Ethans and Zeena’s relationship. The final commodity is the cat which represents Zeena.
From the publication of East of Eden to today the rights and empowerment of women have escalated exponentially. Women are no longer obligated to follow the nurturing mother ideal; they can be independent and strong. Then, in the novel, East of Eden, some believe the author oversimplifies his female characters by filing them into either traditional, caring mothers or heinous villains. However, Steinbeck utilizes their simple, one-dimensional archetypes to show how complex his female roles truly are through subtle details.
an apartment building. Here, Equality plans to build a “new land and a new fort,” creating a new society that will not follow the rules and restrictions of the
His understanding of nature profoundly differs from our own. Wright felt this strong connection to nature throughout his life, and Fallingwater presented him with a unique opportunity to showcase it unlike his previous houses. Designed for his elderly mother, Robert Venturi used the house – The Vanna Venturi - as a canvas to demonstrate some of the “complexities and contradictions” in modern architecture. With the Vanna Venturi house, his desire to challenge modern orthodoxy is apparent in the home’s façade, which acts as a sort of billboard for a house, with its pitched roofline and functionless arch – both clear departures from modernist principles.
He highlights the concerns and identity of the cultures that have influenced him into creating his pieces of art. With In his artwork Home Décor Algebra
The strict regulations of building codes concerning vibrations of the earth and San Francisco’s residents’ love of cars prevented loft conversions on a large scale. Around 1993, the new loft projects that were supposed to create affordable housing increased real estate figures dramatically to levels that were unreasonably high; this happened in the Soma area of San Francisco. There were also the beginnings of live-work occupancy lofts in individual zones designated by the Planning Department in 1989 at the south of Market Street. The key stipulation was that “work” be restricted to “arts activities.” Change began primarily with the zoning requirements in SoMA that permitted large-scale developments and prevented community-oriented designs.
“The Destructors” is a story of the Wormsley Common gang’s destruction of an old house shortly after World War II. The gang consists of teenage boys who meet every day in the parking place next to an old house. Mr. Thomas is the owner of the house. The teenagers consistently harass him and finally destroy his house under Trevor’s leading. In Graham Greene's “The Destructors,” Mr. Thomas’s house symbolizes England after World War II.
For instance , the images such as “ decayed trees “ also reveals that the house is located far away from urban which is portrayed as “
We all continue to live in a world surrounded by varyng forms of art, music, painting, literature, and all these are results of creative human activity in which materials are formed to show an idea or a thought of communication. I believe arts are meant to aid in understanding our past, describe the present and predict the future. “The Weather Project” by Olafur Eliasson managed to create an interesting presentation of the weather. The exposition seems to initiate an impressive tension between the city and nature. The room is encircled in natural elements sun, mist, light and by introducing these natural elements Ellison seems to persuade viewers to entirely appear themselve in the space and the exhibition.
As the car was in motion on the way to where I would be staying I rolled the window down. Something other than the tall green grasses and canopy trees caught my attention. I finally started to see some scattered buildings, hotels, and restaurants. The city started to seem more urbanized, that wasn 't the only infrastructure that I saw, more was yet to come. As we went deeper into the rural areas the buildings disappeared and the sidewalks started to become more deteriorated.
Rem Koolhaas, observes and begins his retroactive manifesto, a scripted chronology of the stages of Manhattanism, its changing’s and lasting legacies; especially the culture of congestion. Manhattans own metropolitan urbanism and revolutionary lifestyle. Through his optimistic narrative “Delirious New York” he documents the repeated elements and themes in New York’s development and decline that make it a theatre of progress and the capital of timeless crisis. This focuses in particular on the skyscraper as a product of the physical manifestation of Manhattanism on the grid, along with the relationship between this density-focused architecture and the culture of congestion.
“The Open Window” is an oil painting by Henri Matisse made in the summer of 1905. It is a perfect example of the new art current which inspired French Art at the beginning of the century known as Fauvism. It represents the view from the window of the hotel’s room in Collioure in which the artist stayed. It is a small painting with sizes 55.3 x 46 cm, but it contains explosive and bright colors. Matisse has portrayed the scene in an inviting and light-filled way and with a large variety of tones and colors used to paint the boats floating on the calm sea and the sky during the sunset.
There was no chattering or chirping of birds; no growling of bears and no chuckling of contented otters; instead, the clearing lay desolate and still, as though it never wished to be turned into day. The only occupants were rodents and spiders who had set their home in the dank, forgotten shack. From its base, dead, brown grass reached out, all the way to the edge of the tree-line, unable to survive in the perished, infertile soil that made up the foundations of the house. Bird houses and feeders swung still from the once growing apple trees, in the back garden, consigned to a life of
The home is a sanctuary of love and peace. It is the place where one feels entrenched upon. We do not talk of a physical structure which holds the living room, garage, and bedroom; but rather, of home and its embodiment in entirety. We talk of people as a home or people who causes something to become home. Moreover are events, memories, and experiences which relate to a person’s most comfortable feelings.
