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Where have you been where are you going symbolism
Allusion of where are you going where have you been
Allusion of where are you going where have you been
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In “Where Are You Going, Where Have You Been?” there are many theories as to who Arnold Friend is and what his role. The story does not introduce Arnold till the middle and end of the story when Arnold Friend and Ellie Oscar, his friend, decides to pull up to Connie’s house trying to be gentle, but threatening at the same time. The tone sets the mood of the story, the way he talks is suave, so he doesn’t scare her as much but you could sense a little of annoyance in his voice when she refuses. He asks her to come ride with him, but then starts to threaten her family so she would get out the house and be with him.
In Joyce Carol Oats “Where Are You Going Where Have You Been,” we are introduced to two main characters. The names of the two main characters are Connie and Arnold Friend. In Oates’s short story, Arnold Friend is an imposter that tries to convince young Connie to go on a ride with him and his friend Ellie. Connie refuses to go on the ride but Arnold’s use unnatural techniques to force Connie to leave her house and go with him. Arnold Friend’s awareness of Connie’s family and friends and his ability to persuade Connie reveals that he is more than just a creepy old man trying to kidnap a young girl.
Finally, Oates uses irony when Connie tells Arnold that he is "crazy"(72) and he responds by saying that she is the one who is "crazy"(72). This is ironic because it is clear to the reader that Arnold is the one who is truly unstable. Overall, "Where Are You Going, Where Have You Been?" is a work of fiction that employs several different rhetorical devices to create a haunting
In Joyce Carol Oates fictional short story “Where Are You Going, Where Have You Been?” the majority of the story lies beneath the surface. More specifically than just the story, you realize that there is more to the character Arnold Friend than what may appear. The author has always remained silent and ambiguous about the real meaning of Arnold Friend’s true nature and she leaves room for the readers to make their own interpretation of him. Readers can analyze Arnold Friend and see him as the devil, he could just be the personification of popular music imagined by Connie in a dream, but Arnold Friend could also be the result of drug use.
However, this is countered when Connie notes that “he was much older—thirty, maybe more” (315), a fact that frightens her. What Arnold is to Connie is a challenge of her want to be an adult, and a trail of her ability to deal with adult issue. Such as a man who singles her out sexual reason. Her wish to be an adult is something she seeks while passively avoiding it. Her avoidance is marked by day dreams of puppy love romance, like a typical teenager; yet, her attractive flaunt to be mature is presented as if she seeks to be an
In Joyce Carol Oates’s short story “Where Are You Going, Where Have You Been” the main protagonist finds herself in a very hostile situation. With an all most fateful encounter with a man known as Arnold Friend. Forcing her to choose whether to run off with him or taking her by force. This man known as Arnold Friend to the reader comes off as almost a demon. A person who uses many temptations, word play, and threats to take advantage of the young protagonist Connie.
Reluctantly, her parents allow her to stay home alone. A few hours later, a familiar gold jalopy pulls up to her house. The driver announces to Connie that his name is Arnold Friend. His unusual physical appearance, his tone of voice, and what he may symbolize frighten the Connie.
There are many dangerous things in this world, and most people would never recognize them. Anyone can be dangerous, yet they would look so normal to the world. “Where are you Going, Where Have you Been” shows that exact thing. There are many threatening figures in the short story, and most people do not recognize them until they are right in their face. The symbols are the only thing that would show the danger’s true self.
Arnold continues to try to get Connie in the car when he puts on Bobby King, but Connie doesn’t go for the bait and she doesn't want to go with Arnold. When Arnold realizes his plan is failing he threatens Connie by saying, “ This is how it is honey: you come out and we’ll drive away, have a nice ride. But if you don’t come out we’re gonna wait till your people come home and then they’re all going to get it,” Connie then ended up going with Arnold because she didn't want her family to be hurt by him (Oates 8). Arnold used his language and threats to get into Connie's head and make her do what he
Instead of realizing the danger that she was in, Connie was focused on what Arnold Friend was wearing and how attractive he was. Connie’s obsession with finding her own sexuality overpowered her gut feeling of danger. In an analysis of “Where Are You Going, Where Have You Been”, Barbara Wiedemann discusses how the antagonist Arnold Friend is based upon serial killer Charles Schmid, who murdered several young girls during the 1960s. In the analysis, Wiedemann
He mysteriously knows where Connie lives and invites himself to drive over to her house. Arnold assumes Connie’s friendship by convincing her that he knows everything and everybody, “I know your name and all about you” (Oates 201) when she never told him her name in the first place. He knew her friends, their names as well as what she did the night before. He also knew exactly where Connie’s family was, at a BBQ at Connie’s aunt Tille’s.
In her short story "Where Are You Going, Where Have You Been?", Joyce Carol Oates utilizes a variety of literary devices to strengthen the story in its entirety. This short story is essentially about a 16-year-old girl named Connie and the conflict between her desire to be mature and her desire to remain an adolescent. Throughout the story, the audience sees this conflict through her words in addition to through her behavior. The audience is also introduced to Arnold Friend, a rather peculiar man, who essentially kidnaps her. This short story by Joyce Carol Oates functions and is additionally meaningful because of her usage of literary devices.
Symbolism is one of the most important properties a story can have. It's often used to develop a character or a theme throughout the story that is being told. Symbolism in literature is best described by as the use of symbols and objects to signify ideas and qualities by giving them a symbolic meanings that are very different from their literal sense. The short stories "Where are you going, Where have you been?" and "The Yellow Wallpaper" have very obvious examples of symbolism.
In the coming of age story “Where Are You Going Where Have You Been?” Joyce Carol Oates uses symbolism, conflict, and the third person to foreshadow fifteen-year-old Connie’s unfortunate, yet untimely fate. While one may think that the conflict stems from Connie’s promiscuity, it is clear to see her promiscuity is only a result to a much bigger conflict, her mother’s constant nagging and disapproval, alongside the lack of attention from her father. the author paints a vivid picture of what happens when a fifteen-year-old girl such as Connie goes elsewhere to find to find the love, attention, and approval that she lacks at home. All which is vital for her growth and wellbeing as a person.
In the beginning of the story, Arnold “wagged a finger and laughed and said, ‘gonna get you, baby,’” (Oates 1) implying that Connie is his target. Arnold is seen again in another scene where Connie sees his car pulling up in her driveway. Arnold tries to connect with Connie by using music to try luring her closer to him.
