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Artifice In Arthur Miller's The Crucible

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Is manipulation key for personal advancement or simply a selfish act of destruction? Artifice is nothing new, used in times such as the Salem witch trials, and even dates back to even later. Though the strategy is not dead, but can also be seen more recently amongst individuals, including our President Donald Trump. Artifice can be used differently between people, while their motives may be the incentive of personal gains such as revenge or popularity, while the results of using artifice, may vary. However no matter how it is adopted, the reason behind it, and/or the outcomes artifice should not be used. Artifice has no regulations on how it can be practiced, throughout history we have seen it play a part in society in many different ways. …show more content…

Motives for almost every action vary from person to person and artifice is no different. In The Crucible the reason behind Abigails witchery and manipulative ways his because she wants to be with John Proctor. Her own selfish wants come before others lives, Abigail being a very egotistical antagonist, overshadows the other girls motives. While mary Warren seems to just want attention and to be treated better, the other girls motives vary as well. Though overall these young women have an array of reasons, from adulterous revenge to the basic overall concept of the book, being scapegoating. In The Way We Lie by Stephanie Ericsson telling such little white lies is done in order to save someone's feelings from being hurt. Though it could also be argued the person themselves have alternative motives, such as not wanting to be seen as a bad friend or person. While these actions are more or less admirable, it is still nevertheless lying. While Donald Trump's motive for using artifice, is simple, he wants the population to like him and believe he is a good president. His motive are more narcissistic than most, wanting only to be liked, makes him a manipulative liar. Trump also using artifice to draw attention from one area he lacks to another that makes him look worthy of his presidential status. While everyone's intentions are different whilst using artifice, the results tend to be completely different. Even if the developments are good, artifice is still used by self-indulgent people, and that is why it is a terrible

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Arthur Miller gradually introduces information because it creates interest in the story. In act one Arthur Miller uses the overture to describes how the witch-hunts affected the people of Salem and other communities. Arthur Miller states that “The witch-hunt was a perverse manifestation of the panic which set in among all classes when the balance began to turn toward greater individual freedom”(1. 117-119). This quote creates interest by making the audience want to know how the fear and hysteria of the witch-hunts affected the people of Salem.

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People tend to justify their actions, regardless of the outcome. With knowledge of their actions, people misemploy their authority. A remarkable playwright of the American theater, Arthur Miller continues to capture his audience with The Crucible. In the play, Miller portrays several characters, who abuses their authority. However, of the very few, Miller creates a character who makes an important contrast to these corrupt people.

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Abigail defies all judgements against innocence as she is the driven evil force in The Crucible. Arthur Miller shows Abigail Williams to instinctively defend herself, as it is the humane reaction when accused of wrongdoing. It is common to tell a lie but, the intention of sabotage is a different story. Abigail had many tricks up her sleeve to manipulate the court. Her purpose to convince the town of her innocence was one of many.

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The author of The Crucible, Arthur Miller, develops the characters of Abigail Williams, Mary Warren, John Proctor, and Elizabeth Proctor through dialogue and actions, revealing their moral dilemma, their motivations, and the consequences of their choices in the trouble in Salem. The oppressive atmosphere of Salem is vividly portrayed through imagery, contributing to the characters' feelings of paranoia. For instance, Miller describes the courtroom as "solemn" and "cold," symbolizing the unforgiving nature of the town. This imagery not only emphasizes the characters' sense of dread but also highlights the power dynamics at play, where desperate neighbors are pitted against each other in a fight for survival. Moreover, the dense forests surrounding

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One Choice Can Change Lives Who knew one seemingly innocent lie could cause 19 deaths and pit an entire town against itself? That’s exactly what happens in Arthur Miller’s The Crucible. Authors often use similar plot devices, and their favorite one is having their characters face a test. In a small town called Salem in early America, something terrible is happening.

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Arthur Miller constructs his play upon the famous Salem witch trails. Miller's Crucible was written in the early 1950s. Miller wrote his drama during the brief reign of the American senator Joseph McCarthy whose bitter criticized anti- communism sparkled the need for the United States to be a dramatic anti- communist society during the early tense years of the cold war. By orders from McCarthy himself, committees of the Congress commenced highly controversial investigations against communists in the U.S similar to the alleged Salem witches situation. Convict communists were ordered to confess their crime and name others to avoid the retribution.

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Everyone longs for success. They desire the acceptance and approval for following their moral compass, being rewarded, and being acknowledged. However, one cannot maintain success without a purposeful and achievable position of power. In The Crucible by Arthur Miller the power of society is bound upon a pronounced hierarchy. Men naturally are deemed as having higher status than women in society.

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Power in our society nowadays is very misgiven and abused. When people have power they tend to use it for their own benefit and to manipulate people into believing them. In the play, The Crucible, Arthur Miller dramatizes the Salem witch trials of 1692 in order to show his audience how easy it was to be accused and hung for witchcraft. In the Crucible a group of young girls were caught dancing in the woods and in order to not receive a punishment they lied saying they got witched. The girls blamed many people of the town of being witches and caused conflict all over the village.

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In Arthur Miller’s play, The Crucible, Miller demonstrated that it was Abigail William’s flaws: lust, vengeance, and jealously that led her to be responsible the most for the tragedy of the witch hunts in Salem. Abigail Williams started the entire suspicion of there being active member of witchcraft throughout Salem, Massachusetts. She did this for her own benefits and used trickery to get what she wanted. Abigail was corrupt and only cared for her own desires. There are many reasons that these flaws are crucial to the outcome of the play.

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The essential components of manipulation can range from many views of a person or an object. The main components of manipulation is the use of fear or information against a person or something. In the views of many, there is a fear, superstition, or any personal beliefs are key ways to twist the thoughts of someone or something. In The Crucible, Abigail was able to use the superstition and fear of witches against the town of Salem to manipulate them into turning against one another, faking that she was capable of scouting witches and their spirits, while she accused many so she will have a way to get rid Elizabeth while maintaining innocence. Abigail was a very strange girl but, her name was white as snow in the town of Salem, proving that she will still have a way to actually have no reason that anybody won’t believe her.

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According to the Freudian model of the psyche, psychoanalysis is a systematic structure of theories concerning the relation of the conscious mind and the unconscious mind by examining psychological process such as impulses, anxieties and internal conflicts. This model consists of three subcategories; the id, the ego, and the super-ego, all of which are evident in Arthur Miller’s play, The Crucible. The id focuses on a person’s desires without any correlation to the conscience, much like that of Abigail William’s lust for John Proctor. The ego identifies the part of a person’s personality responsible for dealing with reality, such as John coming to the realization that he must remain an upright and honest man. The super-ego represents a repository of socially

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