Archetypes In The Musical 'Mulin Rouge'
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One of the classic archetypes in the musical Mulin rougue is the hero played by Christian. The hero classically described as someone trying to accomplish a task. In the musical Christian is trying to make a name for himself as a writer and join the new bohemian movement sweeping Paris at the time to be part of something bigger than himself (H Moulin Rouge! (2001) - Full Synopsis). He continues the portrayal as the hero archetype when he tries to convince Sistine to believe in the power of love instead of money. He personifies this trait even further near the end of the movie when he attempts to fight for the
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Edmond Rostand’s comedic play Cyrano de Bergerac recounts the tragic heartbreak of an unsightly French poet as he aids his handsome but dull cohort Christian in capturing the heart of the beautiful Roxane. Cyrano de Bergerac, a colossal-nosed man with a masterful talent for wielding both words and sword, battles self-doubt and insecurity as he contends with his own feelings of love for Roxane. Throughout the play, Rostand reveals a stark polarity between Cyrano and Christian, illuminating the gaping disparity between the characters’ appearance and intellect while portraying the men as foils for each other. From the play’s beginning, Rostand’s audience becomes keenly aware of the divergence between Cyrano’s intellectual substance and Christian’s physical attributes. While Cuigy pronounces Christian “a charming head,” the character describes himself as “...far from bright” (Rostand 1.4-5).
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In Edmond Rostand’s play, Cyrano de Bergerac, the main character Cyrano is considered a tragic hero. Cyrano, as with any other tragic hero, possesses many positive qualities that ultimately lead to his downfall. These defining heroic qualities are exhibited all throughout the play, including his ability to overcome bullies, his altruistic spirit, and his humbleness. Cyrano overcomes adversity when he is judged harshly by Valvert and a bore for his looks.
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This term suggests that Kelly sees himself as the knight in shining tap shoes attempting to save, or rather popularize, ballet in the 1950’s (Kisselgoff). It was thusly that Gene Kelly, a man of many hats, directed and starred in Singin’ in the Rain (Donen, Kelly), a film following the evolution of film and the production of an innovative movie musical. Regarded as the most popular movie musical of all time and inspire by Kelly’s work on An American in Paris (Minnelli, 1951), Singin’ in the Rain led the way for a generation of movie-musicals and inspired a generation of stage and screen artists of every creed and calling. Furthermore, Kelly was dedicated to remaining down to Earth, contributing to the surge of male dancers during and following his surge in
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Cyrano’s and Christian’s Silly Plan In Cyrano de Bergerac written by Edmond Rostand two men are in love with the beautiful precieuse, Roxane. One of the men, Cyrano, finds himself unattractive but what he lacks in looks, he makes up for in his astounding poetry and intellect. The other, Christian, whose defining features are his good looks, lacks wit and isn’t a good writer. An impractical plan is formulated between the men so Christian can gain the love of Roxane, despite all the problems that can be foreseen.
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We all had time when, after finishing the movie, we thought of the possibilities of the movie character’s life in a modern day. When we feel sorry for the certain movie characters, we say to ourselves or people around us that things would be different if the same scenario happened in a today’s world. The film, “Blue Jasmine” (2013) by Woody Allen is a reference to the “A Streetcar Named Desire” (1951) by Tennessee Williams. The “Blue Jasmine” has so many similarities with everything on the “ A Streetcar Named Desire” but at the same time, holds so many differences including different setting and even holds different significant themes. The “Blue Jasmine” does not contain the same characters with the same characteristics to show that even some of their characteristics would be different if they were in a different time period such as the modern day.
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The play Cyrano de Bergerac is about a love triangle between Roxane, Cyrano, and Christian. Christian and Cyrano desire Roxane’s love, but Christian has the upper hand because of his outer beauty. Cyrano writes letters conveying his love to Roxane, but allows Christian to use them as his own. Christian wins Roxane’s heart by deceit and eventually realizes that Roxane only loves the fake version of him. Although Christian uses Cyrano, he is a noble and honest man because he wants to tell Roxane regardless of how he feels about her.
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The interactive oral presentation given by the group on the archetype of the journey, has helped me make connections with Patrick Suskind’s Perfume and to the journey archetype. They introduced the ideas of Grenouille being a hero and following the steps of a hero’s journey. It connects heavily to the theme that anyone can accomplish what they if they put enough effort into it. Throughout the story of Perfume, the protagonist Grenouille, follows Joseph Campbell’s steps of a hero’s journey. The steps of the hero’s journey include a call to adventure, supernatural aid, threshold, mentor, challengers, revelation in cave, and reintegration to society.
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Disney Rolemodels Mulan is a movie produced by Walt Disney. It came out in 1988. The Movie is based on a girl named Mulan, the only child of her honored family. When the Huns invade China, they want one man from every family. Mulan 's father, who has an old injury and cannot walk properly, decides to fight for his country and the honor of his family.
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The video: Consumerism! The Musical is the perfect example of encompassing all the ideas and concepts in the Marxist unit. The video has a man who is extremely wealthy, signifying the concept of the dominant elite and also shows how the dominant elite are shown in society. To begin, in the video, the main character shows the characteristics of the dominant elite.
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Stereotypical gender roles have existed as long as human culture has, becoming a natural part of all of our lives. Within each gender lies a variety of stereotypes and expectations. Most notably for men they are often depicted as tough and the family provider. Whereas women are often shown to be soft and vulnerable. Throughout the play A Streetcar Named Desire the author; Tennessee Williams illustrates the main characters, Stanley, Stella, Mitch and Blanche with these stereotypes.
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Many children and adults love the Disney movie Mulan. It tells of a courageous and misunderstood young woman who disguises herself as a man and takes her injured father’s place in the war. She helps the imperial army win the war and brings honor to her family’s name. Although this movie tells a beautiful story all of it however isn’t true at all. What you might not know is that it’s based on a poem and tells about the real Hua Mulan.
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Maupassant’s creation of the interesting character Boule de Suif and her relationships with the other characters is done through his use of effective techniques such as imagery, symbolism and tone. These techniques support the key themes of equality, fraternity and betrayal which are present in the short story. Throughout the short story but specifically during this extract, Boule de Suif is described as a very desirable person. Maupassant’s
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Imagining the effects of getting rid of the Endowment can be hard to simply imagine, which is why some may be so eager to eliminate the Endowment altogether. When there is no tangible view of what could be lost, one can easily say that for the greater good, one could survive without the object. An additional argument against funding the NEA is that art will survive without the grants of the Endowment. This is the number one reason out of ten on the list of why the Endowment should be eliminated (Jarvik). Think about this piece of work: Hamilton, An American Musical.
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The Parisian night club, The Moulin Rouge itself is the dangerous, greedy and deceitful environment that Christian finds himself confronting in order to complete his call to adventure. As soon as Christian enters the cabaret it becomes apparent that it is an aggressive setting full of boisterous showfolk who share the common violent passion for disorder and physical stimulation, a vastly different experience compared to the one he is familiar with. Whether the threshold be literal as in Orpheus’s situation or symbolic as in Christian’s, it signifies the hero’s commitment to the events in store for him on his
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