ipl-logo

Auteur Theory Analysis

1200 Words5 Pages

Wong Lok Yi 14206900

Auteur Theory and Wong Kar-Wai’s Films

Auteur theory emerged in France in the late 1940s from the theory suggested by two French film critics, who are André Bazin and Alexandre Astruc. After that, it was advocated by a film director called Francois Truffaut in 1954. 1 He suggests that a good director exert a unique style or promotes such a consonant film theme that his or her influence is unmistakable in the body of his or her work. In 1962, Andrew Sarris, an American film critic, one of the most popular representative who supports Auteur theory, wrote an essay named "Notes on the Auteur Theory”. It suggests that Auteur Theory has three premises, which are the vital premises as an auteur. 2 The three premises includes …show more content…

10In one of his interview, he claimed that he moved to Hong Kong when he was five. That period was a very memorable time that he wanted to make a film to record that period. The story was set in 1960s, the time when Wong reached the Hong Kong from Shanghai in five year old. Wong claimed that it is because he wanted to capture the moment since he was afraid that the period would be forgotten later. This clearly shows that he wants to express the feeling of nostalgia about Hong Kong history in this film.

11It is said that Happy Together has the most direct political meaning among Wong’s films, which is the challenge to the normalization of Hong Kong-Mainland relation on the eve of the handover. This film offers several possible scenarios for the reunion of Hong Kong and China included escape, lament, embrace and choice etc. This film maps out complication and conflicts. It reflected the situation and emotion of Hong Kong people under the handover.

Based on the three premises suggested in Andrew Sarris’ Auteur Theory, it is undoubtedly that Wong Kar-wai is an auteur. Rather than the unique camera movement and way of storytelling, the interior meaning of his films is intriguing. It is believed that these characteristics become his signature, which build up his reputation in the world.

(1020

Show More
Related
416 Words | 2 Pages

Auteur theory is an important mode of film criticism that indicates the extent of the director’s involvement in the final output of the film. As it has been previously mentioned, Spike Lee’s films express certain notions about race that emerge from his personal viewpoint as well as from his political and aesthetic beliefs. The focal point of this chapter is the auteur theory and its relativity to Spike Lee. In order to prove the connection between the theory and his works, it is necessary to refer to Lee’s biography, since both his background and distinguishable personality have contributed to his technical skills as well as to his unique style as a film director. The particular chapter will also include the synopsis as well as the technical analysis of each film correspondingly.

Read More
1990 Words | 8 Pages

His films often explore topics of race, gender, identity, and social justice as well as his distinctive film style

Read More
1562 Words | 7 Pages

Kishan Patel Art 2901 Exam 1 Essay 1 (100 points) Early films by Edison and Lumiere involved very simple cinematography, little to no editing and simple realist mise en scene. However, Georges Melies, a theater proprietor and an amateur magician, laid foundation for the new generation films. In A Voyage to the Moon, he becomes first person to introduce a sci-fi film.

Read More
3780 Words | 16 Pages

The concentration is on comparing and finding the changes that history made to this movie genre, especially considering the gender roles. Results will clearly explain the psyche of society in two different periods, which confirms that people reflect the movies as movies have an impact on people. The Introduction It is often said that the element of surprise makes the movie more interesting and leads the plot. There are many masters of storytelling

Read More
1068 Words | 5 Pages

Over the fifteen weeks of the first semester of film school, we were taught many interesting types and styles of early world cinema which were extremely informative and influenced the filmmaking style of the whole class and made us better filmmakers instantly. One such ‘ism’ which inspired me the most was German Expressionism which is a unique characteristic of Weimar Cinema. In this essay I am going to talk about the history of this ‘ism’, its impact on cinema, some significant works and how it inspired me and influenced my filmmaking style. German Expressionism is one of the earliest artistic genres to influence filmmaking, and one that ostensibly prepared for some other cutting edge artistic styles and techniques. It is an artistic genre

Read More
484 Words | 2 Pages

"Film as self-expression" is an important concept in the analysis of media products because it allows the viewer to gain a deeper understanding of the filmmaker's personal vision, intention, and creativity. By recognizing the film as a reflection of the filmmaker's own experiences, beliefs, and artistic choices, the viewer can gain insights into the themes and messages being explored by the film. This approach is particularly useful in understanding independent, art house, or personal films where the filmmaker has more control over the creative direction of the project. By focusing on the filmmaker's self-expression, the viewer can gain a deeper appreciation for the film as a unique and personal form of artistic expression.

Read More
2567 Words | 11 Pages

Miller, Halie, and Jala Davis. “The Evolution of Film: Where it Started and Where it is Now.” The East Carolinian, 6 October 2021, http://www.piratemedia1.com/thehook/article_bd548658-2704-11ec-ae3a-8b26bed19300.html. Accessed 23 February 2023. mittelstaedt, sean, and Daniel Thoen.

Read More
2800 Words | 12 Pages

Over the past century, film has served as a powerful means of communication to a global audience and has become a vital part of the contemporary culture in a world that is increasingly saturated by visual content. Due to the immediacy and the all-encompassing nature of film, the process of watching a film, is widely perceived to be a passive activity by the general masses. However, quoting Smith in his article about the study of film, “nothing could be further from the truth.” The study and understanding of film as an art form enhances the way we watch and appreciate films. It requires the audience's active participation and interaction with the film in order to fully comprehend the directors' intention behind every creative decision.

Read More
724 Words | 3 Pages

A right mixture of elements both from Taiwanese and American perspectives is one of the reasons contributing to the great success of The Wedding Banquet, like what the director Ang Lee always jokes that his filmmaking style is ‘Yasujiro Ozu meets Billy Wilder.’ The movie is neither purely Asian American nor purely Chinese but is a hybrid movie that serves to connect the two cinemas. Different from regular Hollywood film, The Wedding Banquet is uniquely featured with Taiwanese characteristics. It is produced in Taiwan, starring the Taiwanese actor Sihung Lung, who is the father of Wai Tung and showing the Confucian family facing different challenges. The Wedding Banquet forms what has been called Lee 's "Father Knows Best" trilogy, on top of Ang Lee’s other two movies: Pushing Hands and and Eat Drink Man Woman.

Read More
1514 Words | 7 Pages

This isn’t the most realistic, as there is usually more than one individual working on a film, but the director is considered to be the guiding force. An auteur is one that has a distinct style and is one that can create films that are both commercially and aesthetically pleasing. A good example of an auteur film is The Godfather. Sarris states that an auteur is one that has a that can create both commercially and aesthetically pleasing films, and Coppola transformed a story fit for a low-budget gangster film, into something far more.

Read More
836 Words | 4 Pages

Baz Luhrmanns contribution to the art of film, brings about a flamboyant and revitalizing side to the industry. Through the use of cinematic language, his story telling techniques and belief in the theatrical cinema come to life. Baz Luhrmann has a very distinctive directing approach with particular techniques that define his style. He presents his films as if he were telling a story, which he invites you into. His stories are simple and he tends to give away the ending at the beginning of the film, which intrigues you to find out more about what had taken place.

Read More
706 Words | 3 Pages

Baz Luhrmann’s films are known their ability to make a watcher feel as if they are part of the show. Between his use of camera angles, shots and the use of a narrator, it’s no wonder he is able to keep viewers on the edge of their seat. But how does Baz Luhrmann pull off this spectacular feat of his? This is probably explained best by referring to Baz Luhrmann’s films and how he himself has evolved as a director.

Read More
2424 Words | 10 Pages

Throughout the years, the auteur theory slowly ensconced itself as an essential key to film analysis, providing a specific guideline to evaluate a director’s film. One of the most

Read More
1081 Words | 5 Pages

Chinese people are well-known for being disciplined, aware of where they are in the hierarchy and are very sensitive to it. According to Hofstede’s power distance index, China scores 80 and the United States scores 40, indicating the low power distance and high power distance. In conclusion, through the film Rush Hour, we are likely to understand more about cultural concepts. As Champoux(1990) observed: “ inexperienced students will be likely benefit from the use of film because of a greater feeling of reality”.

Read More
660 Words | 3 Pages

Similar to the structure of Arnheim’s argument, Kracauer’s theory develops from the main premise that film art must put emphasis on its capacity for imitating reality purely because it comes so near in doing so. This stance led Kracauer to suggest esthetics from material, rather than from form, and thus leading the concept of film art out of the traditional concept of art by instituting a new order of values. Through this logical process of establishing the uniqueness of film, Kracauer leaps to a point where he suggests, “Since it can reproduce reality so well, it ought to.” (Monaco 447) Monaco finds this part of Kracauer’s theory to be very controversial. After this statement, Kracauer continues, and by placing his belief in “found stories”, he shows that films serve a purpose.

Read More

More about Auteur Theory Analysis

Related Topics

Open Document