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The negative about arranged marriages
Sociological perspective of arranged marriage
The negative about arranged marriages
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The literary devices that Amy Tan use in Joy Luck Club are motifs, symbolism that develop the theme of the Joy Luck Club. the theme of Joy Luck Club is cherish the little things you see this theme many times throughout the Joy Luck club. Amy tan use motifs in her work to the describe the theme of Joy Luck Club. one of the motifs are mothers and daughters not seeing eye to eye. Like when June and Suyuan Woo have an argument about playing the piano after the tellit show that she embarises her family at.
As seen in Greenhalgh’s and Winckler’s book, the one-child policy resulted in many single daughters, who received all the attention from their parents and while it may have been a blessing to some, many of the “hottest and best paying jobs… are open exclusively to young women with good looks and sex appeal,” (Doc D). This statement portrays that women are thought of as objects, with prospective employers only looking at their physical appearance, not caring for their education of inner self. However, this also portrays the gender inequality exhibited by China, and shows that women in China only receive jobs because of how they look. This compares to Fitzpatrick’s article, as the practice of female infanticide, killing female infants, also became common practice in some area’s after the one-child policy was put into use (Doc E). It had long been known in China, that boys were more valuable than girls, and this practice further goes to show the chasm, between boys and girls in Chinese society.
The story “Two Kinds” is from the book The Joy Luck Club. The story mainly focuses on the relationships between mothers and daughters. Internal conflict means that it is a conflict a character has with his or her self. Throughout every storyline there is either an internal or external conflict. Two Kind by Amy Tan has a variation of both.
In the nineteenth century, woman had no power over men in society. They were limited in their freedom, as their lives were controlled by their husbands. Some women did not mind this lifestyle, and remained obedient, while some rebelled and demanded their rights. “The Yellow Wallpaper” by Charlotte Perkins Gilman, and “The Birthmark” by Nathaniel Hawthorne, are short stories that exposes the lifestyle women lived in the nineteenth century. The protagonists from both stories, Jane and Georgiana, similarly lived a male dominated lifestyle.
A Husband’s Control: Women Must Defer to Her Husband in All Matters of Marriage and Obedience As the narrator introduces her story “The Yellow Wallpaper” by Charlotte Perkins Gilman, the reader goes back in where a women is considered fragile in her mind and naïve to the world around them. The narrative depicts a woman’s strife while personally suffering “nervous depression” (376) and how such a malady happened to be treated by her attending physician, whom is also her husband by the name of John. In 1899, polite society dictated and observed propriety at all times therefore, wives and unmarried ladies were expected to defer to their husband or the oldest living male family member within the residence.
Essentially, marriage in the 1700’s was seen merely as a means of birthing heirs and finding a way to financially support yourself, so it resulted in both men and women being devalued. It is universally known that women were often treated as inept and helpless rather than sophisticated people with autonomy and capabilities. In fact, during this time, “married women were consistently compared with minor children and the insane-- both categories of people considered incapable of caring for themselves. To marry a woman was, in one sense, to ‘adopt’ her-- or at least to adopt responsibility for all the circumstances of life with which she entered the marriage” (Teachman 39). Furthermore, when women got married, they would legally cease to exist.
Women are told that they should feel lucky if a man chooses to marry them. We see an example of an arranged marriage in the film when we are introduced to Darshini, who is the first daughter in law and Sita who is the second daughter in law to Dadi. Darshini and Sita had arranged marriages with Dadi 's two sons. The process of Darshini and Sita being arranged into marriage is that both of the women were forced to leave their homes and start their new lives in Dadi’s home. Inside the household, the film shows some of the aspects of the daily lives of the daughter-in -laws.
In her novel, The Joy Luck Club, Amy Tan focuses on the fact that the bond between a mother and daughter can overcome any ethnic barrier. Despite there being many disagreements and arguments about the ways to live their lives, Tan defies this issue by creating a bond that is unbreakable even though the experienced different upbringings. Certain disagreements keep the novel interesting and create a conflict depicting the problems stemming from this barrier. Through her use of similes, metaphors, and flashbacks, Tan shows how the bond between a mother and daughter can withstand even the strongest cultural differences.
Women in the 1600s to the 1800s were very harshly treated. They were seen as objects rather than people. They were stay-at-home women because people didn’t trust them to hold jobs. They were seen as little or weak. Women living in this time period had to have their fathers choose their husbands.
Over time arranged marriages have changed. It not looked at as an obligatory action that needs to take place, but it is seen as an event that occurs for the happiness of the individuals
Women often marry older men in arranged marriages, because their family wants them to marry wealthy. What they don’t mention is the frustration and fear some women have, when married to these men. “The Leaving” written by Budge Wilson is a short story of a mother and daughter named: Elizabeth and Sylvie. Sylvie lives with her mother (Elizabeth), father and her four brothers in Nova Scotia. Sylvie and her mother are treated with no respect in their household.
During the 1890’s until today, the roles of women and their rights have severely changed. They have been inferior, submissive, and trapped by their marriage. Women have slowly evolved into individuals that have rights and can represent “feminine individuality”. The fact that they be intended to be house-caring women has changed.
Chinese women suffer from the unfair notion for thousands of years. The basic requirements of being virtuous women are “Three Obediences and Four Virtues (三从四德)”. The “Three Obediences” were “obey your father before marriage (未嫁从父); obey your husband when married (既嫁从夫); and obey your sons in widowhood (夫死从子)”. And the “Four Virtues” were “Female virtues (妇德)”, “Female words (妇言)”, “Female appearances (妇容)” and “Female work (妇功)”. (Sun, 2015).
Arranged marriage is a controversial practice in many cultures around the world. However, studies have found that roughly 85 percent of Indians prefer to engage in this tradition, and have a higher rate of marrital success than a marriage based on personal choice. (Dholakia, 4) Yet, even considering these statistics, it remains a concept that is met with dissapproval, thought to be archaic and demeaning to those involved. Chittra Banerjee Divakaruni’s short story Clothes depicts a young woman transition, from being obliged to follow this cultural norm, and the shifts in her mentality throughout this process. It is not unreasonable for the reader to view the protagonist, Sumita, to be a victim of this presumably inhumane practice.
The first key part studies the cultural influences on marriage, starting with our societies plethora of options. The overabundance of everyday choices leads people to constantly assess their decisions and
