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Auteur Theory In The Film 'The Godfather'

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The Graduate depicts a college graduate from a middle-class, white family, as he rebels from his parents. He refuses to go to graduate school and follow his parents’ lifestyle of materialism and work. His parents base their lives on earning and spending money. They think more about the future, whereas the counterculture is more about experiencing the present. Ben wants happiness and satisfaction, and he tries to obtain that. Ben seems to be alone and helpless throughout most of the film. He’s drifting, as he tells his father in one scene. He doesn’t have a set goal in mind. He’s just floating and hoping that he doesn’t drown. He needs something to fill this void, and then comes Ms. Robinson, but she only fills it momentarily. I feel that …show more content…

This isn’t the most realistic, as there is usually more than one individual working on a film, but the director is considered to be the guiding force. An auteur is one that has a distinct style and is one that can create films that are both commercially and aesthetically pleasing. A good example of an auteur film is The Godfather. Sarris states that an auteur is one that has a that can create both commercially and aesthetically pleasing films, and Coppola transformed a story fit for a low-budget gangster film, into something far more. As a result, The Godfather ends up becoming a successful blockbuster, but it’s also artistic, and reflective of our society. The Godfather caters to both casual and critical audiences. Coppola uses graphic violence to draw in casual viewers, but he draws in critical viewers by having the film become a social critique of society. Auteur films are meant to give us a view of the world. In addition, the film draws parallels between the mafia and the police, by essentially stating that our society is corrupt. The way to rise up in the world and achieve power is through the use of violence, and with power, comes money. Despite this, it doesn’t condemn the mafia, but rather we are given the opportunity to make our decision on who is morally just and who

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Ben is nervous or even in a panic when they are having an abnormal relationship. However, the bad date scene implies a turning point that makes Ben become a more powerful character which has initiative in the second part of the

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The scene then cuts to a medium shot of Ben looking over the shoulder of Mrs. Robinson, while she is laughing with a blank expression on Ben’s face. Overall this scene start to explain one of the main themes in the movie. The idea that Ben is someone with no relationship experience what so ever and he idea that the women are the sexual aggressor in the movie. This relates to my theme of the youth looking to change their life and revolt from their parents beliefs, in the concept that a fling with an older woman is unheard of and no one would approve of

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First of all, the story adapted from the 1969 bestselling novel of the same name and is one of the best movie adaptations of a book ever made with a captivating screenplay to entertain the audience. Set in postwar New York in 1945, the time when organized crime and mob activity is at its peak, the story follows the journey of the Corleone crime family. The Corleone crime family was one of the major five families which controlled the organized crime business in New York and the story unfolds the challenges faced by the family in order to sustain the power of the family. Don Vito Corleone, the head gangster of the Corleone family, also referred to as the Godfather is the person whom everyone would find to solve their problems or to “take care”

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Having primarily male-centered films within the walls of the gangster genre, Scorsese has successfully found the surroundings of the gangster film to be his stage for masculine action, drama, and thought. These gangsters are, first and foremost, men, and as such they have quite distinct ideas of proper masculine behavior, attitudes, and inclinations. There is a mob-based code of conduct that fuels this with a ‘you scratch my back I’ll scratch yours’ mentality that takes place. While some aspects could be considered as an “Italian American crime thriller” like The Godfather, the film itself does not follow most of the conventions. The film takes a different approach to the value of family compared to generic Italian gang films.

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Auteur is the french word for author and is a term given to those far and few between who were responsible for handling and directing most of, if not all post and prior production of a film, including techniques, advertising, and choice of cast. So much so that they are considered to be the "author" of the film. Alfred Hitchcock has no doubt left an indelible and engraved mark on all of cinematography as one of the most successful and influential auteurs of all time, as seen through the wide range of techniques Hitchcock employed throughout his films such as voyeurism, doubleness, and the famed magcuffin, as can clearly be seen in the film "Rear Window" as well as "Shadow of a Doubt". Hitchcock also showed immense dedication to the post and

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The upbringing of the organization has two facets: create a better environment by helping those in need and the other one is to seize opportunities to gain an advantage over others by strategic force. “The idea of the Mafia being a Robin Hood-like organization in defense of the poor had a long life in Italy. But the sheer brutality of the war against the state put the validity of the myth in question. There was so much violence and Mafia brutality. That is when the myth of the good Mafia dies.

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Moral corruption is a notable and recurrent theme of gangster films. The protagonist usually has an initial innocence, or ignorance of the means and ways of the life of crime. He gets involved with this world out of necessity due to financial problems, or comes from a social or ethnic background, where crime is an easier and more profitable way of living than legitimate business. In the beginning of his involvement the hero is reluctant to use violence and hesitant to manipulate people, as evidenced in The Godfather and Goodfellas.

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The film "The Godfather" is an excellent one. A story about revenge, family, and corruption all combined into a masterful work of art. Gangster's are more often than not portrayed as a "bad" guy, this is the reason why, I believe, that filmmakers who make movies in this genre may have a hard time in soliciting sympathy from the viewers for the characters in the film. In the movie "The Godfather", I found it easy to feel sympathy for the characters. This was achieve by how Francis Ford Coppola portrayed the Corleone family.

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The Don will see you now by Rowenna Godfrey "I believe in America." The infamous quote that begins one of the most widely regarded greatest films ever. Bonasera's plea to Brando's captivating performance as the patriarch of the Corleone family not only shows the difference of justice from Vito and America, but more importantly, family is key. Francis Ford Coppola's 1972 classic translates Mario Puzo's The Godfather, 1969 onto the big screen.

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My instincts are keen on how the movie is organized. In the meantime, “The Godfather” still keeps me on the edge of my seat, I see additional clues and other elements that tie into the theme and plot of the film.

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“About 25 years ago, I started out as a reporter covering politics. And that sort of just evolved into organized crime, because organized crime and politics were the same thing in Boston. - Howie Carr”. The mafia is an iconic criminal organization that has spread its influence through American culture and politics for decades. A mafia can be thought of a gang that is organized enough to have it’s own disciplined procedures.

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It is often said that ”The Godfather” is one of the worlds best mafia films ever made, however one would argue that it should be filmed once again. I strongly believe that the film is still worth seeing. Firstly, the actor that plays the main role ”Vito Corleon” is the perfect match for this role. In todays society it would be close to impossible to find an actor that would play ”Vivo Corleon” as good as the original actor.

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The director of The Godfather parts one and two are classics, and have become engraved in the legacy of Francis Ford Coppola. As described in an online article, The Godfather films revolutionized new ideas in cinematography for future films by the use of minimally lit rooms that were often used in the movie (Konow, Filming The Light and Dark Side of The Godfather). However, while Coppola had the potential to become the iconic auteur with many critically successful films to last into the coming years, Coppola’s career spiraled downward. Financial problems cause his next few films to be received differently among critics, he couldn’t recreate the masterpiece and influence that The Godfather

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The American crime film “The Godfather,” created in 1972, directed by Francis Ford Coppola and produced by Albert S. Ruddy, greatly depicts the formation of gangs and gang violence as well as the American immigration experience. Don Vito Corleone plays an integral part in the movie as the mafia boss. He is well respected in the community, always dressed in his fine suits as he handles many favors on behalf of his friends. Though before he immigrated to America and gained his title as the mafia boss he was a poor young boy in Sicily. The reason in which many foreigners wish to immigrate to America is simple.

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The Godfather (1972) is said to be one of the greatest films ever made. When this movie was released in 1972, it was nominated for Ten Academy Awards and it won three: Best Picture, Best Actor and Best Adapted Screenplay. The film was adapted from the book with the same name written by award winning author of mafia fiction, Mario Puzo. This film takes place in a span of ten years following the life of Don Corleone, the head of the Corleone Crime Family. It was a film that changed the history of cinema, introducing a very talented filmmaker and several acting legends in the telling of a story of a Sicilian Crime Family.

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