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Ariel The Tempest

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The Tempest is a romantic comedy play by William Shakespeare theorized to be his last play. Ariel is a slave in The Tempest who is owned Prospero, a magician. Ariel takes part in most of the play and he is a reason many big events happened. In the play, Ariel’s personality impacts the play by being obedient and surreptitious. First and foremost, Ariel is obedient to Prospero’s commands throughout the play and they make a big impact on the play. It is proven that Ariel is obedient to Prospero’s commands with the quotes “Pardon master. / I will be correspondent to command” (1.2.352-353). Ariel will surely be obedient to Prospero so she can gain freedom from her slavery and it is inferred when Prospero says “Do so, and after two days / I will discharge thee” (1.2.355-356). One task Prospero gave to Ariel was to carry out a storm and it is mentioned in “Hast thou, spirit, / performed to point the tempest that I bade thee?’ (1.2.229-230). The storm created by Ariel caused the people in the king’s ship to be separated into …show more content…

He is surreptitious by having the ability to be and it is told in the quote “Enter Ariel, invisible” (3.2.46). His ability to be invisible contributes to his surreptitiousness since only Prospero is the only person with the ability to see him. Ariel was very surreptitious when she heard Caliban say “Within this half hour will he be asleep / will thou destroy him then?” (3.2.124-125). Therefore, the fact that Ariel heard Caliban, it impacts the story since Ariel ends up warning Prospero and it is said in the quote “This will I tell my master” (3.2.126). Since Ariel warned Prospero, Prospero will be on the lookout to avoid being hurt by Caliban. If Prospero would not have been warned, then he would have likely been killed. Ariel’s surreptitious characterization changed many things in the story and it helped many things after the climax to

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In addition to Caliban, Prospero's yearning for vengeance also creates internal issues for himself. After Ferdinand and Miranda announce their marriage, Prospero claims his "rejoicing / At nothing can be more," because he must "perform / Much business appertaining," (Shakespeare, 95-99). Usually, a father focuses more on his daughter getting married, however Prospero can only focus on his plans for vengeance. Some believe that the characters internal struggles were caused by the wrongdoers, and not a lack of forgiveness; however, at the end of the play, after Prospero becomes a more virtuous character, his conflicts with his brother and Caliban are resolved, clearly showing that their focus on vengeance is what caused the internal struggles.

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When Ariel questions Prospero’s humanity, due to his ego, Prospero only pretends to change his views because he wants to feel superior. By this point in the play, Prospero has every character in his hand. He can exploit them anyway that he wants, but once Ariel tells he would feel bad for them, Prospero becomes a whole different person: “Hast thou, which art but air, a touch, a feeling/Of their afflictions, and shall not myself,/One of their kind, that relish all as

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Prince Caspian, written by the divine author C. S. Lewis, portrays a daring adventure and a battle for freedom while characters obtain braveness, courage, leadership, and patience through spiritual instruction. The spectacular setting of this widely known book takes place in the land of Narnia, and the period of time when there were kings, kingdoms and castles, and when battles were fought with swords, catapults and pure skill. Prince Caspian, a remarkable book from C. S. Lewis’s series, The Chronicles of Narnia, affected me in many ways, and caused me to stop and deem through the range of spiritual character traits portrayed, and how I may apply them to my own life. In C. S. Lewis’ Prince Caspian, there includes a protagonist, antagonists,

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He is the epitome of the oppressed indigenous African people and introduces the theme of freedom. Cesaire establishes Caliban as the protagonist of the play and draws significance on Caliban’s attempt towards the quest for freedom. When Caliban is introduced to the audience in the second scene of ACT I, the first word he utters is “uhuru”. This sets the perimeter for his actions throughout the play “A Tempest”, were freedom is foremost on his agenda. Caliban is evidently more defiant and harsh to Prospero in “A Tempest”, were he is rebellious in that he uses his native language and uses language Prospero taught him to retort to Prospero’s commands with insult; this is evident in Caliban’s speech “I’ll impale!

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William Shakespeare and Brave New World María José Castañeda Guerrero >>> William Shakespeare was an important 16th-century English writer who was widely known for his poems and plays, such as Hamlet, Romeo and Juliet or The Tempest. He has influenced many writers since his death and furthermore, has had an immense impact on recent films, plays and poems. Shakespeare has had a lot of influence on Brave New World, one of the most important Aldous Huxley's novels; but to be more specific, the Shakespeare's play that has more connections with Huxley's novel is The Tempest, a romance where reality and magic are together. The Tempest, popularly regarded as Shakespeare's last play, was performed in 1611 for James I and first published in 1623.

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When Prospero came to the island he taught Caliban his language and mannerisms. At the beginning Caliban welcomed Prospero, delighting in the attention he would receive: "Thou strok’st me, and made much of me". In return, Caliban showed Prospero "all the qualities o’ th’ isle". But Caliban, in an expression of his natural instincts, tried to rape Miranda. It is an atrocious deed, but, to Caliban, it is a basic biological urge.

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Unlike Shakespeare’s other main characters, he is much more enigmatic. In they play Prospero is portrayed as the rogue who seeks revenge on his brother Antonio for his treachery. In this Shakespearean comedy it becomes clear that Prospero is the heart of power on the island. Evidently Prospero has been wronged by his brother’s usurping which he could not control and now uses his magic as a tool for controlling the events that occur on island throughout the play. The theme of power in this play is hugely significant as it clear that the violence interrogated in this play is in relation to power and the abuse of that power by the protagonist.

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He’s but a sot as I am, nor hath / One spirit to command…”(3.2.85-88). All of these occurrences are empowered by Prospero’s collection of books, which enable him to speak the language of sorcery unlike any of the other character and endow him with otherworldly abilities. He uses these powers solely to carry out his plan of escape from the island by bringing Ferdinand and Miranda together. After his plans are successful, he renounces magic and becomes the same as any of the other members of the nobility, showing that magic was the defining characteristic of his might.

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Shakespeare’s The Tempest is often considered fiction and finds content in expressing characteristics of both the main character, Prospero and differences in the power dynamics affecting his characters. Shakespeare often uses groups of characters to emphasize the complexity of their surroundings and effects on their behavior. The overall repetition of complications faced or caused in relation to Prospero and play an enormous role in the plot, helping to develop both the his feelings and the emotional ties of others regarding him. Shakespeare also varies the diction to place emphasis on the power dynamic and relationships observed between thespians.

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