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Archetype Of Women Essay

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History and monsters go hand in hand. From Greek and Roman mythology,through medieval times, and in religious texts, monsters have been created and personified. Religions have inspired many stories, which are the breeding grounds for monsters. In the poem by John Milton “Paradise Lost” the author demonstrates the notions of good and evil with characters such as Satan, Sin, Death, as well as Adam & Eve. These figures embody the nature of sin and fit the description for a stereo-typical monster. The poem presents the struggle beings face between free will and intervention from divine beings. But who is truly the monster: the one who creates the opportunity for sin, or the one who commits it? Using primary and secondary sources such as “Paradise …show more content…

Women are represented in a variety of ways, but one way they are represented is through the archetype of an “angel”. This archetype emphasizes selflessness, empathy, passivity, and honesty. Throughout history, this idea has been portrayed in various texts. For centuries women have been prayed to, looked up to, and worshiped. This may not be the case for all women, but the idea that women are heroes is an idea that still lives today.These religious texts perpurate the idea of women as heroes and a redeeming quality in society, and even today many look up to and respect …show more content…

Women have been viewed as evil by men for many reasons. Some believe women seduce and tempt men for evil reasons. Women use their body and their image of being beautiful creatures to tempt men into doing what they want and to gain power over them. While some believe women have evil intentions, others view women’s bodies as temples of horror and evil. From historical texts to recent horror movies such as “The Brood”, the womb is a birthing ground for evil beings. This idea is backed by“Woman as the Monstrous Womb” from The Monster-Feminine by Barbara Creed. In the story, Creed argues that the female body being depicted as monstrous reflects the fears of men in society and their goal to seek control and dominate women. Monsters are created by the fear and mysteries of the unknown, and men view women as unknown because they're a different sex. Creed suggests that the womb becomes a site of horror and terror because it is a place where creation and reproduction occurs, which could create problems in

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Lucy Westenra presents a rejection to motherhood when she eats the body of a child and throws it away. ‘the new woman represented a threat not only to the social order, but also to the natural order. ’-101 ‘the child that she had clutched strenuously to her breast’ p.188 ‘scientific research defined a woman entirely in terms of body, one which characterised women’s bodies as devoid of passion. Science greatly feared sexual excess, which it felt could lead to men’s debilitation, which in turn could weaken the entire race. Since men’s passion was considered strong and more naturally inclined to excess, the controls were, instead, placed on women.

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Always being told the men in the bibles and the biblical stories were the heroes or the good people, while she was also always told that the more inferior and weaker ones were the women such as Eve, who bit into the apple, who was the “first sinner”. In Society around that time and even many years ago, It was extremely common practice in the church and society that the belief was that men were on the top, the strongest, wisest and smartest. And that women were in second place, inferiors, weaker and submissive to all. Almost all feminine figures in the church were seen as inferior to the men, seen as whores, seen as only mothers and wives. So to only see and hear these kinds of things keeps you in this place where all you believe is that you as a woman are inferior to men and others, that you have no place besides being a wife and mother.

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In the book, it mentioned that when you are born as a girl, your life is going to have pain. The women that play role in the book can handle emotional and physical pain. Like in real life, it is more common for us to handle emotional situations better than men can. Also, in some areas we women belong in places where men do not. As mentioned in the book, when we think of childbirth that is an area where we are supposed to be in.

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This is empowering for women because it promotes ideologies around female fortitude and resilience. Fire is the most aggressive of the four elements, and it’s rightfully so that the deities representing such a dominant element are depicted as female. This gives power to the feminine, and strengthens their respective cultures’ beliefs regarding women’s

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In her monstrous form, Constance protects the house and Mr. Nebbercracker by eating any individual who sets foot on the property with her slithery tongue and splintered wood teeth. However, the feminine nature of the house is first implied by Jenny when she points out the uvula which Chowder mistakes for the uterus, seemingly grossed out (Monster House 53:58-53:22). Thus, a close connection is formed between monstrosity and female reproductive bodily functions. The ‘grotesque’ bodily structure of women in this sense produces the monstrous, as it wards off the male individual: it is a site dedicated to evil. As Creed mentions, “the notion of the castrated woman is a phantasy intended to ameliorate man’s real fear of what women might do to him… specifically, he fears that woman could castrate him both psychically and in a sense physically” (Creed 6).

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Poe’s Life Influences in The Masque of the Red Death As Poe put it, “the boundaries which divide Life from Death are at best shadowy and vague. Who shall say where the one ends, and where the other begins?” He is very correct indeed (“The Premature Burial”, n.d, para. 3). Just like his books which are chilling and mysterious so was his life.

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This reliance on men has a huge psychological effect on Baby and turns her towards the use of drugs, sexual acts and prostitution rings at a very young age. These acts make the protagonist look weak minded and a less important part of our society. Baby becomes very quickly

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“With boys being viewed as culturally preferable, the practice of female infanticide-...” Female infanticide is basically killing infants who are born the female gender. They weren’t seen as lucky or successful in the future. The females were basically useless. “The resulting gender imbalance widened after 1986, when ultrasounds and abortions became easier to come by.”

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As Freud states in his 1925 essay “Some psychological consequences of the anatomical distinction between the sexes” that a pervasive fear of the mother exists, as an archaic that threatens to overpower her child and smother the child into her own primal system . Indeed the figure of the monstrous mother is a

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Some women were profoundly respected, whether as representatives of effective families, or for their age, intelligence and wisdom. There is no evidence that women' capacities were questioned in the pre-Christian period, and their relationship with wisdom and enchantment was outstanding. Their connections with both nature and the otherworldly were a wellspring of

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In The Handmaid’s Tale by Margaret Atwood, the Republic of Gilead actively represses women by forcing them into very narrowly defined, ultra-conservative gender roles. This totalitarian government strips women of all rights and protections, and imposes severe punishments for defiance. Pollution and disease had caused severe infertility in this society, drastically reducing birth rates. In an effort to reverse a drastic population decline, this thoroughly misogynistic and power-hungry regime, takes full control over the human reproductive process. Furthermore, the leadership uses various dehumanizing methods to achieve complete subservience of women to men.

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Women’s Body The Figuration of the female body is well described in both Woman at Point Zero by Nawal El-Saadawi and Margaret Atwood’s The Handmaid’s Tale. Both novels show that the women bodies are not their own and controlled by others which it turned into an object in order to survive. In this paper, I would like to argue how the objectification of the female bodies in both novels resulted in their oppression and sufferings. Moreover, what is the definition of the figuration of a body to both Offred and Firdaus? And is there a way out to survive this tragedy in both novels?

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The monster archetype has been one of the most riveting archetypes that surrounds the concept of ‘evil’. It has been portrayed as a supernatural creature with grotesque features that normally brings disruption to the city and needs to be tamed or controlled to bring once again peace to the story. Due to this, it is most commonly depicted with a negative connotation, and with the idea of horror and fear. The monster has been present since the bible, which was written approximately 3,400 years ago, with the anecdote of Goliath. It has remained with its primary role of converting the protagonist into a hero and providing fear to the storyline.

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1259 Words | 6 Pages

She points to the deficiency of the Bakhtinian theory that fails to establish dialogism between the grotesque body and the female one. While explaining that although he relates the grotesque body to the images of womb, pregnancy and childbirth, he fails to recognize their close affinity to “to social relations of gender” (The Female Grotesque: Risk, Excess and Modernity 63). She condemns the Bakhtinian contradictory treatment of the female body, which simultaneously celebrates its generative and subversively debasing potential and abbreviates it to be a mere vessel to give new birth (RW 240). While trying to explain what “remains repressed and undeveloped” in her male counterpart, Russo points to the subversive potential of the female grotesque to overthrow the normative constraints on female actand look (Russo 63). “[D]efined […] in relation to the ideal, standard, or normative form” of the twentieth century, this work tends to argue that the female grotesque in contemporary age still has the power to create horror as it plays a fundamental role “to identity formation for both men and women as a space of risk and abjection” (Russo 12, Miles

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